In the LGBT tag, you’ll find posts featuring productions with LGBTQIA+ storylines, or productions with prominent characters who identify under one of the acronyms.
Sometimes I Feel Like Walking may start off interesting, due to the assumed subject matter, but then it shifts in such a way that makes it feel like that initial hook was a Trojan Horse.
Otherlands explores the quiet ache of loneliness and the emotional risk of seeking connection, through a deeply human story about chosen family and unspoken longing.
Queens of the Dead, produced by Shudder and in line with their brand, is everything you’d expect it to be and more.
Prepare to laugh straight through Sister! as a ridiculous person meets someone with wit and trust issues.
Ride or Die finds its greatest strength in Stella Everett’s performance, but it struggles to move beyond the appearance of sensationalism.
James Sweeney with Twinless presents himself as one of the best writer-directors who also star in their own films in this generation.
Trophy Boys honors the chaos which comes from male youth as it both challenges and embraces the patriarchy.
Sisters, in showing both chosen family and blood family, and the unique benefits and liabities of both, reminds you why both are necessary.
The Last Of Us, as it tries to have Pedro Pascal pass the baton to Bella Ramsey, stumbles in ways that qualifies season 2 as a sophomore slump.
Two estranged brothers find themselves forced together, after their shared father caused the distance between them.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
Welcome to Wherever I Look, your go-to destination for insightful and personable reviews of the latest TV episodes, movies, and live performances. Also, dive into our character guides and discover what’s truly worth your time.
