Final Destination: Bloodlines (2025) Review & Summary
Final Destination: Bloodlines feels less like a grand return for the Final Destination franchise and more like an acceptable new entry, like it never left.
Final Destination: Bloodlines feels less like a grand return for the Final Destination franchise and more like an acceptable new entry, like it never left.
“The Woman In The Yard” is a reminder of how our thoughts and feelings, the lies we tell ourselves, often play the villains in our story.
While Jenna Ortega makes the best out of what is offered, a lot of “Death Of A Unicorn” is hit or miss.
The younger years of Frida Kahlo are brough to life via animation, and produce a wonderful display for those families or kids with someone who has sometimes debilitating ailments.
“The Monkey” with being inspired by a short story by Stephen King, and slight “Final Destination” vibes, gives you a horror movie that will hit the spot.
Tina decides to go out partying alone in “Luz Diabla” and learns why there is strength in numbers.
“Inkwo for When the Starving Return” has the makings of an anime that could aspire to the levels of “Avatar: The Last Airbender.”
While “Grafted” has a body horror element that appeals to subgenre fans, it lacks anything else that will captivate them.
“Before” is one of those strange shows that starts and ends well but really challenges your loyalty throughout the middle.
“Nosferatu” doesn’t justify bringing back the dead, even with Robert Eggers’ brand of visuals and eccentric performances to expendable characters.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.