Lonely Castle in the Mirror (2023) – Review/ Summary
With themes of bullying, death, assault, and more, “Lonely Castle in the Mirro” is an immensely emotional experience.
With themes of bullying, death, assault, and more, “Lonely Castle in the Mirro” is an immensely emotional experience.
“The Magic Flute” is the kind of movie adaptation that will make you wonder, if the film is this good, would seeing it live be just the same or better?
Makoto Shinkai continues his streak of visually stunning and emotionally impactful anime with “Suzume.”
“Children of the Corn” feels like the kind of release done so a studio can hold onto the license.
“Disquiet” gives “Angels of Death” vibes, as we watch a man try to escape a hospital with monsters who all want to kill him and some who may be friends or foes.
“Infinity Pool” is a mesmerizing and seductive nightmare in which Mia Goth plays hostess.
For those who find kids creepy, “There’s Something Wrong With The Kids” will have you give a side eye to any and all kids throughout your travels – even your friends’ kids.
In the first adaptation of Anne Rice’s Vampire Chronicles in serial form, race swapping isn’t the only notable thing about AMC’s version of “Interview With The Vampire.”
“Atlanta” ends its run without any desire to conform to the expectations of a final season, as it continues to have a loose arc for its characters.
In “Lullaby,” Jewish faith is used to develop this horror film in ways you have likely not seen before.
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“Let The Right One In” completes its first season with few blemishes as it presents an emotional story with violence, love, and sacrifice.
“Darby and The Dead,” being yet another teen movie focused on the outcast who, with a makeover, becomes popular, sidesteps what could have made it interesting.
While Jenna Ortega makes a superb Wednesday, unfortunately, they put her in a world reminiscent of the “Chilling Adventures of Sabrina” with boy drama and a mediocre mystery.
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Dispel your skepticism as “Wednesday” is not only well cast but includes the supernatural in such a way you’ll question why isn’t it a horror release.
The third adaption of John Ajvide Lindqvist’s novel brings a heart not seen as strong in the previous movie adaptations.
“Lyle, Lyle Crocodile” knows what the heart of the film could be, yet it refuses to stick to it and thus becomes a forgettable movie hoping to cash in due to lack of competition.
Modernized in some ways but keeping the core story intact, we watch Louis again recounting meeting Lestat in an adaptation that struggles against its predecessors.
“Hocus Pocus 2” might be one of the few sequels you likely didn’t ask for that is far better than expected.
“My Best Friend’s Exorcism” is a run-of-the-mill horror film that lacks scares but does attempt to have a sweet friendship at its center.
It’s the start of horror movie season, and “Smile” is a good way to start your annual fix.
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The final season of “Motherland: Fort Salem” acts as a reminder that some shows are better off cancelled outright than given one last hurrah.
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In “The Lost Girls,” legendary literary figure Peter Pan is used as an entry point to talk about generational trauma, mental illness, and feeling disconnected from reality.
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While the tone and vibe are a bit corny, it’s easy to get sucked in by the leads’ chemistry and their different perspectives as hunters.
“Love Death + Robots” Volume III may not have the same story diversity as past volumes, but it is still a fun time for those who love animation.
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The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
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