Cruel Intentions: Season 1 – Summary/ Review
Prime Video revives the “Cruel Intentions” franchise with results that will likely make this show either a bust or one of their biggest young adult series—there is no middle ground.
Prime Video revives the “Cruel Intentions” franchise with results that will likely make this show either a bust or one of their biggest young adult series—there is no middle ground.
A cast of familiar faces, ranging from Lynn Whitfield to J. Alphonse Nicholson, delivers a holiday movie that is dramatic but a bit more serious than your usual fare.
It’s a romance, it’s a revenge tale, it is Melissa Barrera proving she doesn’t need “Scream” to be a movie star.
“Anora” is probably going to be one of the funniest sex comedies you’ve seen that are heavy on the sex and got released beyond a limited release in theaters.
“Young Hearts” delivers the type of innocent, first love you rarely see since most LBTQ+ romances are about kids well into their teens who see the pinnacle of any potential relationship as having sex.
In “Rookie,” we watch a sports story which makes the leads’ attraction only part of the story.
Andrew Garfield and Florence Pugh star in a romance movie made for those in their 30s, who have had significant relationships and aren’t scrambling with money or their career.
“Joker: Folie à Deux” aims to not only strip down Arthur Fletch and his Joker persona, but also strip away much of what many loved about 2019’s “Joker.”
Lucy Hale and Keir Gilchrist may deliver familiar characters from their repertoire, but amongst the odd story and comedy of “Running On Empty,” they make it work.
Starring recent Tony Award winner Kara Young, prepare for a play about two people trying to find closure, with a third character who, with the audience, don’t just watch but become part of the experience.
Blake Lively stars in the adaptation of Colleen Hoover’s hit novel, which focuses on a woman with a traumatic childhood who is trying to secure her purpose, reciprocate love, and break generational trauma.
Starring Brittany S. Hall, in this AllBlk release, she finds a potential love in a beautiful man played by Lanre Idewu who, like her, holds secrets that someone wants to use to make one of them into a killer.
Starring Nick Jonas and Alexandra Shipp, we watch a young man romances one woman while he mourns, with his family, the death of his mother.
In its second season, “Mushoku Tensei: Jobless Reincarnation” dials down a bit on the action, replacing it with diving deeper into Rudy’s efforts to not repeat the mistakes of his past life.
In its second season, “Interview With The Vampire” finishes covering the first book of the “Vampire Chronicles” and may push readers and non-readers to tears.
In the adaptation of Olaf Olafsson’s hit book, “Touch,” we witness a tear-inducing story of an old man trying to reunite with the woman who got away decades prior.
As “The Chi” extends into its 6th season, it continues to be something worth applauding for how diverse it wants its depiction of Chicago to be. However, it still struggles to do the most at a high caliber.
In “Little Deaths,” we watch the ebb and flow of a relationship plagued by a disease that doesn’t cause a lockdown but certainly puts immense stress on a delicate relationship.
Starring Jenna Ortega and Percy Hynes White known for “Wednesday”, in this Tribeca Film Festival release, the two are seniors unsure of where their relationship could or should go.
At times feeling like a visual album, “The Young Wife” delivers both the anxiety and sense of overstimulation that can come when two worlds collide via marriage – especially when there are unresolved issues.
Megan Park delivers another coming-of-age story, but this one focuses on a young woman meeting herself in the future and questioning the sexuality she thought she was firm in.
Starring Elliot Page, known for “The Umbrella Academy”, in this NewFest Pride release, Page plays a transman returning home for the first time in 4 years since transitioning and dealing with their friends and family awkwardly trying to reintegrate back into his life.
Starring Glen Powell, known for the recent hit “Anyone But You”, in this Netflix release, he plays an everyday guy thrust to pretend to be a hitman for the New Orleans Police Department in a movie based on a real person.
Starring Cassiel Eatock-Winnik and Savana Tardieu, this Tubi release sends teenage boys and girls to a Catholic camp to repent and reform from acting depraved.
Starring Sasha Pieterse of “Pretty Little Liars” fame, in this digital release, we watch as twin girls attracted to the same man create collateral damage in pursuit of that man.
“Maxton Hall – The World Between Us” may play out predictably for most of its season, but its actors compensate immensely for its by-the-beats story.
As two friends seek out prom dates to hold up a pact they made as kids, you watch a film that seems as beholden to the familiar as its leads are to their promise.
Ryan Gosling reminds you that while “Barbie” was a high point, there is a reason he has been working for three decades.
Zendaya plays the third wheel in one of the most intense love triangles in modern cinema.
“The Brink Of” may have a few catchy indie pop songs, but the will they or won’t they at the heart of it may not win too many over.
In “Parachute,” we’re reminded how love and romance isn’t a cure but sometimes a drug to alleviate symptoms.
As a mutations cause some of humanity to turn into animals, we watch as one family deals with the government’s response.
“Don’t Tell Mom The Babysitter Is Dead” might be another remake of a popular property, but for those unfamiliar with the original, you may find yourself enjoying this.
Season 1 of “Fallout” continues the trend of good video game adaptations we’ve seen recently, with this trying to balance the seriousness of a nuclear apocalypse with the comedy Obsidian Entertainment gave “Fallout: New Vegas.”
“The Greatest Hits” brings visuals to the saying, “Music moves you,” as a woman is repeatedly transported through time when triggered by songs that hold memories of her deceased ex.
In “Música,” Rudy Mancuso may not reinvent the musical genre but gives something different enough to revive your love for the genre if it has left you jaded.
Alicia Keys is the latest musician to have their work turned into a musical, and like most, this seems geared toward her fans and may not be on Broadway long.
“The American Society of Magical Negroes” has a top-quality romance film, worth its own motion picture, weighed down by the usual conversations and monologues on American racial relations.
With a beautiful and balanced bond formed at the heart of the film, “Insomniacs After School” has less to deal with sleeping issues and more about reasons to be awake.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
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