I Love You Forever (2025) Review
“I Love You Forever” joins a growing group of movies that exhibit how abuse begins from even the most unlikely of people, specifically men.
“I Love You Forever” joins a growing group of movies that exhibit how abuse begins from even the most unlikely of people, specifically men.
“Sugar Baby” is strangely not as explicit as the TV-MA rating would lead you to believe and fits the mold of being too tame despite its subject matter.
“Heart Eyes” delivers decent laughs and an acceptable level of brutality, but lacks the writing needed to make the Heart Eyes Killer into an icon.
“Clean Slate” stars Laverne Cox stars in one of the legendary Norman Lear’s final shows, which tries to balances a sense of universality with cultural specific stories.
“Virgin of the Quarry Lake” is a surprisingly bloody coming of age story, focused on a girl looking to have just one thing after a life filled with abandonment.
“Love, Brooklyn” has the makings of a classic that evolves as its initial audience watches it over and over throughout their lifetime.
“I Feel Fine” lulls you into the sense that this will be like any other coming-of-age movie, leading to the gut punch of realizing this is a film that may not have a happy ending.
“Marked Men” is made for a specific audience, and to capture that audience, it contains everything that could be interesting about this film.
While Isabelle Fuhrman creates a connection with viewers, her connection with Mena Massoud is tainted too early in “Wish You Were Here” to remain in love with the idea of these two.
“One Of Them Days” is the kind of comedy that you can see become a single outing or a franchise in Issa Rae and Keke Palmer’s filmographies – depending on how well it does.
“Bloody Axe Wound” achieves the rare balance of being funny, heartfelt, romantic, and bloody.
Stephanie Hsu’s first major starring role is a bit rough and may struggle to win new fans and could test fans who were waiting for her to have her moment.
“Makeine: Too Many Losing Heroines” gives you that high school nostalgia in perhaps the best or worst way, as it explores burgeoning feelings like love.
“F Mary Kill” presents a lighter and comical version of “Cat Person ” regarding what women may fear when dating men.
OWN For The Holidays returns, and as it becomes one of the last instances when OWN releases scripted content, this tame but likable film is not the best way to start the season.
While “Y2K” may bug anyone born in the 1990s and before, it could be a fun film for those who only know the time through Tumblr aesthetics and unearned nostalgia.
“Brewster’s Millions Christmas,” like many movies using name recognition for a boost, feels like it didn’t and shouldn’t have used its predecessor as a crutch, for this one could have stood on its own.
“The Day Before Christmas” gives you a corny but likable romance building around Christmas.
While much of what is to be expected is given with “Sweethearts,” at least the gay character, who feels obligatory/formulaic for films like this, is given a much better storyline than expected.
While it is always wonderful to see Raven Goodwin in a starring role, “Style Me For Christmas,” focusing on a talented woman’s desirability to an R&B superstar does lead to a tightrope walk between problematic and aspirational.
This is a character guide for Prime Video’s “Cruel Intentions,” with character descriptions, quotes, names of actors, and more.
BET+’s staple holiday franchise returns with the Wesley family heading to South Africa as Todd and Chris’ company tries to close a deal with a major South African tech firm and family.
Prime Video revives the “Cruel Intentions” franchise with results that will likely make this show either a bust or one of their biggest young adult series—there is no middle ground.
A cast of familiar faces, ranging from Lynn Whitfield to J. Alphonse Nicholson, delivers a holiday movie that is dramatic but a bit more serious than your usual fare.
It’s a romance, it’s a revenge tale, it is Melissa Barrera proving she doesn’t need “Scream” to be a movie star.
“Anora” is probably going to be one of the funniest sex comedies you’ve seen that are heavy on the sex and got released beyond a limited release in theaters.
“Young Hearts” delivers the type of innocent, first love you rarely see since most LBTQ+ romances are about kids well into their teens who see the pinnacle of any potential relationship as having sex.
In “Rookie,” we watch a sports story which makes the leads’ attraction only part of the story.
Andrew Garfield and Florence Pugh star in a romance movie made for those in their 30s, who have had significant relationships and aren’t scrambling with money or their career.
“Joker: Folie à Deux” aims to not only strip down Arthur Fletch and his Joker persona, but also strip away much of what many loved about 2019’s “Joker.”
Lucy Hale and Keir Gilchrist may deliver familiar characters from their repertoire, but amongst the odd story and comedy of “Running On Empty,” they make it work.
Starring recent Tony Award winner Kara Young, prepare for a play about two people trying to find closure, with a third character who, with the audience, don’t just watch but become part of the experience.
Blake Lively stars in the adaptation of Colleen Hoover’s hit novel, which focuses on a woman with a traumatic childhood who is trying to secure her purpose, reciprocate love, and break generational trauma.
Starring Brittany S. Hall, in this AllBlk release, she finds a potential love in a beautiful man played by Lanre Idewu who, like her, holds secrets that someone wants to use to make one of them into a killer.
Starring Nick Jonas and Alexandra Shipp, we watch a young man romances one woman while he mourns, with his family, the death of his mother.
In its second season, “Mushoku Tensei: Jobless Reincarnation” dials down a bit on the action, replacing it with diving deeper into Rudy’s efforts to not repeat the mistakes of his past life.
In its second season, “Interview With The Vampire” finishes covering the first book of the “Vampire Chronicles” and may push readers and non-readers to tears.
In the adaptation of Olaf Olafsson’s hit book, “Touch,” we witness a tear-inducing story of an old man trying to reunite with the woman who got away decades prior.
As “The Chi” extends into its 6th season, it continues to be something worth applauding for how diverse it wants its depiction of Chicago to be. However, it still struggles to do the most at a high caliber.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.