Ride or Die (Tribeca 2025) Film Review & Summary
Ride or Die finds its greatest strength in Stella Everett’s performance, but it struggles to move beyond the appearance of sensationalism.
Ride or Die finds its greatest strength in Stella Everett’s performance, but it struggles to move beyond the appearance of sensationalism.
Lemonade Blessing provides a different kind of coming-of-age film, especially with the inclusion of faith, as it shows the conflict in ways that don’t feel sensationalized.
Lost In Starlight, as its leads work through their personal anxiety and trauma, reminds you what finding “The One” looks like.
The Last Of Us, as it tries to have Pedro Pascal pass the baton to Bella Ramsey, stumbles in ways that qualifies season 2 as a sophomore slump.
Forever feels like watching those classic 90s or 00s movies, but as a show and without them time jumping from the teen years to the leads being adults.
Shadow Force wastes Kerry Washington and Omar Sy’s chemistry on some of the most mediocre villains ever seen in a wide theatrical release.
Sinners further cements that Coogler and Jordan are one of the top actor and writer/director duos in American media currently, with signs they will raise each other’s pedestal each time they work together.
While On Swift Horses might be longer than many may care for, it is undeniably engaging and you’ll wish it were a mini-series to allow you bite-sized pieces of more.
“Drop” wastes a perfectly good romance for a so-so thriller that has a decent mystery element and backends all the action seen in the trailer.
With a interesting gimmick, simple romance, and a touch of risque moments, while “My Love Will Make You Disappear” won’t be a classic, it is a good romantic comedy to hold you over till one shows up.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.