Little Deaths (2024) – Written Review
In “Little Deaths,” we watch the ebb and flow of a relationship plagued by a disease that doesn’t cause a lockdown but certainly puts immense stress on a delicate relationship.
In “Little Deaths,” we watch the ebb and flow of a relationship plagued by a disease that doesn’t cause a lockdown but certainly puts immense stress on a delicate relationship.
Starring Jenna Ortega and Percy Hynes White known for “Wednesday”, in this Tribeca Film Festival release, the two are seniors unsure of where their relationship could or should go.
At times feeling like a visual album, “The Young Wife” delivers both the anxiety and sense of overstimulation that can come when two worlds collide via marriage – especially when there are unresolved issues.
Megan Park delivers another coming-of-age story, but this one focuses on a young woman meeting herself in the future and questioning the sexuality she thought she was firm in.
Starring Elliot Page, known for “The Umbrella Academy”, in this NewFest Pride release, Page plays a transman returning home for the first time in 4 years since transitioning and dealing with their friends and family awkwardly trying to reintegrate back into his life.
Starring Glen Powell, known for the recent hit “Anyone But You”, in this Netflix release, he plays an everyday guy thrust to pretend to be a hitman for the New Orleans Police Department in a movie based on a real person.
Starring Cassiel Eatock-Winnik and Savana Tardieu, this Tubi release sends teenage boys and girls to a Catholic camp to repent and reform from acting depraved.
Starring Sasha Pieterse of “Pretty Little Liars” fame, in this digital release, we watch as twin girls attracted to the same man create collateral damage in pursuit of that man.
“Maxton Hall – The World Between Us” may play out predictably for most of its season, but its actors compensate immensely for its by-the-beats story.
As two friends seek out prom dates to hold up a pact they made as kids, you watch a film that seems as beholden to the familiar as its leads are to their promise.
Ryan Gosling reminds you that while “Barbie” was a high point, there is a reason he has been working for three decades.
Zendaya plays the third wheel in one of the most intense love triangles in modern cinema.
“The Brink Of” may have a few catchy indie pop songs, but the will they or won’t they at the heart of it may not win too many over.
In “Parachute,” we’re reminded how love and romance isn’t a cure but sometimes a drug to alleviate symptoms.
As a mutations cause some of humanity to turn into animals, we watch as one family deals with the government’s response.
“Don’t Tell Mom The Babysitter Is Dead” might be another remake of a popular property, but for those unfamiliar with the original, you may find yourself enjoying this.
Season 1 of “Fallout” continues the trend of good video game adaptations we’ve seen recently, with this trying to balance the seriousness of a nuclear apocalypse with the comedy Obsidian Entertainment gave “Fallout: New Vegas.”
“The Greatest Hits” brings visuals to the saying, “Music moves you,” as a woman is repeatedly transported through time when triggered by songs that hold memories of her deceased ex.
In “Música,” Rudy Mancuso may not reinvent the musical genre but gives something different enough to revive your love for the genre if it has left you jaded.
Alicia Keys is the latest musician to have their work turned into a musical, and like most, this seems geared toward her fans and may not be on Broadway long.
“The American Society of Magical Negroes” has a top-quality romance film, worth its own motion picture, weighed down by the usual conversations and monologues on American racial relations.
With a beautiful and balanced bond formed at the heart of the film, “Insomniacs After School” has less to deal with sleeping issues and more about reasons to be awake.
The final entry in the “Through My Window” franchise, “Through My Window – Looking At You,” might be the best one yet, partly thanks to the 2nd movie removing a certain character.
Seemingly inspired by Jennifer Lopez’s own journey to find her forever love, “This Is Me… Now” encapsulates Lopez’s past in a way that could cause mixed feelings.
“Players” has all the workings of a multi-season sitcom squeezed into a less than 2-hour movie.
Andrea Bang stars in “Float,” which puts a dry romance front and center over all the ways this could have been intriguing.
“Played and Betrayed,” featuring “House of the Dragon” actress Savannah Steyn is in line with many of Tubi’s offerings, for better or worse.
While “Upgraded” is predictable and doesn’t pursue standing out, it is enjoyable if you allow it to be.
“Lisa Frankenstein” doesn’t merely ride the wave of Frankenstein-type movies but carves out its own little niche thanks to the combination of those in front of and behind the camera.
Like most Sci-Fi movies void of action or suspense, “Love Me” feels longer than it needs to be, leading to its highlights becoming muddled.
“Beautiful Wedding” exists because there is an audience more than it has any desire to move the story forward or mature its characters.
“Which Brings Me To You” is an Olympic showing of Nat Wolff and Lucy Hale’s abilities as romantic leads, but beyond the romance their characters share are the lessons that made them right for each other.
“The Breaking Ice” may lack what you’d expect from a love triangle, but you can appreciate each character’s humanity in its subtlety.
OWN’s longest-running franchise, “Ready To Love,” has a new season each year, or sometimes six months. With “Ready To Love: Make A Move,” the formula is modified so that it is only alumni, and the four can’t be eliminated as they once again go on “The Journey.”
Imogene lost her mom when she was 11, and both at 11 and 29, a man named Rufus finds himself part of a murder investigation she is at the center of. It is just, this time, she is the accused rather than a witness.
In “Good Grief,” the universality of loneliness is explored, whether single due to death, a break-up, rejection, or just never getting to be “The One.”
While “The Book of Clarence” may seem potentially controversial because it contains Jesus of Nazareth, outside of some of the conversations it could start, it is tame to the point of being boring.
“The Pod Generation” explores what childbearing and rearing might be like in a future where women don’t have to get pregnant.
In this dream-jumping fantasy, a young woman, reeling from her father’s death, gets involved with boys who take part in something supernatural and potentially deadly.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.