Adachi and Shimamura: Season 1 Episode 1 [Series Premiere] – Recap/ Review with Spoilers
While there is some ecchi for those who need it, largely “Adachi and Shimamura” keeps things cute, with a dash of complicat
While there is some ecchi for those who need it, largely “Adachi and Shimamura” keeps things cute, with a dash of complicat
The anthology series, “Soulmates,” begins with the question: If science could possibly provide you with a soul mate, would you take the test and take the leap of faith?
For those waiting for Euphoria to return, We Are Who We Are goes beyond being something to hold you over and might become one of your new favorites.
With a unique, but sometimes frustrating gimmick, Wireless constantly makes you feel like you are missing something as you keep turning your phone around.
If the first episode is anything to go by, Raised by Wolves will be what makes HBO Max ascend from being yet another streaming service.
What if the roles were reversed and members of the African continent conquered Europe? Would things be different, better even, or just the same?
Love In The Time of Corona begins with a likable set of characters during the early weeks of the pandemic, and leads you to fear something bad may soon happen.
Unless you’ve grown tired of this new sub-genre of Black horror, mainly focused on the psychological effects of racism, you’ll find Lovecraft Country to be a wild ride.
“We Hunt Together,” seems like your usual, these two are criminals, these two are cops, let’s see how long it’ll take for the bad guys to get caught.
In the not so distant future, a young woman learns she is a robot and thus comes the question of who knows, who created her, and how can she get freedom?
The introduction of “Die Hart” pushes you to understand why comedians try and need to diversify before they are no longer in on the joke.
In the first episode alone, “Love on the Spectrum” may do more to reinforce your idea of how special and beautiful love is than any romance movie you’ve ever seen.
While it may not be what die-hard fantasy fans want or need, there is enough in “Cursed” to hold you over until something with a bit more oomph comes around.
“P-Valley” offers you everything and more as its girls present something far beyond a southern version of “Hustlers.”
“Little Voice” is an absolutely adorable show, but if you don’t already have Apple TV+, is it worth another subscription?
As we’re introduced to the Mutoh family and witness the graphic aftermath of an earthquake, there is a need to question if “Japan Sinks: 2020” may pick up.
“I May Destroy You” begins not with the crime central to its marketing, but a reminder of the person who preceded the adjectives placed on assault survivors.
“Doom Patrol,” formerly locked up behind a paywall not worth paying for, adds yet another reason to have HBO Max.
As “Pose” reintroduces ballroom to the mainstream, we meet the modern-day girls ready to make you gag as you possibly question why two people are their judges.
“Love Life” comes off like someone stretched out the montage we see in romantic comedies of all the exes the lead had before meeting the one.
“Double Cross” in its premiere episode, thanks to Ashley A. Williams, will have you hooked and wanting more.
“Blood & Water” has potential, due to its kidnapping mystery, but whether it’s potential will be realized is hard to say.
“Hightown” aims to hit all your crime drama needs with drugs, sex, murder, gangs, and a lead seeking a path of redemption.
Fridays on HBO been their day to show something different from their Sunday night fare, and “Betty” is no different as it focuses on the daily life of skaters.
It’s been a long time since we really desired to binge something on Netflix, but “Hollywood” is bound to break the dry spell.
For those looking for a new teen drama, “Summertime” likely can deliver the romance and drama you desire.
“Sing ‘Yesterday’ For Me,” as it addresses the regrets that come with early adulthood, makes you hyper-aware of what is and isn’t going right in your life.
In a slight change of pace, “Motherland: Fort Salem” may focus on witches and the supernatural, but with the general omittance of men, things appear far more severe.
In its series premiere, “Little Fires Everywhere” takes us back to 1997 and gives us a socio-economic tale with characters ready to burst at the seams.
“Breeders” is a candid portrayal of parenting – in terms of children being little menaces who you could imagine your partner offing.
After proving herself to be able to carry multiple films, even if they are meh, “I Am Not Okay With This” allows Sophia Lillis to be in her element and kick ass.
In “For Life,” rather than be yet another courtroom drama where the cases seem to only matter that episode, we get a show in which each case is a building block for the future.
Zoey Kravitz’s “High Fidelity” may not have too much of a hook beyond herself and Da’Vine Joy Randolph, but that might be all it needs.
In its premiere, “Stuck With You” may remind you of many a Black celebrity couple, especially those where it shifted who is the star and the big-time success.
OWN continues to be one of the premier networks for dramas featuring elite Black talent, and Ava DuVernay’s “Cherish The Day” furthers the network’s legacy.
In the new Netflix mystery series, one person’s reveal of a mother’s lie and a bunch of teenagers having a wild night, unravel a family, and their community.
“Everything’s Gonna Be Okay” presents the idea FreeForm can still be groundbreaking without necessarily being political.
“In/Spectre” tries to have romance, gore, comedy and the supernatural all in one, but it is hard to say it ever perfectly blends the three together.
“Zoey’s Extraordinary Playlist” is beyond being another musical comedy, it will make you Kerry Washington style, lip tremble, cry.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
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