Wayne: Season 1 – Recap/ Review (with Spoilers)
While compared to The End of The F***ing World, Wayne proves itself to be more than a distant, working class, American cousin.
Season or series reviews of shows, summarizing all you need to know in one post.
Season or series reviews of shows, summarizing all you need to know in one post.
While compared to The End of The F***ing World, Wayne proves itself to be more than a distant, working class, American cousin.
Sex Education accurately exhibits the awkwardness of becoming a sexual being while experiencing romantic feelings for the first time.
Dirty John fits what most would describe as a guilty pleasure for there will be times you hate-watch it just to see how it ends.
Goblin Slayer takes the least tread road by being a sometimes-violent anime yet still putting time and effort into its lead’s emotional development.
Ready To Love may have presented us with a lot of women we don’t often see on TV, but it’s elimination process ruined the dating aspect of the show.
Alexa & Katie’s second season enhances what worked the first season, but forgets developing most of the characters that fill out the cast.
The Fix is a bit awkward in its first season, but the laughs and insight on the topics compensate for that.
The Hookup Plan is a fun series to binge but may not become your must-see of the year.
The Marvelous Mrs. Maisel – season 2, still rushes Miriam’s success but compensates with better character development.
My Brilliant Friend is a true statement to the power of girls and young women despite a world which tries to undermine and oppress them.
Relatable is a welcomed return for those a fan of Ellen DeGeneres’ style but if not into it? Well, this may not convince you she’s funny.
The third season of Greenleaf seemingly is about resolving past issues in order to do a soft reset and ensure the show’s future.
You challenges what can be acceptable and set aside when it comes to finding and maintaining love in the internet age.
Sorry For Your Loss is a moving show which sadly stumbles as it tries to distance itself from its central tragedy.
Trevor Noah: Son of Patricia helps you understand how her perspective allowed him to be open and handle the weirdness of life.
A Discovery of Witches seems to recognize there is a market for those who love witch, demon, and vampire fantasy, but have grown past 20-year-olds being the stars.
Super Drags goes beyond what you may expect to be by having a few touching stories, amongst all its comedy.
John Leguizamo continues to use the unique lane he created for himself to not only present his comedic take on the ignorance of Latin history but also present an epic history lesson.
While The Chilling Adventures of Sabrina undercuts any sense of danger, you become such a fan that you find yourself ignoring flaws.
Light as a Feather shows that giving YA novel adaptations more time to develop doesn’t mean you’ll get a better product.
While the first season of Mr. Inbetween failed to find a sweet spot between the gangster and dad, it still made for one hell of a first season.
While the inconsistency of many relationships might annoy you, the drama of Netflix’s Elite will keep you coming back for more.
Big Mouth season 2 tackles shame, Planned Parenthood, female pleasure, and so much more. All the while seeming like it is more so edutainment than just raunchy good fun.
In season 3, Issa finally has real stable growth as Molly continues to seem stagnant. But, when it comes to their friend group, they’re dealing with growing pains of a different kind.
How Not To Summon a Demon Lord is such a frustrating show. For it seems to know what it would need to be better than what’s delivered, but is too lazy to be consistent.
Maniac ultimately seems like a good book that was adapted into a lopsided production that relied heavily on its female lead as it let its male lead drown.
A bit dated, and lacking the type of punch you may be expecting, D.L. Hughley: Contrarian has its moments but lacks a reason to be called a classic.
Atypical continues to exemplify the capabilities of high functioning people with autism, while not making that the sum of the lead or show.
The Bobby Brown Story seemingly had two goals in mind: Demystify his relationship to Whitney Houston and show how much better he is now.
Season 2 of Ozark is a great improvement of the first and it is all thanks to the women, sans Charlotte and Rachel, of the show.
Sharp Objects, once it gets into its groove, reminds you why mini-series make for the best method to do book adaptations.
Season 3 of Queen Sugar feels like a transition season as it wraps up the trials and tribulations of the first two seasons and preps for the show’s future.
August 28: A Day in the Life of a People needs to be a perennial feature on OWN, and a play done across the nation during Black History Month.
The Innocents lacks a real, and consistent, hook, but June and Harry’s relationship, alongside a character named Kam, pushes you to hope the season will get better as it goes on.
Love Is doesn’t necessarily try to sell you a love story for the ages, but it does try to make dudes who are investments seem like they are ultimately worth it.
While Insatiable does have a few buds which could have grown, the overuse of terrible jokes and storylines suffocate what could have bloomed.
In season 2 of Andi Mack, the show continues to push the standards and expectations of the Disney Channel past even what older generations experienced.
In season 2, Desna embraces that she isn’t a victim of circumstance but simply someone avoiding her calling and thanks to a woman named Zlata, she becomes the boss she was meant to be.
In season 2 of The Bold Type, it’s more about personal growth than season 1’s professional. Which, for some, comes with a whole lot of pain.