A Discovery of Witches: Season 1 – Recap/ Review (with Spoilers)
A Discovery of Witches seems to recognize there is a market for those who love witch, demon, and vampire fantasy, but have grown past 20-year-olds being the stars.
Season or series reviews of shows, summarizing all you need to know in one post.
A Discovery of Witches seems to recognize there is a market for those who love witch, demon, and vampire fantasy, but have grown past 20-year-olds being the stars.
Super Drags goes beyond what you may expect to be by having a few touching stories, amongst all its comedy.
John Leguizamo continues to use the unique lane he created for himself to not only present his comedic take on the ignorance of Latin history but also present an epic history lesson.
While The Chilling Adventures of Sabrina undercuts any sense of danger, you become such a fan that you find yourself ignoring flaws.
Light as a Feather shows that giving YA novel adaptations more time to develop doesn’t mean you’ll get a better product.
While the first season of Mr. Inbetween failed to find a sweet spot between the gangster and dad, it still made for one hell of a first season.
While the inconsistency of many relationships might annoy you, the drama of Netflix’s Elite will keep you coming back for more.
Big Mouth season 2 tackles shame, Planned Parenthood, female pleasure, and so much more. All the while seeming like it is more so edutainment than just raunchy good fun.
In season 3, Issa finally has real stable growth as Molly continues to seem stagnant. But, when it comes to their friend group, they’re dealing with growing pains of a different kind.
How Not To Summon a Demon Lord is such a frustrating show. For it seems to know what it would need to be better than what’s delivered, but is too lazy to be consistent.
Maniac ultimately seems like a good book that was adapted into a lopsided production that relied heavily on its female lead as it let its male lead drown.
A bit dated, and lacking the type of punch you may be expecting, D.L. Hughley: Contrarian has its moments but lacks a reason to be called a classic.
Atypical continues to exemplify the capabilities of high functioning people with autism, while not making that the sum of the lead or show.
The Bobby Brown Story seemingly had two goals in mind: Demystify his relationship to Whitney Houston and show how much better he is now.
Season 2 of Ozark is a great improvement of the first and it is all thanks to the women, sans Charlotte and Rachel, of the show.
Sharp Objects, once it gets into its groove, reminds you why mini-series make for the best method to do book adaptations.
Season 3 of Queen Sugar feels like a transition season as it wraps up the trials and tribulations of the first two seasons and preps for the show’s future.
August 28: A Day in the Life of a People needs to be a perennial feature on OWN, and a play done across the nation during Black History Month.
The Innocents lacks a real, and consistent, hook, but June and Harry’s relationship, alongside a character named Kam, pushes you to hope the season will get better as it goes on.
Love Is doesn’t necessarily try to sell you a love story for the ages, but it does try to make dudes who are investments seem like they are ultimately worth it.
While Insatiable does have a few buds which could have grown, the overuse of terrible jokes and storylines suffocate what could have bloomed.
In season 2 of Andi Mack, the show continues to push the standards and expectations of the Disney Channel past even what older generations experienced.
In season 2, Desna embraces that she isn’t a victim of circumstance but simply someone avoiding her calling and thanks to a woman named Zlata, she becomes the boss she was meant to be.
In season 2 of The Bold Type, it’s more about personal growth than season 1’s professional. Which, for some, comes with a whole lot of pain.
When the industry speaks on new voices, faces, and stories, perhaps the best example is Pose. For with it presenting trans and gay stories front and center, it reminds you of why television can be considered revolutionary.
Elder Millennial has the vibe of a YouTube video. It isn’t hilarious but the way things are talked about are comical and insightful enough to make you want to subscribe for more.
In its sophomore season, Anne with an E ventures into adopting modern storylines while holding onto the heart of Anne from Green Gables.
In season 2, The Handmaid’s Tale finds itself in a sophomore slump as it finds itself in a perpetual loop barely broken in the season finale.
In the first half of season 1, Jada Pinkett-Smith revives Red Table Talk and gives us the type of show you wish was in the headlines for more than sensationalized topics.
After a lackluster season 2, Humans comes roaring back with a vengeance thanks to its focus on synthetics pursuing civil rights.
Five Points really helps legitimize Facebook Watch as not yet another platform getting into the original content game, but a platform which may have something different to present.
Magical Girl Site may have its touchy, and gory, moments, but neither are consistent enough to keep those with a feign interest watching.
The Comedy Lineup really pushes the idea that the word special needs to be far more exclusive and we need to start using the word “showcase” to take expectations down a notch.
Vida for STARZ is perhaps the first show it has had, in a long time, which makes it a network worth subscribing to.
SweetBitter is really just an appetizer, a sample platter, that you’ll likely find enticing enough to ask for more.
The second half of season 2 of Star, seemingly is about cutting any and all fat so that season 3 can refocus on core characters.
Season 2 of 13 Reasons Why continues to push the TV landscape and harness the types of stories and visuals only seen in indie movies. Giving a sometimes too raw, to the point of seeming for the sake of dramatics, story.
Ali Wong proves that comediennes can be vulgar and funny, while not being self-deprecating in the process.
The second season of Atlanta doubles down on the eccentrics of the first and with that comes more inventive stories and the question of what was done purely because Glover and co. had the money to do it?
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
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