Marina Franklin: Single Black Female – Summary, Review (with Spoilers)
Marina Franklin: Single Black Female is a solid hour of material from a conversational comedian who will definitely push you to check what else she has out there.
Season or series reviews of shows, summarizing all you need to know in one post.
Season or series reviews of shows, summarizing all you need to know in one post.
Marina Franklin: Single Black Female is a solid hour of material from a conversational comedian who will definitely push you to check what else she has out there.
Family Reunion tries to tap into the vibe classic late 90s/00s sitcoms had and tries to modernize the feel to, sometimes, mixed results.
Aziz Ansari: Right Now brings us a more mature Aziz, reminiscent of Dave Chappelle’s The Bird Revelation, but still presenting the manic persona many have come to love.
Season 3 feels like the peak for Stranger Things, and from here, it can either plateau or go downhill.
The Rising of the Shield Hero, despite early on potential, mostly thanks to its tone of drama, loses quite a bit of luster by its last episode.
Pares Ratliff: I Hate People is a new comedy special from an interesting new comic, who offers a few chuckles.
Mike Epps: Only One Mike continues Netflix line of comedy tapings which may get a few chuckles out of you, but certainly aren’t specials.
While Years and Years starts on a high note, as you grow indifferent over the future the characters go through, it pushes you to realize how complacent you’ve become of your own.
Season 2 of The Chi, despite issues caused by Jason Mitchell, retains the vibe of being a high-brow urban drama which balances both the dark and beauty of an urban area.
While a bit all over the place, with little in terms of an arching narrative, Devine’s high energy saves Adam DeVine: Best Time of Our Lives.
In trying to be a light drama, Trinkets avoids addressing what’s human about its characters and barely takes us beyond the surface.
Once Sykes gets past the obligatory Trump commentary, she finds a really good groove. But does she make this feel like a special?
Live in Front of a Studio Audience: Norman Lear’s “All in the Family” and “The Jeffersons,” brings on the nostalgia and, for the most part, revives the spirit of the source material.
Season 8 of Game of Thrones may contain lackluster ends for some fan favorites but ultimately reminds you the show never set out to consistently give fans what they wanted.
It’s Bruno certainly has its moments, but without much in the way of character development, is it worth watching?
Season 2 of 9-1-1 avoids any sense of a sophomore slump by balancing the 911 drama you love and developing both new and old characters.
Season 3 of Star is honestly a mixed bag, but when it addresses generational trauma and growth, it reminds you why you fell in love with the series.
Lucifer’s 4th season is more of the same and while it may satisfy avid fans, for those who dropped the series or are curious, it won’t hype you up for a 5th season.
Season 2 of Fleabag presents us a character who hit rock bottom and it trying to find her way back to the light despite her past.
Every legendary artist has that performance which summarizes all they were and the epitome of who and what they are. For Beyoncé it was Beychella.
Season 2 of The Good Doctor leans on the personal, and sometimes professional, growing pain of its characters as organizational changes happen.
Season 2 doubles down on what season 1 of the Chilling Adventures of Sabrina put out for better and worse.
Kevin Hart: Irresponsible brings about all you expect from the comedian, and for longtime fans that might be a problem.
Season 2 of On My Block loses a bit of the luster the first season had but remains a loveable staple of the Netflix library.
Bronx SIU may not have the most interesting week to week cases, but it compensates with a sense of emotion that most procedural dramas don’t have.
You might be surprised that, after The Leather Special, Schumer has a new comedy special that *gasps* is actually quite funny.
Part 2 of Leaving Neverland doesn’t present a smoking gun as much as tries to appeal to its audience’s emotions after wearing you down for roughly 4 hours.
With the past coming to roost for so many celebrities, I expected the worst. However, all we got was a shoddy hit piece given legitimacy by HBO.
One Day At A Time season 3 is a whirlwind of positive emotions that leaves us on a finale which will make you clamor for a season 4.
The Umbrella Academy’s first season is a bit hit and miss, but by the final, it seems to have found its footing.
This modernized version of Kim Possible could grow on you, but many of the jokes, and changes, including Kim being made insecure, may turn off older fans.
You Complete Me, Ho is an autobiographical comedy special noting the highs and lows of comedienne Ken Jeong from being a doctor to Crazy Rich Asians.
Siempre Bruja (Always A Witch) makes one too many missteps to be forgiven for and wastes the handful of good things it had going for it.
Kevin Hart’s Guide To Black History feels like a potentially classic edu-tainment program like what used to come out steadily in the 90s and early 00s.
One Show Fits All gives you everything and more. You’ll laugh, you’ll cry, hear wonderfully told stories, and will seriously be tempted to see Gabriel Iglesias live.
Trigger Warning with Killer Mike, while bringing up serious, potentially thought-provoking ideas, loses its edge due to how silly it sometimes becomes.
RENT: Live does occasionally stumble, and may not live up to expectations, but you can see an effort made to honor the spirit of the musical.
I Be Knowin’ is a “Best Of” collection for fans of Amanda Seales, but that is what makes this special the perfect entry point for when you introduce her to people.
While compared to The End of The F***ing World, Wayne proves itself to be more than a distant, working class, American cousin.