The film ‘Mickey Hardaway,’ is a thought-provoking narrative that showcases the poignant themes of mental health, its associated stigmas, and the mutable power of resilience, making it a must-watch for fans of deeply moving indie flicks.
“Cobweb” has a wonderful mystery and build that it squanders thanks to its ending.
“Barbie” is a fun, often comical movie laced with a strong feminist message and depiction of what can happen if toxic masculinity and patriarchal views go unchecked.
“The Flood” isn’t as bad as one might think, but because of a dull story, it’s more boring than it should be.
As it still is teased what happened at Susannah’s funeral and what led to Conrad and Belly’s relationship ending, it seems the Conklin kids and Laurel hold themselves accountable for their parts in family drama.
Kellan Lutz and Torrey DeVitto star in “Divertimento,” a twisty tale about how the games we play can turn deadly. Keyvan Sheikhailshai’s short film has plenty of intrigue and flair to be a full-length film.
“Birdbox Barcelona” navigates a hauntingly captivating journey of survival, illusion, and redemption, where love, faith, and human resilience are tested against a backdrop of dystopian horror and suspense.
“The Summer I Turned Pretty” cuts to the chase in its season opener, regarding Susannah, which is a little jarring considering her role in the show but sets the tone for the season.
Rudy meets an enemy who may not, yet, lay a hand on him, as one of his new friends are put in a life and death situation, with one not making it.
Akira embraces a full day off until he realizes he needs more beer, leading to him meeting his complete opposite.
This episode of “Average Joe” concludes with more questions than answers, leaving viewers on the edge of their seats. As the web of intrigue tightens, the anticipation for the next episode becomes almost palpable. The stage is set for a series of explosive revelations and confrontations. Don’t miss the next episode as the hunt for the truth continues.
While there is always talk about diversity, inclusion, and representation, Michelle Buteau has arrived to put all that talk into action.
While many competitions go down, it is Hori and Miyamura supporting one another despite being on opposite sides that becomes the most entertaining part.
While potential couples begin to form, a handful of cast members get into some drama as jealousy and defending their crush’s honor lead to flare-ups.
Giving you something different, “show” desires to give you someone jubilant about the end of the world rather than traumatized by it.
“Earth Mama,” lacking notable male characters, presents a different take on someone who is pregnant, experienced trauma, and is trying to move forward despite a slew of personal and external obstacles in her path.
The issue with “Mission: Impossible- Dead Reckoning Part One” is that, like its title suggests, the plot and exposition can be so dense that the audience may yawn or laugh.
As “Undead Murder Farce” becomes less about revenge for our leads but justice for other supernatural beings, it takes a curious turn that draws you in more.
While “Talk To Me” comes with graphic imagery and the occasional comical moment, the characters have hastened development which doesn’t really push you to care about who lives or dies, but rather how.
“The Horror of Dolores Roach” boasts a great cast ready to bite into the show’s bloody premise, but its tone shifts into systemic problems and landing a second season ruin a potentially good single season.
This is a character guide for Prime Video’s “The Horror of Dolores Roach,” with character descriptions, names of actors, and more.
While flawed in more ways than one, “The Idol” does have a few silver linings which allow you to get through it – despite one notable, divisive performance.
In this riveting episode of “Average Joe,” the harsh realities of familial relationships unravel through a lens of childhood neglect, hidden illnesses, and merciless mob-life decisions, navigating the characters into morally complex corners of life.
We pick up where we left off with Rudy, and he is still down in the dumps until a life-or-death situation wakes him up from his stupor.
A story-driven, rewriting of history in which supernatural beings existed before 1900, and between a half-demon and an immortal girl, both seek revenge on a European who did them great harm.
While titled “Cooking Class,” the episode features all the prep for sports day, which will be featured in the next episode.
“The Lesson” is like a well-crafted book adaptation that knows when to progress the story and when to give its audience time to reflect, theorize, and then press on.
“Ready To Love” returns with its ninth group, and it seems the casting people have toned down the dramatic picks and got less socially awkward people. However, did they find at least six people who can form the final three couples?
In the gripping BET film “Call Her King,” Judge Jaeda King finds herself in the midst of a high-stakes murder case, while her personal and professional life collides under immense pressure and challenged beliefs.
Netflix’s “Fatal Seduction” is a South-African soap opera that’s filled with plenty of spicy sex scenes, but not enough excitement in its murder mystery.
“The Out-Laws” is a pleasant “watch because it is new, and you feel you’ve watched everything else” movie.
“Insidious: The Red Door” is a reminder of why it has been so refreshing for new horror movies to not only come out but also get a marketing budget so that you know they exist.
“My Eyes Are Up Here” presents to you a romance complicated by more than just someone’s personal baggage.
In this step-by-step short regarding an environmental apocalypse, a couple meets, reaches a high, and falls apart as their means of fighting what’s coming differs short term, and the long-term goal is unable to unite them.
Can you imagine, to hopefully have kids one day, having to go to a room where everyone knows what you are doing and… you know.
While comical in some ways, “Voice Activated” reminds you how much accessibility matters in the development of technology and patience when dealing with other people.
A young woman who has figured out a way to barely survive finds her estranged father at her doorstep, willing to offer help, but there is a question if old memories will impede forgiveness.
In a therapy session, Mara recounts all the people who have died she has grown close to and her anxiety that it could soon happen again.
“Regular Rabbit” is absolutely absurd without having to be violent, slapstick, or implement farce comedy.