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“Spider-Man: Brand New Day” Film Details
- Director(s): Destin Daniel Cretton
- Writer(s): Chris McKenna, Erik Sommers
- Based On Work By: Steve Ditko, Stan Lee
- Runtime: 2 Hour(s) and 25 Minutes
- Public Release Date (In Theaters): July 29, 2026
- Genre(s): Action, Adventure, Fantasy, Sci-Fi, Young Adult
- Content Rating: Rated PG-13
- Primary Language: English
- Images © of / Courtesy Of Columbia Pictures
Movie Summary
It has been almost 4 years since the events of Spider-Man: No Way Home, and while Peter still longs for the days when he, MJ, and Ned were a trio, and he was dating MJ, he is finding ways to manage. He has working relationships which give him some form of connection, and Frank Castle might be prickly, but he is slowly but surely becoming like a grumpy uncle, or weird older friend to Peter. Well, Spider-Man, but Peter in extension.
However, things become immensely complicated as it seems Peter is going into second-stage puberty, with his powers slowly getting out of control and causing him to not only be more powerful, but also aggressive. Which couldn’t happen at a worse time, for while Peter can handle those like Scorpion and others fairly well, there is a new villain in town who isn’t a human with above-average strength, gang ties, or high-tech gear. They have something else which could make Peter’s newfound powers a blessing in disguise.
Cast and Characters
Peter Parker/ Spider-Man (Tom Holland)
- Character Summary: While his personal life is empty, Peter’s life as Spider-Man is filled with all the kind of stimulation he’d want from crime fighting, superheroes, and more. But this imbalance is taking a toll and starting to manifest in his physiology.
MJ (Zendaya)
- Character Summary: An MIT graduate, living in NYC with her best friend from high school, still in danger, but not knowing the reason why.
Ned (Jacob Batalon)
- Character Summary: Nerdy, awkward, but chill. Ned is smart enough to get into MIT and has the social skills necessary so that his only friend isn’t his roommate.
Frank Castle (Jon Bernthal)
- Character Summary: Surly and with the opinion that violence solves everything, Frank is someone who is generally a recluse if not pursuing justice, but Spider-Man coerces him to be more social.
Scorpion (Michael Mando)
- Character Summary: One of Spider-Man’s nemeses
Bruce Banner (Mark Ruffalo)
- Character Summary: A professor with a genetic mutation due to radiation, whom Peter seeks as he goes through a dramatic change he is looking to control.
Sadie Sink
- Character Summary: A mysterious character trying to maintain their upper hand as they search for something, or someone.
Detective DeWolff (Liza Colón-Zayas)
- Character Summary: Detective DeWolff is Spider-Man’s NYPD point of contact.
Tombstone (Marvin Jones III)
- Character Summary: One of Spider-Man’s nemeses
Review and Commentary
Highlight(s)
Depiction of Chosen Family [93/100]
The strongest element of Spider-Man: Brand New Day is Peter building new relationships after the death of Tony Stark, Peter Parker’s existence being wiped, losing his aunt, and his best friends. Yes, most of his relationships originally are not personal but professional, with few knowing his real name or even his face. However, as he interacts with Detective DeWolff and gets to know her beyond checking in; as he interacts with other heroes and they mess with him, often treating him like a little brother, you’re reminded that Peter may not have living blood relatives, but he does have something akin to family.
And this makes it so, as Peter goes on an emotional journey, as much as a physical one due to his powers, Brand New Day reminds you that we are in a new era. That of the superhero who is emotional, struggling with trauma, but still has just enough hope, maybe even optimism left, to still seek connection. Including from unlikely people, like Frank Castle.
Which, by the end of the film, led me to cry multiple times, and I think you will shed tears too.
Peter’s Evolving Relationship With Authority Figures [83/100]
With Peter being on the side of Tony Stark in Civil War, regarding heroes registering with the government, it is interesting to watch him have an almost Batman-type relationship with the NYPD. He checks in, provides not only villains but evidence to put them away, and is given leeway regarding his vigilantism, which often goes beyond him using his powers but also his tech illegally.
But then there is the Department of Damage Control. They are a national, possibly international organization, and Spider-Man is someone who likely is an asset to them until he could become a liability, like any hero. It is through them you’re reminded why Captain America didn’t want to blindly ally with the government and why MJ is paranoid about what the government can do.
In many ways, while Peter is a grown man by the time Brand New Day starts, it can feel like he is truly coming of age as he is pushed to realize the nuance of not only villains, but people who paint themselves as the good guys. Not just in the form of those with superpowers, but also humans who need his help, but also could be adverse to his goals.
The Humor [81/100]
Peter maintains his boyish charm in Spider-Man: Brand New Day. Despite what Frank is capable of, his earnestness puts him on the ropes, leading to many comical moments. Due to Peter still being one of the most awkward characters in the MCU, whether it is cracking jokes before fighting someone or not knowing how to interact with people who force him out of his shell, the humor is as it was in past movies.
Will you get anything quotable or necessarily meme-worthy? Potentially no. But, each scene when Peter isn’t fighting, investigating the latest villain, or dealing with something causing him pain or trauma, you’re reminded Peter likes to laugh. That he is silly and part of the reason he is many people’s favorite character is that he can authentically come off as someone not cool and yet still worthy of your time and attention.
Other Heroes And Notable Marvel Figures Being Featured Doesn’t Make Spider-Man Feel Small [85/100]
Whether new or old names familiar to anyone who has seen a Marvel movie since the late 90s, one thing that should be noted is none of them feel like they are meant to strengthen this movie’s position. The appearance of Bruce Banner doesn’t feel like it is for the sake of an Avenger showing up. Neither, when it comes to characters not yet publicly named, does it feel like a stunt.
If anything, you are more so led to believe these are people who live in or near New York City and are assets to Peter, no different than Tony was when he was alive. After all, while Spider-Man isn’t doing international or intergalactic adventures anymore and, as shown by Scorpion, there are still those who have come into possession of weapons they shouldn’t have. Then, with anti-heroes like Frank Castle around, there are not only people who are destructive in their pursuit of justice, but people drawn to the city to make a name for themselves because they think they can handle people like Frank or Spider-Man.
Also, lest we forget, without Tony’s money, and basically being an orphan, Peter doesn’t really have money. So he can’t buy things he needs or access. He needs contacts and to just as much use soft power as he does his web, spidey sense, and fighting abilities.
But what really helps is that the film never treats Spider-Man as anything less than the film’s star. This is not an ensemble movie; there isn’t really a female lead in a meaningful way. Everyone is introduced because they can be of service to Peter Parker or Spider-Man, and no one shows up just to be an additional famous name on the poster.
On The Fence
Treating Villains In Spider-Man’s Rogue Gallery As Disposable [76/100]
When you think of Spider-Man, Tombstone and Scorpion may not be the biggest names of the rogue gallery you can think of. However, I feel like treating them as this film does, almost as minor and easily tossed, undercuts what future movies could offer.
For at this point, Mysterio has been in the films; Green Goblin and Doctor Octopus showed up in the last movie, and Kraven the Hunter had their own movie, which flopped. Kingpin is in a weird limbo, rights-wise; Vulture was in a past movie, and Venom? Alongside already being featured in a past Spider-Man trilogy, they had their own solo franchise and have largely been kept away from the cash cow.
So with that in mind, not building up the few that Tom Holland’s Spider-Man could say they did first, and instead making them minor annoyances? It felt like the kind of missed opportunities which make you hope, if or when a sequel comes out, they don’t recast a familiar character, but instead allow an actor to choose a character who hasn’t been adapted yet, and they get the Vulture treatment over what was done with Scorpion or Tombstone.
The Emotional Journey Compensating For Minimal Details On The Physical One [75/100]
This movie will make you laugh, cry, be in awe sometimes during fight scenes, but it doesn’t fully tap into what is going on with Spider-Man physically. It is a good assumption that Peter’s powers are going haywire because he is maturing, going through some form of superhero puberty, or with his friends back in New York City; maybe that’s throwing him off.
Unfortunately, we don’t get a definitive answer as to why Spider-Man’s powers are multiplying at an exponential rate. It just becomes something that is simply necessary for him to be a credible adversary when facing who he does in this movie.
Overall
Our Rating (82/100): Positive (Worth Seeing)
At this point, I would submit the only reliable films within the MCU are those starring Spider-Man. Not just due to the consistency of Tom Holland, but also because this is the character most protected, and is allowed to be in films which feel like standalone projects. Not films meant to build whatever is to be released next or even a team-up movie.
Yes, we are left with the idea that there is more story to tell, especially considering who Sadie Sink’s character is, and their relationship to Peter Parker by the end of the film. But if the film franchise ended here and Tom Holland decided to take his money and rarely, if ever, do a big-budget film again, you could say Spider-Man ended on a high note.
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