Ash (2025) Review
While there is a certain beauty to “Ash” it maybe questionable if it has the substance you’d want or expect.
While there is a certain beauty to “Ash” it maybe questionable if it has the substance you’d want or expect.
“Salta” also known as “Jump” is one of the sweetest sci-fi family movies you may ever see, especially one that doesn’t involve someone being dead or trying to prevent a death.
“Companion” pushes Sophie Thatcher to the point of showing not only is she the top scream queen out there, but she could conquer the drama genre next.
While “Grafted” has a body horror element that appeals to subgenre fans, it lacks anything else that will captivate them.
While “Y2K” may bug anyone born in the 1990s and before, it could be a fun film for those who only know the time through Tumblr aesthetics and unearned nostalgia.
“Werewolves” reminds you why the werewolf trend hasn’t revived like vampires despite multiple movies in a year with no true revival in sight.
“The Fix” is a reminder that sci-fi productions don’t always need a major backer to look good and hold something compelling.
“Time Cut” feels so middle of the road, to appeal to maybe too many segments, that it just feels like a poor imitation of a better product.
Featuring the voices of Lupita Nyong’o, Kit Connor, and Pedro Pascal, “The Wild Robot” delivers dark humor and tear-inducing moments, making this one of the best American-made animated movies of the year.
“Afraid” compensates for not really tapping into the fear it could have consistently produced by giving you characters who deserve a better horror movie.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.