Love Death & Robots: Close Encounters of the Mini Kind (2025) Review & Summary
Let’s hope humanity’s first contact with aliens doesn’t come from extraterrestrials landing in Texas.
Let’s hope humanity’s first contact with aliens doesn’t come from extraterrestrials landing in Texas.
While there is a certain beauty to “Ash” it maybe questionable if it has the substance you’d want or expect.
“Salta” also known as “Jump” is one of the sweetest sci-fi family movies you may ever see, especially one that doesn’t involve someone being dead or trying to prevent a death.
“Companion” pushes Sophie Thatcher to the point of showing not only is she the top scream queen out there, but she could conquer the drama genre next.
While “Grafted” has a body horror element that appeals to subgenre fans, it lacks anything else that will captivate them.
While “Y2K” may bug anyone born in the 1990s and before, it could be a fun film for those who only know the time through Tumblr aesthetics and unearned nostalgia.
“Werewolves” reminds you why the werewolf trend hasn’t revived like vampires despite multiple movies in a year with no true revival in sight.
“The Fix” is a reminder that sci-fi productions don’t always need a major backer to look good and hold something compelling.
“Time Cut” feels so middle of the road, to appeal to maybe too many segments, that it just feels like a poor imitation of a better product.
Featuring the voices of Lupita Nyong’o, Kit Connor, and Pedro Pascal, “The Wild Robot” delivers dark humor and tear-inducing moments, making this one of the best American-made animated movies of the year.