A Certain Scientific Accelerator won’t blow you away, or seem like a must-see anime, but if you got nothing else to watch, it’s worth spending time with.
Season 3 feels like the peak for Stranger Things, and from here, it can either plateau or go downhill.
Dr. Stone is an odd comedy which sets an interesting foundation, but it’s hard to say what it’s long term potential might be.
Spiderman: Far From Home feels like a shakeup to the MCU formula for its individual movies, and creates an awesome transition film for the next MCU phase.
While it lacks the emotional oomph it should, X-Men: Dark Phoenix attempts to compensate that with quality action scenes and VFX.
Years and Years may potentially be one of the most memorable shows of the summer, if not the year.
Thanks to a slight 80s vibe, and the chemistry of the cast, Rim of the World is an entertaining feature which definitely is in tune with Netflix’s brand.
Life Like may leave you with a handful of questions, but one character named Henry brings enough intrigue to forget every moment which makes you raise an eyebrow.
See You Yesterday is one of those, “I wish this came out when I was growing up” kind of movies that represent there is true change in the entertainment industry.
In preparation for the full-length Netflix release, we checked out the See You Yesterday short available on HBO until May 1st.
Good Hunting will likely be one of your favorite shorts to come out of the Love, Death + Robots anthology.
Beyond the Aquila Rift may feel like it cut the bulk of a larger story, but the way it makes you fiend for details is part of the sell.
When The Yogurt Took Over is a bit of an anomaly since it doesn’t feature love, robots, and arguably no death. So, is it good?
Cartoon graphics mix with life or death situations creating moments that make you hold your breath in Suits.
Three Robots is a quirky short which ends just before it could perhaps go left and overstay its welcome.
Sonnie’s Edge, thanks to its protagonist, the monster fights, and what background we get, makes you clamor for more.
Stray is a semi-low budget sci-fi film which focuses more on the cop seeking to redeem herself than the powerful girl, and her family.
The Umbrella Academy’s first season is a bit hit and miss, but by the final, it seems to have found its footing.
The Umbrella Academy will surely become the next show you’ll see people flooding Netflix’s social media with “When is season 2?”
Alita: Battle Angel may have stunning action and special effects, but it’s mostly for naught since the emotional element is very hit and miss.
The loneliness of a dilapidated Earth is the focus IO, a rather dry sci-fi drama that could have been better than what was delivered.
All I’m going to say is, Glass’ ending is the end of this trilogy, but could very well be used to launch another. But you may not want it.
At First Light, perhaps in trying to blend genres, may not be the best sci-fi movie, nor romance, but it’s a likable enough watch.
Mortal Engines mostly relies on special effects, and two supporting actors, to compensate for nearly every other thing the film offers.
The Innocents begins with you asking a whole lot of questions, with just enough intrigue to continue onto the next episode.
Retrospect may mess you up a little as you watch a young man do anything to reconnect with his ex again.
Elizabeth Harvest likely will play out how you expect it to, but it doesn’t make it any less entertaining to watch.
Outside of two moments in which the lead is sexually assaulted, and the protagonist being Black, The Darkest Minds is as generic as they come.
Extinction screams start of a franchise or series. For all it does is lay the foundation for a further development. Question is, is it something worth seeing?
Godzilla: City on the Edge of Battle may lack quality battles but it does present the issues between factions which will affect a post-Godzilla world.
Bag Man will surely get you hyped up for Kin (Currently Scheduled for 8/31) even with the changes in the feature film.
In this sci-fi short, an AI named Peter is supposed to help this woman named Rachel have a successful pregnancy – by any means necessary.
Impulse is a weird mix of indie movie vibes, FreeForm teen angst, and CW’s love for superheroes.
Brilliantly weird, comical and touching, somehow How to Talk to Girls at Parties taps into something absurd without getting lost in its own madness.
Between a plot which seems like a small budget Minority Report to the dryness of Clive Owen and Amanda Seyfried, this may be the perfect film for a Sunday afternoon nap.
While Ready Player One may inspire Who Framed Roger Rabbit? nostalgia, and you’ll enjoy it, this won’t be something you’ll find yourself watching over and over.
Prodigy, through simplicity in setup, allows young actress Savannah Liles to shine as she plays off veteran Richard Neil and give us a layered performance of a 9-year-old sociopath.
Annihilation shows why the sci-fi genre is usually combined with the thriller or comedy genre, and not with artsy indie drama.
The Cloverfield Paradox doesn’t really live up to the hype the franchise has had, or seems worth how much Netflix likely paid, but can be enjoyable.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
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