Jack Black, Lizzo, and Christopher Lloyd are the welcome guest stars in this whimisical and farcical episode where Mando, Grogu, and Bo-Katan travel to the outer rim planet of Plazir-15 to recruite renegade Mandalorians to return to the original fold.
While a slow movie to start, as Maggie starts to be honest and Lloyd opens up, it becomes a beautiful father/ daughter story.
Pirate King Gorian Shard invades the small city of Nevarro with Greef Karga and it’s citizens having no choice but to run to the outskirts hoping for a rescue.
Shazam! Fury of the Gods returns as a sequel with the super hero family battling a wicked trio of twisted sisters complete with a dragon and monsters wreaking havoc on Philadelphia.
Tie Fighters and the New Republic Regime are a sign of new challenges lying in wait for Mando and Grogu.
Mando, Grogu, Bo Katan, and R5 face off against a number of nefarious dwellers of the deep in the salt mines beneath the Civic Center on Mandalore.
65’s serious tone stifles a fun premise of Adam Driver fighting dinosaurs.
IMando and Grogu are reunited on a quest of redemption that leads them to the waters of Mandolore where the question is what lies beneath the murky depths?
“JUNG-E” is the same kind of surprise that “Squid Games” was, but with a lower time commitment.
“M3GAN” continues the horror trends of 2022 by trying to craft a new horror icon but also work well as a stand-alone feature (though it does set up a sequel).
Vengence, death, and colonization fuel “Black Panther: Wakanda Forever,” but rarely as far as you wish it would.
In a new sci-fi production from the producers of “Westworld,” past and present seem to collide all thanks to the next generation of virtual reality technology.
While “Margaux” has visual effects not up to the grade you might be used to, the cast and story will keep you around until the end.
Amber Midthunder commands this “Predator” prequel that may lack notable characters beyond hers but provides the kind of violence expected.
Unlike his past movies, Jordan Peele’s “Nope” doesn’t seek to be too deep or inspire a litany of online think pieces. It’s just a decent alien movie.
After several movies and dozens of games, “Resident Evil” has a serial show, but does it stand out in a good way?
“Prima Doll” may give you “Violet Evergarden” vibes as it explores the post-war life of mechanical dolls.
In this action-comedy, a boy takes advantage of most of the women in his life, but especially his demon girlfriend, who kills other demons to make him money.
In a seemingly post-apocalyptic world, the surface has soldiers who may kill people, and shadows have monsters. Let’s see if this group can get to their destination alive.
Cronenberg’s latest is a body horror that seeks not to thrill but question the future state of humanity.
“Love Death + Robots” Volume III may not have the same story diversity as past volumes, but it is still a fun time for those who love animation.
Obi-Wan Kenobi seems to desire to fill in the gaps the movies don’t cover and give you an idea of Leia’s childhood since Luke’s is already well known.
For those thinking they need to watch the movie to understand Showtime’s The Man Who Fell To Earth, you are not missing much.
In a short so good you wish you were playing it, In Vaulted Halls Entombed feels like a series of cut scenes from a AAA game.
Vermin are invading forces, and Mason decides, with them escalating things, he is going to match their energy and surpass them.
Swarm is one of the first from Volume III which pushes you to want a sequel if/when we get a volume IV.
Government soldiers face off against a mecha bear that has killed dozens without mercy.
Thanks to bad timing, two astronauts get stuck on one of Jupiter’s moons.
Love Death + Robots produces its first sequel, and it features the three comedic robots continuing their exploration of the remains of human civilization.
In this remake of Firestarter, you get what purely feels like an origin story left on a frustrating ellipsis to set up a sequel.
While it doesn’t start off great, as it ventures into the bizarre, The Man Who Fell To Earth will capture your attention.
Moonshot is your run-of-the-mill, improbable romance that is fun to watch and easy to forget.
Between depression, various “What if?” scenarios, and relationships in disrepair, it is all presented in the sometimes overwhelming Everything Everywhere All At Once.
Expired will likely be one of the most dreary films you could ever see that didn’t involve watching someone be traumatized.
What might be sold as a sci-fi action-adventure, with Ryan Reynolds™ styled comedy, is really a tear-inducing family drama.
Moonfall is a popcorn film full of dumb fun – the moon falls (and that’s not even the craziest part), things get spectacularly destroyed, and the US tries to nuke the moon (of course they do).
Kimi is a meek thriller that doesn’t fully tap into the role of listening devices or the people who troubleshoot the AI behind them.
Maika is probably one of the most entertaining sci-fi action films, aimed at kids, I have either ever seen.
When not paired with action, drama, or being an adventure, sci-fi is a tough sell, and After Yang shows why.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
Pages