Love Death & Robots: Close Encounters of the Mini Kind (2025) Review & Summary
Let’s hope humanity’s first contact with aliens doesn’t come from extraterrestrials landing in Texas.
Let’s hope humanity’s first contact with aliens doesn’t come from extraterrestrials landing in Texas.
Shadow Force wastes Kerry Washington and Omar Sy’s chemistry on some of the most mediocre villains ever seen in a wide theatrical release.
Sinners further cements that Coogler and Jordan are one of the top actor and writer/director duos in American media currently, with signs they will raise each other’s pedestal each time they work together.
Warfare brings what Alex Garland learned about the brutality of sound in Civil War, but lacks the characters and story to make this film comparably noteworthy.
With already being an EGOT, it seems Viola Davis’ next goal is to become one of the biggest names in the action genre.
“The Accused” may contain interesting ideas, but it lacks the characters and story to execute them.
“The Amateur” may not feel as long as it is, but it is certainly forgettable, despite the names involved.
While there is a certain beauty to “Ash” it maybe questionable if it has the substance you’d want or expect.
“Novocaine” is a reminder that spring is coming and we’re exiting the period where movies aren’t expected to be huge hits, but potentially the biggest of the year – with films like “Novocaine” being a warmup.
“Love Hurts” may present interesting action sequences, but it falters, maybe even fails, regarding everything else it is expected to deliver.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.