Sinners (2025) Review & Summary
Sinners further cements that Coogler and Jordan are one of the top actor and writer/director duos in American media currently, with signs they will raise each other’s pedestal each time they work together.
Sinners further cements that Coogler and Jordan are one of the top actor and writer/director duos in American media currently, with signs they will raise each other’s pedestal each time they work together.
Warfare brings what Alex Garland learned about the brutality of sound in Civil War, but lacks the characters and story to make this film comparably noteworthy.
With already being an EGOT, it seems Viola Davis’ next goal is to become one of the biggest names in the action genre.
“The Accused” may contain interesting ideas, but it lacks the characters and story to execute them.
“The Amateur” may not feel as long as it is, but it is certainly forgettable, despite the names involved.
While there is a certain beauty to “Ash” it maybe questionable if it has the substance you’d want or expect.
“Novocaine” is a reminder that spring is coming and we’re exiting the period where movies aren’t expected to be huge hits, but potentially the biggest of the year – with films like “Novocaine” being a warmup.
“Love Hurts” may present interesting action sequences, but it falters, maybe even fails, regarding everything else it is expected to deliver.
“Inkwo for When the Starving Return” has the makings of an anime that could aspire to the levels of “Avatar: The Last Airbender.”
While sometimes feeling like it lacks the expected payoff, “Inheritance” helps Phoebe Dynevor seem like a safe bet if she’s associated with a production.
A video review and summary of Prime Video’s On Call: Season 1.
Prime Video’s “On Call” goes against trend when it comes to giving us a cop show, and while there is a certain level of adjustment required, it ultimately makes for a quality binge-watch.
Through Eddie Redmayne’s work and the development of his character, “The Jackal,” we get perhaps one of the best antiheroes of the year.
While an effort is made to build out the world in “Why Does Nobody Remember Me In This World?” Sadly, the answer to the title’s question is that no one is that memorable.
While “Y2K” may bug anyone born in the 1990s and before, it could be a fun film for those who only know the time through Tumblr aesthetics and unearned nostalgia.
“Werewolves” reminds you why the werewolf trend hasn’t revived like vampires despite multiple movies in a year with no true revival in sight.
“The Fix” is a reminder that sci-fi productions don’t always need a major backer to look good and hold something compelling.
Like most sequels, decades separated from the first movie, “Gladiator 2” doesn’t justify its existence, though Denzel Washington does act as a silver lining.
Dylan Sprouse stars as a veteran who is caught in a terrorist attack on American soil, trying to keep his little sister from being killed in action.
Featuring the voices of Lupita Nyong’o, Kit Connor, and Pedro Pascal, “The Wild Robot” delivers dark humor and tear-inducing moments, making this one of the best American-made animated movies of the year.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.