The Chi: Season 5 – Summary/ Review (with Spoilers)
Season 5 of “The Chi” continues to give what is expected, in terms of presenting a complex view of the city, while making improvements to how the girls and women are developed.
Be it the characters’ perceptions, the jokes or drama, or simply because it seems all the time and effort made into the production seriously just paid off, this is a show to watch.
Season 5 of “The Chi” continues to give what is expected, in terms of presenting a complex view of the city, while making improvements to how the girls and women are developed.
Season 2 of “P-Valley” does not experience a sophomore slump as it cuts away from its less interesting characters and doubles down on the ones who’d bring you down to the valley.
Season 3 of Atlanta is about growth from the main cast and Glover flexing on the strength of Atlanta nearly every other episode.
From raising children, creating new families, and rediscovering themselves, Elena and Lila may struggle in their friendship but find ways to flourish in their individual lives.
While it may not consistently live up to its name, there still is no denying everyone’s potential.
Season 2 feels like the end of a significant chapter in the show, and the start of a new one which could potentially revitalize the show.
Jobless Reincarnation is the epitome of a show being so good, you’ll excuse the one thing that would tank any other show.
With an FX/ Adult Swim vibe, Luv U Cuz might be one of the strangest animated shorts out of NewFest but might be one of the most memorable things we’ve seen overall.
As we mourn the end of Insecure, Car Therapy: Uncoupling reminds you of the show’s origins.
Reservation Dogs makes a name for itself through eccentric characters and scenarios and bringing a sense of community that is shown for better and worse.
Mr. Corman is perhaps the most uncomfortably relatable show about millennials I have ever seen.
To Your Eternity creates the opportunity to know a character from birth and watch as they navigate hardship, their first taste of love, and the side effects of trauma.
With the introduction of two non-binary characters, Sex Education continues to explore the complications of relationships beyond the drama we’ve all grown used to.
The Ms. Pat Show, while raunchy, is also one of the funniest new shows to come out in years; while having a heart most shows struggle to make feel authentic.
The White Lotus may not hook you from the beginning, but with its murder mystery and after some characters escape your preconceived notions, it gets better.
While in the midst of a pandemic, nothing slows down the characters of Bigger from better things, bigger drama, and people from their past shaking their world.
Genera+ion, while flawed, more than makes up for its low points by featuring queer people of color who bring a wealth of diverse stories.
Season 5 of Queen Sugar, despite addressing the COVID-19 pandemic and 2020’s Black Lives Matter movement, is a reprieve from what the show has perennially given viewers.
Mushoku Tensei: Jobless Reincarnation may get to be a bit much at times, with its ecchi, but beyond that, it is one of the most consistent quality shows we’ve seen in a long time.
Would You Rather gives you a raw teenage experience, sans the usual sex and drugs.
UMC’s newest show For The Love of Jason has everything it needs, except enough episodes to not feel a bit rushed.
While Industry does not have every character live up to its potential, Myha’la Herrold and Ken Leung damn near save the show.
While the men of His Dark Materials are borderline liabilities to the show’s greatness, the women, more than enough, make up for what nearly every male character lacks.
“Lovecraft Country” continues the burgeoning tradition of, within the fantasy/horror genre, embedding Black stories to bring America’s shameful history back to life.
“Welcome To Buteaupia” will remind you of when comedians got hour-long specials because it was time, and they deserved it, rather than a network just needing content.
As The Chi continues to prune and grow, you can see it is fearless as it pursues avoiding routine and stagnancy.
“Die Hart” feels strange to watch in short clips, and with having to wait so long to see the end, it loses its luster quicker than if you got to watch all at once.
While “Servant” sometimes feels like a mini-series that went on too long, with each major reveal, it renews interest and keeps you wanting more.
“I May Destroy You” presents far more than a narrative about navigating life post being raped. It is a conversation starter with a wide range of topics.
“I Am Not Okay With This” benefits from understanding the normalcy of weird, but its story, which sometimes drags, keeps it from being as good as its potential.
“Insecure,” after a lengthy hiatus, returns, and while it does contain explosive moments, it’s the quiet ones that bring out its best scenes.
After a ten-episode season in season 2, the 6 episode season 3 feels like a disservice to such a great show.
“8:46,” is Chappelle at his best – a storyteller, in the form of a wise-man, who makes you laugh enough to pay attention as he drops the knowledge you need.
In “Momma, I Made It!” Yvonne Orji makes it clear “Insecure” didn’t make her who she is, all it did was put you on to someone already hilarious.
“Motherland – Fort Salem” reminds you why there is a craving for original ideas and not rehashed stories, be it in the form of remakes of novel adaptations.
“Double Cross,” undoubtedly, is one of the strongest shows released under UMC and will undoubtedly help their network gain traction like never before.
In season 2 of Sex Education, the show moves beyond the physical act of sex and focuses more on intimacy – both in and out of the bedroom.
In its 3rd season, “9-1-1” presents minor improvements, but due to being a procedural, which leads to some inconsistency, it often feels like more of the same.
In Act 1 of “Besties,” we’re introduced to a small group of friends and lovers, all trying to get the most of their relationships – sometimes selfishly.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
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