Ozark: Season 3 – Review and Summary with Spoilers
As in previous seasons, Ozark may show Marty as the lead, but in reality, it is the women of the show who make it what it is.
Be it the characters’ perceptions, the jokes or drama, or simply because it seems all the time and effort made into the production seriously just paid off, this is a show to watch.
As in previous seasons, Ozark may show Marty as the lead, but in reality, it is the women of the show who make it what it is.
As “Unorthodox” exposes you to a Hasidic Jewish community, it also introduces Shira Haas, who has the potential to be either an indie darling or mainstream star.
In UMC’s “Behind Her Faith,” we are reminded that thanking God goes beyond the award acceptance speech and is a daily activity.
“Cherish The Day” with its sometimes complicated, yet never messy, love story answers the call for rich Black love stories.
“Self Made: Inspired By The Life of Madam C.J. Walker” has the performances and inspirational story you expect, but also the kind of drama which keeps this from being seen as prestigious.
With Tomlinson avoiding joking about blackout drunk sex, there is something refreshing about her.
From Louis C.K., to Ariana Grande, and the double standards of life, Pete Davidson “Alive In New York” shows how limiting SNL is for the comic.
Through its exploration of marriage and relationships, after the honeymoon phase, “Stuck With You” explores that period between wanting to leave but not lose your investment.
“The Mandalorian” does for the live-action “Star Wars” universe what some may say didn’t happen with its recent theatrical trilogy.
Within 19 minutes, you get a real and raw taste of who Ms. Pat is, and she makes it clear her story can’t be surmised in a short set.
In Joke Show, Wolf reminds you, while Netflix may have canceled her show, it wasn’t because she wasn’t funny but the format didn’t work.
There is quite a bit of growth from Haddish since She Ready, and it leads to Black Mitzvah feeling like her first true special.
As Mr. Inbetween trims the fat and highlights what made the first season great, it finds the perfect balance between Oz gangster and family man.
Anne With An E proves itself to be a rare breed by maintaining its quality over three seasons, while still developing its characters and expanding its cast.
Season 2 continues to navigate through the loss of Matt, but also gives more room for those not married or related to him to breathe.
Bigger is the kind of streaming service launch title that could convince you to add a new monthly reoccurring bill to your budget.
Season 3 of Atypical shows the kind of consistency most shows can’t maintain, but that isn’t without one negative thing still being done.
While an odd choice, considering they are making a film version within the next few years, The Little Mermaid Live is acceptable but far from remarkable.
In the comical horror series, Hottieween, rapper Megan Thee Stallion taps into her love of horror and pays homage to the great Black heroines of yesteryear.
Smart & Classy, due to references like the Menendez Brothers, can either be seen as for Gen X and above, or having a bit of dated material.
Part manic stand up special, as well as reflective documentary, Jenny Slate: Stage Fright gives you both the performer and the person who had to live life to write the jokes.
David Makes Man presents us with a coming of age story, featuring a young Black child, that often is restricted to indie movies which vie for Oscars.
Deon Cole’s Cole Hearted is the first special, in a long time, that is not only funny but quotable as hell.
Mo Gilligan: Momentum is unlike most comedy specials you may have seen before and makes Gilligan someone you have to keep a watch on.
Season 3 of 13 Reasons Why questions whether a serial rapist, and someone who nearly shot up a school, not only deserve to be redeemed but can be.
In Epilogue: The Punchline, Dave shares a few celebrity encounter stories, does Q&A with the audience and talks about a chat with a trans person named Daphne.
In “Sticks & Stones” Chappelle reaches peak “I Do Not Give A F***” as he delves into Michael Jackson, the LGBTQ community, and more.
“Whitney Cummings: Can I Touch It?” has interesting thoughts in it, but you’ll forget most of them once the sex robot is brought out.
Aziz Ansari: Right Now brings us a more mature Aziz, reminiscent of Dave Chappelle’s The Bird Revelation, but still presenting the manic persona many have come to love.
Live in Front of a Studio Audience: Norman Lear’s “All in the Family” and “The Jeffersons,” brings on the nostalgia and, for the most part, revives the spirit of the source material.
Season 2 of 9-1-1 avoids any sense of a sophomore slump by balancing the 911 drama you love and developing both new and old characters.
Season 2 of Fleabag presents us a character who hit rock bottom and it trying to find her way back to the light despite her past.
Every legendary artist has that performance which summarizes all they were and the epitome of who and what they are. For Beyoncé it was Beychella.
You might be surprised that, after The Leather Special, Schumer has a new comedy special that *gasps* is actually quite funny.
One Day At A Time season 3 is a whirlwind of positive emotions that leaves us on a finale which will make you clamor for a season 4.
Kevin Hart’s Guide To Black History feels like a potentially classic edu-tainment program like what used to come out steadily in the 90s and early 00s.
One Show Fits All gives you everything and more. You’ll laugh, you’ll cry, hear wonderfully told stories, and will seriously be tempted to see Gabriel Iglesias live.
I Be Knowin’ is a “Best Of” collection for fans of Amanda Seales, but that is what makes this special the perfect entry point for when you introduce her to people.
While compared to The End of The F***ing World, Wayne proves itself to be more than a distant, working class, American cousin.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
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