The Mandalorian: Season 1 Review
“The Mandalorian” does for the live-action “Star Wars” universe what some may say didn’t happen with its recent theatrical trilogy.
Be it the characters’ perceptions, the jokes or drama, or simply because it seems all the time and effort made into the production seriously just paid off, this is a show to watch.
Be it the characters’ perceptions, the jokes or drama, or simply because it seems all the time and effort made into the production seriously just paid off, this is a show to watch.
“The Mandalorian” does for the live-action “Star Wars” universe what some may say didn’t happen with its recent theatrical trilogy.
Within 19 minutes, you get a real and raw taste of who Ms. Pat is, and she makes it clear her story can’t be surmised in a short set.
In Joke Show, Wolf reminds you, while Netflix may have canceled her show, it wasn’t because she wasn’t funny but the format didn’t work.
There is quite a bit of growth from Haddish since She Ready, and it leads to Black Mitzvah feeling like her first true special.
As Mr. Inbetween trims the fat and highlights what made the first season great, it finds the perfect balance between Oz gangster and family man.
Anne With An E proves itself to be a rare breed by maintaining its quality over three seasons, while still developing its characters and expanding its cast.
Season 2 continues to navigate through the loss of Matt, but also gives more room for those not married or related to him to breathe.
Bigger is the kind of streaming service launch title that could convince you to add a new monthly reoccurring bill to your budget.
Season 3 of Atypical shows the kind of consistency most shows can’t maintain, but that isn’t without one negative thing still being done.
While an odd choice, considering they are making a film version within the next few years, The Little Mermaid Live is acceptable but far from remarkable.
In the comical horror series, Hottieween, rapper Megan Thee Stallion taps into her love of horror and pays homage to the great Black heroines of yesteryear.
Smart & Classy, due to references like the Menendez Brothers, can either be seen as for Gen X and above, or having a bit of dated material.
Part manic stand up special, as well as reflective documentary, Jenny Slate: Stage Fright gives you both the performer and the person who had to live life to write the jokes.
David Makes Man presents us with a coming of age story, featuring a young Black child, that often is restricted to indie movies which vie for Oscars.
Deon Cole’s Cole Hearted is the first special, in a long time, that is not only funny but quotable as hell.
Mo Gilligan: Momentum is unlike most comedy specials you may have seen before and makes Gilligan someone you have to keep a watch on.
Season 3 of 13 Reasons Why questions whether a serial rapist, and someone who nearly shot up a school, not only deserve to be redeemed but can be.
In Epilogue: The Punchline, Dave shares a few celebrity encounter stories, does Q&A with the audience and talks about a chat with a trans person named Daphne.
In “Sticks & Stones” Chappelle reaches peak “I Do Not Give A F***” as he delves into Michael Jackson, the LGBTQ community, and more.
“Whitney Cummings: Can I Touch It?” has interesting thoughts in it, but you’ll forget most of them once the sex robot is brought out.
Aziz Ansari: Right Now brings us a more mature Aziz, reminiscent of Dave Chappelle’s The Bird Revelation, but still presenting the manic persona many have come to love.
Live in Front of a Studio Audience: Norman Lear’s “All in the Family” and “The Jeffersons,” brings on the nostalgia and, for the most part, revives the spirit of the source material.
Season 2 of 9-1-1 avoids any sense of a sophomore slump by balancing the 911 drama you love and developing both new and old characters.
Season 2 of Fleabag presents us a character who hit rock bottom and it trying to find her way back to the light despite her past.
Every legendary artist has that performance which summarizes all they were and the epitome of who and what they are. For Beyoncé it was Beychella.
You might be surprised that, after The Leather Special, Schumer has a new comedy special that *gasps* is actually quite funny.
One Day At A Time season 3 is a whirlwind of positive emotions that leaves us on a finale which will make you clamor for a season 4.
Kevin Hart’s Guide To Black History feels like a potentially classic edu-tainment program like what used to come out steadily in the 90s and early 00s.
One Show Fits All gives you everything and more. You’ll laugh, you’ll cry, hear wonderfully told stories, and will seriously be tempted to see Gabriel Iglesias live.
I Be Knowin’ is a “Best Of” collection for fans of Amanda Seales, but that is what makes this special the perfect entry point for when you introduce her to people.
While compared to The End of The F***ing World, Wayne proves itself to be more than a distant, working class, American cousin.
Sex Education accurately exhibits the awkwardness of becoming a sexual being while experiencing romantic feelings for the first time.
Goblin Slayer takes the least tread road by being a sometimes-violent anime yet still putting time and effort into its lead’s emotional development.
The Marvelous Mrs. Maisel – season 2, still rushes Miriam’s success but compensates with better character development.
My Brilliant Friend is a true statement to the power of girls and young women despite a world which tries to undermine and oppress them.
Relatable is a welcomed return for those a fan of Ellen DeGeneres’ style but if not into it? Well, this may not convince you she’s funny.
Trevor Noah: Son of Patricia helps you understand how her perspective allowed him to be open and handle the weirdness of life.
A Discovery of Witches seems to recognize there is a market for those who love witch, demon, and vampire fantasy, but have grown past 20-year-olds being the stars.
Super Drags goes beyond what you may expect to be by having a few touching stories, amongst all its comedy.