Becky (2020) – Review/ Summary with Spoilers
Mix “Home Alone” with “Hanna” and a little bit of Hit-Girl from “Kick-Ass,” and you get the sometimes shockingly violent “Becky.”
Films that either received a limited release or are released digitally, but not as part of a major streaming distributor.
Mix “Home Alone” with “Hanna” and a little bit of Hit-Girl from “Kick-Ass,” and you get the sometimes shockingly violent “Becky.”
With the spin of grief manifesting itself, “Body Cam” explores police brutality and the conflicting emotions of a Black female officer.
Taking note of its criminal element, it’s ultimately the love we see blossom or renewed, that drives “Last Moment of Clarity.”
“All For Nikki,” as it goes from one bad situation to the next, goes on and on until it seemingly runs out of ideas.
Between flinch worthy violence, Terry Crews and Ken Foree, alongside a handful of jokes, there is more good to say about “John Henry” than bad.
Um, “Love Is Blind,” the movie not the TV show, is mid-level “What did I just watch?” Specifically in a, “Am I supposed to find this funny?” kind of way.
“Code 8” gives a pleasant alternative to what the Marvel/DC brand has saturated the market with when it comes to superpowered humans.
“The Ghost Who Walks” is a potential tear-jerker which, if it doesn’t make you cry, at least provides you with a thrill ride.
“Freshman Year” avoids being heavy-handed or eye-roll-inducing about faith. Rather, it approaches a young man’s faith, and decisions, with a realistic tone.
“Intermedium,” like most shorts, is an appetizer. And like any appetizer, it leaves you wanting more.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.