All Roads To Pearla (2020) – Review/ Summary (with Spoilers)
All Roads to Pearla has all the ingredients necessary to have some element of shock to it, but they just don’t come together as you need them to.
Indie
Films that either received a limited release or are released digitally, but not as part of a major streaming distributor.
The Argument (2020) – Review/Summary (with Spoilers)
The Argument tries to have it both ways. It wants you to watch it devolve into utter madness yet maintain just enough control to make you laugh as you cringe.
The Burnt Orange Heresy (2019) – Review/ Summary (with Spoilers)
While the banter and romance between the leads will surely draw you in, the conversations about art, and the male lead’s ego, do leave you on a sour note.
The Spring We Never Had (2020) – Review/ Summary (with Spoilers)
The Spring We Never Had is classic Wong Fu which gets you so emotionally invested that when things don’t head towards the ideal, you will yell at your screen.
Skin: A History of Nudity In The Movies – Review/ Summary
While Skin: A History of Nudity In The Movies is informative, it’s utter lack of perspective for people of color, beyond Pam Grier, is a HUGE oversight.
Spree – Review/ Summary (with Spoilers)
You’ll either weirdly find Spree funny, disgusting, or something which might make you paranoid about ever using a ridesharing app ever again.
The Sunlit Night (2020) – Review/Summary (with Spoilers)
While Jenny Slate’s character finds herself a pleasant and relatable wakeup call, all that happens around her may lead to a raised eyebrow or indifference.
Almost Love (2020) – Review/ Summary (with Spoilers)
“Almost Love” is good enough to get you invested into the characters, but not to the point of pushing everyone you know to see it.
Summerland (2020) – Review/ Summary with Spoilers
While the idea of a period drama may lead you to worry about boredom, the often-prickly character Alice keeps things lively in “Summerland.”
Yes, God, Yes – Review/ Summary (with Spoilers)
“Yes, God, Yes” is not only probably one of the best coming of age films in a long time, but it also is one of the few teen sex comedies that doesn’t feel like a rehash.
