Tomb Raider – Review (with Spoilers)
While you have to appreciate Vikander’s take on the legendary video game heroine, it completely misses the mark on what made Lara Croft a mainstay of her industry.
The human experience, sometimes at its most raw, is what you’ll find in the drama tag.
While you have to appreciate Vikander’s take on the legendary video game heroine, it completely misses the mark on what made Lara Croft a mainstay of her industry.
Prodigy, through simplicity in setup, allows young actress Savannah Liles to shine as she plays off veteran Richard Neil and give us a layered performance of a 9-year-old sociopath.
Love, Simon completely wastes its nearly perfect cast with the kind of adaptation which makes you wish it completely disassociated itself from the book.
The play which evolved into a movie brings all you expect from its talented cast, as they pretty much stick to the type of characters they have become adept to playing and being surrounded by.
Red Sparrow is further proof that sexual content and violence cannot compensate for a lack of intriguing characters or story.
Touching, but perhaps a tad theatrical, The Bachelors’ sorrow will likely dampen your mood with its affecting performances.
Annihilation shows why the sci-fi genre is usually combined with the thriller or comedy genre, and not with artsy indie drama.
Over the course of 18 characters, Anna Deavere Smith doesn’t just present a masterclass in acting but also understanding the various aspects of the school to prison pipeline.
Newness, while it has a certain charm emanating from its leads, struggles to maintain interest during its nearly 2-hour timespan.
Golden Exits is a melancholy indie film which relies heavily on Emily Browning’s charm to get you through it.
Honestly, I’m ready for Gugu Mbatha-Raw to star in the majority of Netflix’s movies for she finds a way to elevate them past their innate mediocrity.
Between having a sense of culture unlike the rest of the MCU, one of the best villains, female characters who are far beyond being simply love interests and so much more, Black Panther puts the rest of the universe on notice.
Whitney Cummings proves that it isn’t just male comedians who find a second life and flourish by taking on a dramatic role.
The Cloverfield Paradox doesn’t really live up to the hype the franchise has had, or seems worth how much Netflix likely paid, but can be enjoyable.
The Misguided is a tale of two brothers who, despite their relationship complicated by a woman and drugs, may sometimes struggle to keep your attention.
Paperback will have you questioning your beliefs on marriage and relationships as you laugh at and with its lead character.
Saturday Church may have hit or miss musical elements, but Luka Kain and company present a film which sets a precedent for the upcoming Pose to follow.
Freak Show moves past your usual coming-out story and focuses on how to gain tolerance or acceptance, thus presenting a more interesting narrative than often seen in LGBT-focused films.
Upon watching the trailer for The Drowning, I was pretty sure someone re-wrote Twisted. After watching the film, I can definitely say Twisted, at least the first half, blows this out of the water.
While the story of Only For One Night is predictable and very cliché, the chemistry between the female and male lead are pleasant surprises.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.