Stars At Noon (2022) – Review/ Summary (with Spoilers)
“Stars At Noon” leans on Margaret Qualley as a crutch, to the point of you imagining it bending and damn near breaking by the end of the film.
“Stars At Noon” leans on Margaret Qualley as a crutch, to the point of you imagining it bending and damn near breaking by the end of the film.
The third adaption of John Ajvide Lindqvist’s novel brings a heart not seen as strong in the previous movie adaptations.
Modernized in some ways but keeping the core story intact, we watch Louis again recounting meeting Lestat in an adaptation that struggles against its predecessors.
While “Mike” is an unauthorized bio-series of one of the greatest known boxers, it sets such a precedent that it’ll be hard to imagine an authorized version topping it.
“The Woman Kin” breaks the mold many may see Viola Davis trapped in as she takes on the role of an action hero during a daunting time in Africa’s history.
“Barbarian” has quality jump scares and freaky moments, but it leaves so many questions.
“Under Her Control,” aka “Le jefa,” is a rather dry film for most of the duration until it finally gets interesting in the latter half of the film.
The final season of “Motherland: Fort Salem” acts as a reminder that some shows are better off cancelled outright than given one last hurrah.
“Into The Deep” lacks the level of mystery needed to make its small cast flourish.
“The Invitation” is the type of film ruined by a trailer that gives everything away, and the film does not compensate for that.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.