Motherland – Fort Salem: Season 3 – Summary/ Review (with Spoilers)
The final season of “Motherland: Fort Salem” acts as a reminder that some shows are better off cancelled outright than given one last hurrah.
The final season of “Motherland: Fort Salem” acts as a reminder that some shows are better off cancelled outright than given one last hurrah.
“Into The Deep” lacks the level of mystery needed to make its small cast flourish.
“The Invitation” is the type of film ruined by a trailer that gives everything away, and the film does not compensate for that.
“Three Thousand Years of Longing” is mainly about a Djinn’s attempts at love and freedom over three thousand years.
“Mike” is so good that it is unfortunate that it doesn’t involve or is supported by Mike Tyson.
While over a decade past any fathomable need for it, “Orphan: First Kill” does remind you why the original film was controversial and notable.
“Beast” is an unbelievable action film that presents a meager attempt at an emotional father/daughter relationship.
“Baby Assassins” has the vibe of a zany anime that got a live-action adaptation and kept the eccentricities of its cast.
While the beginning of “No Way Out” gets you wrapped up in its leads’ love affair, once it transitions from being a romance, it is all downhill – right off a cliff.
Amber Midthunder commands this “Predator” prequel that may lack notable characters beyond hers but provides the kind of violence expected.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.