Children of the Corn (2023) – Review/ Summary
“Children of the Corn” feels like the kind of release done so a studio can hold onto the license.
“Children of the Corn” feels like the kind of release done so a studio can hold onto the license.
While Aubrey Plaza sometimes seems out of place, especially when paired with Jason Statham, Hugh Grant immensely compensates.
It has long been said that men fight through what they feel, especially towards each other, and in “Creed III,” we see that in real-time as two brothers fight through shared pain and trauma.
“Cocaine Bear” meets the expectations of madness you’d expect it to have.
In this “Did he or didn’t he” film, a social media influencer falls for a young man who may have killed his teacher, but the evidence is slim against him.
“Winnie The Pooh: Blood and Honey” feels like a throwback to when slasher movies began, and the goal was to freak out the audience with intense visuals.
“Disquiet” gives “Angels of Death” vibes, as we watch a man try to escape a hospital with monsters who all want to kill him and some who may be friends or foes.
“JUNG-E” is the same kind of surprise that “Squid Games” was, but with a lower time commitment.
“Door Mouse” has cult classic workings that will make it a favorite amongst a niche group, but it may struggle to make a blip in a sea of video-on-demand releases.
While the visual and sound effects for action scenes may deserve a side eye, there is so much going on with the story that you might be willing to forgive the flaws in “Imani.”
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.