Bumblebee – Summary/ Review (with Spoilers)
Bumblebee is a bit forceful in trying to get you emotional, but the action is just what you’d expect from a Transformers movie.
Bumblebee is a bit forceful in trying to get you emotional, but the action is just what you’d expect from a Transformers movie.
Neither geared towards children nor perhaps any particular audience, despite finally being released, Mowgli: Legend of the Jungle still seems in limbo.
Thanks to the dynamic between Trey Songz and Jack Kesy, you get a surprisingly good action movie.
Robin Hood (2018) seemingly just wants to take advantage of the hero’s name recognition and very little of the known story.
Widows pushes the need to question, what would it be like if those who made art house and Oscar-caliber films ventures outside their comfort zone – and succeeded.
As Grindelwald’s reason for taking power away from humanity is revealed, the romance of the first movie expands and deepens.
While Fantastic Beasts and Where To Find Them seems purely about milking Harry Potter love, without Harry Potter, there is just enough magic to get you through it.
When it comes to the action, you’ll love The Night Comes For Us. However, in terms of story… well, the fight scenes compensate for that.
Between you knowing a rape is happening and seeing the murder of teens and children, Goblin Slayer doesn’t hold back that much.
While the gangster side of Mr. Inbetween is generic, us watching the lead play father, brother, and guy who has no game with ladies helps give it something to hook viewers.
With the state of TellTale Games in decline, it makes the idea of this being possibly last episode depressing.
Covering the first 17 episodes of the animated series, Bleach feels like a to the point movie cutting the majority of filler, and probably some essential characters.
In what feels like an alternate timeline of the movie Wall-E, we watch a girl reconcile her abandonment issues through a robot meant to save the world.
While Kin does have an ending which makes it seem a bit like a certain action franchise, it does leave you wanting more.
Jet Trash is the kind of film where you feel like, if they just dialed it back a bit, it could have been much more satisfying.
As long as you like your humor simple, cheap, and dirty, you are certain to get a kick out of The Happytime Murders.
Outside of two moments in which the lead is sexually assaulted, and the protagonist being Black, The Darkest Minds is as generic as they come.
Extinction screams start of a franchise or series. For all it does is lay the foundation for a further development. Question is, is it something worth seeing?
Godzilla: City on the Edge of Battle may lack quality battles but it does present the issues between factions which will affect a post-Godzilla world.
How It Ends not only doesn’t answer its title’s question but also makes for a terrible online release thanks to its writing, pacing, and maybe even acting.
Bag Man will surely get you hyped up for Kin (Currently Scheduled for 8/31) even with the changes in the feature film.
Despite its exuberant amount of ecchi, there might be something of value in How Not to Summon a Demon Lord.
At best Incredibles 2 is a crowd pleaser. At worse, it reminds you why, until Disney forced Pixar’s hand, they didn’t really do a lot of sequels.
I want you to imagine a 90s rap video with a big budget and an intro which goes on forever. That part of the video sums up Superfly.
Consider Hotel Artemis a vehicle for Sterling K. Brown and you’ll enjoy it. However, if you were expecting a compelling crime movie or something funny? Prep to be disappointed.
Deadpool 2 reminds you of what the comic book world was like before creating cinematic universes killed the fun and excitement.
Sadly, Terminal is the type of film which seemingly believes it is much smarter than you and has a mystery which doesn’t quickly unravel.
Between a plot which seems like a small budget Minority Report to the dryness of Clive Owen and Amanda Seyfried, this may be the perfect film for a Sunday afternoon nap.
Batman Ninja’s beautiful and intricate art is wasted on a story which is not only dull but perhaps features more mecha action than ninja/samurai styled fights.
With sequels being talked about or confirmed, so dies some of the tension of Infinity War. However, at least Marvel is learning how to make better villains.
While Ready Player One may inspire Who Framed Roger Rabbit? nostalgia, and you’ll enjoy it, this won’t be something you’ll find yourself watching over and over.
While you have to appreciate Vikander’s take on the legendary video game heroine, it completely misses the mark on what made Lara Croft a mainstay of her industry.
ExPatriot seems like an NBC mid-season replacement you didn’t know existed.
Between having a sense of culture unlike the rest of the MCU, one of the best villains, female characters who are far beyond being simply love interests and so much more, Black Panther puts the rest of the universe on notice.
The Cloverfield Paradox doesn’t really live up to the hype the franchise has had, or seems worth how much Netflix likely paid, but can be enjoyable.
Maze Runner: The Death Cure tries its hardest for an epic ending but ends up falling on its face with every attempt at an emotional moment.
The legendary beast returns in Godzilla: Part 1 “Planet of the Monsters” and Netflix, arguably, gives the monster it’s just due.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
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