Gleipnir: Season 1 Episode 1 “Something Inside of Me” [Series Premiere] – Recap and Review with Spoilers
While the panty shots are unnecessary, “Gleipnir” does present itself as an intriguing action anime with eyebrow-raising characters.
While the panty shots are unnecessary, “Gleipnir” does present itself as an intriguing action anime with eyebrow-raising characters.
“Code 8” gives a pleasant alternative to what the Marvel/DC brand has saturated the market with when it comes to superpowered humans.
“The Ghost Who Walks” is a potential tear-jerker which, if it doesn’t make you cry, at least provides you with a thrill ride.
“Coffee and Kareem” is definitely something mad for those who don’t mind kids cursing or being part of, or around, violent, and sexual, situations for laughs.
If the Coronavirus is making you paranoid, the pandemic in “Block Z” may not be the best thing for your anxiety.
While not the best bit of social commentary you may hear, “The Hunt” is comical and has one of the best fight scenes you may have seen in a while.
Like the majority of Vin Diesel movies, “Bloodshot” is more so about style than substance. Yet, is still entertaining as hell.
“Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn)” is part origin story, part reintroduction, and is of the ilk of Marvel’s “Deadpool.”
“In/Spectre” tries to have romance, gore, comedy and the supernatural all in one, but it is hard to say it ever perfectly blends the three together.
“The Mandalorian” does for the live-action “Star Wars” universe what some may say didn’t happen with its recent theatrical trilogy.
In what is supposed to be the final film of the Skywalker saga, you get something casual fans may enjoy more than the hardcore ones who never liked this trilogy.
Michael Bay’s love for explosions and expensive action scenes mixed with Ryan Reynolds’ humor is a match made in big-budget heaven.
Jumanji: The Next Level’s desire to go beyond being a fun action-adventure, and have some form of emotional depth, makes its 2-hour run-length a drag.
After being pushed back twice, is 21 Bridges worth the wait or something that should have been dumped in the dead of the 2020 winter? Read on to find out.
The new Charlie’s Angels may have a few minor tweaks needed, but those can be done in the anticipated future installments.
While this feels like a very unnecessary sequel, between Ewan McGregor and Kyliegh Curran, they find a means to justify this 2 and a half hour movie.
Dolemite Is My Name is probably one of the few 2-hour movies, not made with a Marvel stamp which breeze right on by thanks to the charisma of its actors.
Combine Scott Pilgrim vs. The World, a lead who reminds you of Ferris Bueller and your generic YA dystopian novel, and you get Daybreak.
Black and Blue is the rare combination of high octane, “That’s what I’m talking about!” moments and a sense of depth rare in action movies.
Maleficent, once more, pushes you to wonder why doesn’t Disney reinvent its villains rather than lazily remake its classics?
While the story of Rambo: Last Blood is weak and may cause think pieces, you may find the violence more than compensates.
I Am Wrath feels like a watered-down Liam Neeson movie that lacks complexity, urgency or gives you any reason to feel attached.
Riot Girls may sometimes feel more like a concept film than a completed vision, but it lays enough of a foundation to be enjoyable.
68 Kill is a bloody, sometimes comical, all the time ridiculous film that will consistently lead you to wonder: How can they top that?
While the twist, and what comes after, in Running Out Of Time may leave you a little divisive, I’d submit Stokes and Houston are becoming better storytellers.
The Boys gives us Greco-Roman style god-like heroes, and reminds us of the dark side the MCU and DCU don’t show.
In Batman’s latest adventure, he flirts with the idea of normalcy as a new villain threatens to use his rogue gallery, allies even, against him.
BEM may not blow you away with its art style or characters, but it does create a world which you may want to see more of
As long as you are looking for a bunch of jump scares and an exhibition of human endurance, when the adrenaline is pumping, you’ll love Crawl.
Point Blank somehow has car chases, bullets, and corrupt cops yet doesn’t present much of a thrill despite all that.
A Certain Scientific Accelerator won’t blow you away, or seem like a must-see anime, but if you got nothing else to watch, it’s worth spending time with.
Black & Privileged: Volume 1, may have some campy performances, but it’s message outweighs what may make you divisive.
Stuber doesn’t have franchise potential, but Kumail Nanjiani and Dave Bautista have enough chemistry to make it a good one-time collaboration.
Cop Craft drops you right in, with just enough to know what is going on, and that might be the best and worst part of the pilot.
Season 3 feels like the peak for Stranger Things, and from here, it can either plateau or go downhill.
Spiderman: Far From Home feels like a shakeup to the MCU formula for its individual movies, and creates an awesome transition film for the next MCU phase.
While The Rook seems like it could be intriguing, it faces an uphill battle by being everything we’re not used to when superheroes are involved.
The Rising of the Shield Hero, despite early on potential, mostly thanks to its tone of drama, loses quite a bit of luster by its last episode.
Featuring Trinkets star Brianna Hildebrand, Momster seems less like a short and more like an extended clip from a finished movie – in a good way.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
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