Let The Right One In: Season 1 – Summary/ Review (with Spoilers)
“Let The Right One In” completes its first season with few blemishes as it presents an emotional story with violence, love, and sacrifice.
“Let The Right One In” completes its first season with few blemishes as it presents an emotional story with violence, love, and sacrifice.
While Jenna Ortega makes a superb Wednesday, unfortunately, they put her in a world reminiscent of the “Chilling Adventures of Sabrina” with boy drama and a mediocre mystery.
Somehow, “Violent Night” finds a way to be flinch-worthy violent, consistently comical, and even stir up your emotions.
Vengence, death, and colonization fuel “Black Panther: Wakanda Forever,” but rarely as far as you wish it would.
In a new sci-fi production from the producers of “Westworld,” past and present seem to collide all thanks to the next generation of virtual reality technology.
With being story-driven more than character-driven, “House of the Dragon” may seem like it has learned from its predecessor, but in reality, it is simply taking a different approach.
Dispel your skepticism as “Wednesday” is not only well cast but includes the supernatural in such a way you’ll question why isn’t it a horror release.
“Stars At Noon” leans on Margaret Qualley as a crutch, to the point of you imagining it bending and damn near breaking by the end of the film.
The third adaption of John Ajvide Lindqvist’s novel brings a heart not seen as strong in the previous movie adaptations.
Modernized in some ways but keeping the core story intact, we watch Louis again recounting meeting Lestat in an adaptation that struggles against its predecessors.
While “Mike” is an unauthorized bio-series of one of the greatest known boxers, it sets such a precedent that it’ll be hard to imagine an authorized version topping it.
“The Woman Kin” breaks the mold many may see Viola Davis trapped in as she takes on the role of an action hero during a daunting time in Africa’s history.
“Barbarian” has quality jump scares and freaky moments, but it leaves so many questions.
“Under Her Control,” aka “Le jefa,” is a rather dry film for most of the duration until it finally gets interesting in the latter half of the film.
The final season of “Motherland: Fort Salem” acts as a reminder that some shows are better off cancelled outright than given one last hurrah.
“Into The Deep” lacks the level of mystery needed to make its small cast flourish.
“The Invitation” is the type of film ruined by a trailer that gives everything away, and the film does not compensate for that.
“Three Thousand Years of Longing” is mainly about a Djinn’s attempts at love and freedom over three thousand years.
“Mike” is so good that it is unfortunate that it doesn’t involve or is supported by Mike Tyson.
While over a decade past any fathomable need for it, “Orphan: First Kill” does remind you why the original film was controversial and notable.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.