Redo of Healer: Season 1 – Review/ Summary (with Spoilers)
Redo of Healer is your classic, starts off violent and shocking, but as you become adjusted to the sex and violence, you realize there isn’t much there.
Redo of Healer is your classic, starts off violent and shocking, but as you become adjusted to the sex and violence, you realize there isn’t much there.
The Vault may not be competitive in the heist genre, but It does work as something to watch when nothing else is new or on.
Mushoku Tensei: Jobless Reincarnation may get to be a bit much at times, with its ecchi, but beyond that, it is one of the most consistent quality shows we’ve seen in a long time.
Nobody makes for a fun fantasy revenge tale with the type of violence which may make you flinch a little bit.
Tribes of Europa does well in getting you interested in a post-apocalypse Europe, but more so in how the world and cultures shifted than its characters.
While Cherry is too damn long, Tom Holland, and especially Ciara Bravo, present the most beautiful, f***ed up love story you might watch for a while.
Chaos Walking doesn’t necessarily utilize Daisy Ridley to its best, but Tom Holland, Mads Mikkelsen, and David Oyelowo compensate for that.
Raya and the Last Dragon acts as a reminder Disney can still make impactful original productions that will not only make you cry but be added to their collection of classics.
Netflix has a new epic on its hands and considering the vast and complicated world in Tribes of Europa, there is more going for it than against it.
If you’re missing the big-budget productions Hollywood is too scared to release theatrically, A Writer’s Odyssey can help you with your fix.
The second season of Double Cross improves on the first, thanks to Robin’s inclusion and the Detective Ryan hell-bent on justice.
Though its film franchise doesn’t even have a 3rd movie, The Equalizer has again been remade, but this time as a series – one that Queen Latifah puts her own spin on.
Like nearly every well-crafted film about Black oppression in America, Judas and the Messiah will enrage you, tire you out, and make you hope J. Edgar Hoover and his enablers, rot in hell.
If you thought McG’s The Babysitter series was over the top and crazy, Manuel Crosby and Darren Knapp respond with “Challenge accepted” with First Date.
Mayday touches on the personal war one has within themselves and every single voice or person we see as holding us back – including our own.
The Little Things is a tame cop drama in which the sole interesting thing might be Jared Leto getting to play a manipulative suspect.
American Skin is a confrontational film. One which confronts your views of police, their victims, and the perspectives the police bring based in fear and a righteous sense of duty.
You ever think to yourself, “I built up a tolerance to this kind of stuff?” Yeah, “Run Hide Fight” may test that theory.
Despite The Marksman’s name and Liam Neeson starring, it is perhaps one of his least violent, most talkative movies yet.
The Chilling Adventures of Sabrina comes to an end, and, honestly, you’re reminded more so of where the series went wrong than what it did right.
Redo of Healer is a revenge story that may make you think of The Rising of the Shield Hero, but this is far more graphic, violent, and Keyaru’s revenge is active.
What begins as a story about an adorable recluse becomes a rather bloody tale about how the lead character’s friend committed suicide.
Mushoku Tensei: Jobless Reincarnation is a reincarnated/transported to another world anime featuring ecchi, magic, and a notable amount of potential.
Wonder Woman 1984 desires to sidestep what a lot of superhero movies do by focusing more on romance and reminding us the villains aren’t truly evil, they’re actually disenfranchised.
While the men of His Dark Materials are borderline liabilities to the show’s greatness, the women, more than enough, make up for what nearly every male character lacks.
Monster Hunter is mostly action, very little plot, and very little character development.
Despite how predictable Fatale may seem, based on its trailer, believe me when I say it just uses the familiar to make you think you know what’s going to happen.
Songbird ignores whether producing a COVID romance is inappropriate and doesn’t even deliver a good enough relationship to never mind its ill-taste.
Similar to Happy Death Day, you’ll find Freaky has an unexpectedly good blend of horror and comedy – though it won’t do for its leads as we saw for Jessica Rothe.
While a definite improvement over the first movie, True To The Game 2 will have you leave the theater a tad frustrated.
True To The Game feels like your standard fare gangster movie, with the only exception being who lives and dies.
A horror movie that is nearly 2 and a half hours – is it worth your time or should you avoid it?
“Lovecraft Country” continues the burgeoning tradition of, within the fantasy/horror genre, embedding Black stories to bring America’s shameful history back to life.
“Love and Monsters” reminds you Dylan O’Brien is one of this generation’s top action stars and will likely be the one people compare others to in the future.
If you love Liam Neeson movies, he delivers a succinct action film in “Honest Thief.”
While “Raised By Wolves” starts off with so much promise, by the end of season 1, nearly every bit of its potential is lost.
Magic, guns, swords, an empire dealing with rebel forces, and two people sucked into the madness on opposing sides, “Magatsu Wahrheit: Zuerst” seems promising.
“Charm City Kings,” like so many urban dramas, shows the many rare paths it could take but ends up on the well-trodden road.
“Vampires vs. The Bronx” lovingly expands the horror genre, with its charming cast but misses key opportunities to leave a mark.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
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