The Equalizer 3 (2023) – Review/ Summary
Denzel Washington makes what is likely to be his final return to “The Equalizer” franchise, and while he shows he still has it, the film doesn’t present much to show why this film needed to become a trilogy.
Denzel Washington makes what is likely to be his final return to “The Equalizer” franchise, and while he shows he still has it, the film doesn’t present much to show why this film needed to become a trilogy.
“#ChadGetsTheAxe” harnesses the idea of an influencer in a horror movie in ways that have yet to be done at this level – and it is probably one of the best digital releases of the year.
“Retribution,” without question, is very on-brand for Liam Neeson, but with his character stuck in a car and not fighting anyone, he channels his trademark intensity in a different way.
Emile Hirsch may be out to save Israel in “The Engineer,” but he can’t save this movie from being a disappointing thriller.
As long as you are just looking for a Boomer to kill some millennials, you have come to the right place. If you want more than just that, this may feel too barebones.
Netflix and Gal Gadot’s “Heart of Stone” is a disappointing spy film without any heart put into the script or action.
The mystery in “City On Fire” of who shot Sam, thanks to Chase Sui Wonders, keeps you interested in the show as it struggles to build up its supporting cast.
“Sisters” rushes through most of the sisters’ struggles and even the crimes they try to commit to get themselves out of succeeding bad situations.
Similar to the Spiderman franchise, it seems all the “Teenage Mutant Ninja Turtle” franchise needed was to be rebooted enough times to recapture the magic.
“The Baker” entertains throughout its run time but is ultimately forgettable.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.