Jiang Ziya (2020) – Review/Summary (with Spoilers)
Like “Ne Zha,” “Jiang Ziya” feels like an epic that can appeal to children but doesn’t lose the adults watching in the process.
Like “Ne Zha,” “Jiang Ziya” feels like an epic that can appeal to children but doesn’t lose the adults watching in the process.
“Cut Throat City” has noted performances from T.I. and Terrance Howard but, as for the rest of the movie…
“Secret Society of Second-Born Royals” won’t ease your MCU fix, but it’s good enough on its own to want to see more.
When it comes to “Enola Holmes,” it never escapes its association with Sherlock Holmes, and thus struggles with establishing itself beyond Sherlock’s shadow.
The Babysitter: Killer Queen may not have the same pizazz when it comes to kill scenes, but the inclusion of Jenna Ortega does take things up a notch.
#Alive, with its small speaking cast, but high stakes, makes for an awesome, albeit simple, zombie movie.
If the first episode is anything to go by, Raised by Wolves will be what makes HBO Max ascend from being yet another streaming service.
Freaks – You’re One of Us lays the groundwork for a potential superhero franchise, just on a smaller scale than what we often see.
The first half of Lucifer’s 5th season reminds you how procedural storylines impede greater development of characters, no matter what the show.
Season 2 of “The Umbrella Academy” still has a villain problem, but with heading to the 60s comes a new timeline to save and blessed characters.
Unless you’ve grown tired of this new sub-genre of Black horror, mainly focused on the psychological effects of racism, you’ll find Lovecraft Country to be a wild ride.
You’ll either weirdly find Spree funny, disgusting, or something which might make you paranoid about ever using a ridesharing app ever again.
“Die Hart” feels strange to watch in short clips, and with having to wait so long to see the end, it loses its luster quicker than if you got to watch all at once.
Netflix has released a new action movie, with people who can become superheroes! But, is it all big-budget visual effects or something more?
While “The Tax Collector” may give you your fix if you’re looking for a violent movie, it doesn’t have much else to offer.
The introduction of “Die Hart” pushes you to understand why comedians try and need to diversify before they are no longer in on the joke.
While “Hightown” struggles to find its groove at first, after discarding a few storylines and characters, it picks up the pace and becomes a reason to subscribe to Starz.
While it may not be what die-hard fantasy fans want or need, there is enough in “Cursed” to hold you over until something with a bit more oomph comes around.
“The Old Guard” gives you the summer blockbuster you’d expect to see in theaters from the comfort of your home.
As we’re introduced to the Mutoh family and witness the graphic aftermath of an earthquake, there is a need to question if “Japan Sinks: 2020” may pick up.
While an inconsistent villain presence does sometimes plague “Gleipnir,” in terms of character investment and story? It goes beyond expectations.
If a fan of Bella Thorne, you’ll see she is in her element when it comes to playing Arielle in “Infamous.”
Mix “Home Alone” with “Hanna” and a little bit of Hit-Girl from “Kick-Ass,” and you get the sometimes shockingly violent “Becky.”
“Doom Patrol,” formerly locked up behind a paywall not worth paying for, adds yet another reason to have HBO Max.
“Ne Zha” shows why it was a massive hit in China with its top-notch animation, emotional story, and its ambiguity of good and evil.
“Motherland – Fort Salem” reminds you why there is a craving for original ideas and not rehashed stories, be it in the form of remakes of novel adaptations.
“Double Cross,” undoubtedly, is one of the strongest shows released under UMC and will undoubtedly help their network gain traction like never before.
Taking note of its criminal element, it’s ultimately the love we see blossom or renewed, that drives “Last Moment of Clarity.”
It’s unfortunate “Scoob!” couldn’t be seen in theaters, for it might be one of the first Scooby-Doo movies in a while which deserved a theatrical release.
Between flinch worthy violence, Terry Crews and Ken Foree, alongside a handful of jokes, there is more good to say about “John Henry” than bad.
In its 3rd season, “9-1-1” presents minor improvements, but due to being a procedural, which leads to some inconsistency, it often feels like more of the same.
“Hightown” aims to hit all your crime drama needs with drugs, sex, murder, gangs, and a lead seeking a path of redemption.
“All Day And A Night” might become a classic considering how it explores the downfall of a young man who lives up to the legacy his father left behind.
Like many thrillers/horror shows, if not movies, “The Stranger” is pretty good until it needs to wrap things up.
Twist, turns, backstabbings, gunshots and more, all allow “Dangerous Lies” to not be the best film out there, but entertaining.
Thanks to savvy lawyers, justice has become ambiguous compared to how it used to be. However, someone decides enough is enough, and some people should die.
For those who like violence, with a touch of comedy, “Why Don’t You Just Die” was made for your viewing pleasure
With more than meets the eye, “She Never Died” moves beyond the violence as it pursues a redemption story.
While “My Spy” is not as kid-friendly as it appears, it is likely one of the funniest movies, featuring a juvenile, you’ve seen in a while.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
Pages