The Out-Laws (2023) – Movie Review and Summary
“The Out-Laws” is a pleasant “watch because it is new, and you feel you’ve watched everything else” movie.
“The Out-Laws” is a pleasant “watch because it is new, and you feel you’ve watched everything else” movie.
What better way to end 2023 Pride than a movie like “Nimona,” which reminds you how quickly hate spreads when powered by fear and the power behind being able to self-identify?
“Sheroes” is the generic yet less entertaining version of Spring Breakers, with more guns and less sense. If I could walk out of this movie, I would.
“Perpetrator” is more interested in ways to use and shoot blood than truly give life to its characters and anything it sets up plot-wise.
“Bottoms” might be one of the first notable dark-humor teen sex comedies that don’t feel like a female version of something you saw before.
Arnold Schwarzenegger in “Fubar” is a callback to his action movies, but you’ll have a better time rewatching those action movies than watch this.
“The Wrath of Becky” largely delivers what is to be expected—a sarcastic, violent, teenage girl killing nationalists who underestimate her.
American Born Chinese is ambitious and nuanced in its Asian American representation, yet there are parts that feel watered down or changed by its Disney overlords.
While “Mother’s Day” has a big personality character and decent action scenes, it lacks the emotion, adventure, or drive necessary to keep it from becoming background noise.
“The Little Mermaid” thankfully takes enough from the Broadway musical and further creative license from the Hans Christian Anderson story to make an entertaining, though serviceable, film.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.