American Born Chinese (2023): Season 1 – Review
American Born Chinese is ambitious and nuanced in its Asian American representation, yet there are parts that feel watered down or changed by its Disney overlords.
American Born Chinese is ambitious and nuanced in its Asian American representation, yet there are parts that feel watered down or changed by its Disney overlords.
While “Mother’s Day” has a big personality character and decent action scenes, it lacks the emotion, adventure, or drive necessary to keep it from becoming background noise.
“The Little Mermaid” thankfully takes enough from the Broadway musical and further creative license from the Hans Christian Anderson story to make an entertaining, though serviceable, film.
“Robots” is a forgettable comedy that seems to yearn for when men got to be funny and women were meant to be seen and buzzkills.
“Fast X” is so entertainingly bad that it might be considered good.
Save your time by skipping “Knights of the Zodiac” and read or watch the original 1980s “Saint Seiya” series instead.
Robert Rodriguez and Ben Affleck’s “Hypnotic” is a messy but intriguing movie with twists that change the movie’s characters, genre, and entire story.
Netflix and Jennifer Lopez’ “The Mother” is an intriguing drama suffocated by a bad action movie.
Guardians of the Galaxy may be a rocky and exhaustive journey, but its heart in Rocket provides a fitting end to Marvel’s gang of misfits.
In the pursuit of the next “Half Baked” or “How High,” MTV presents its latest attempt to make a classic in “Pretty Stoned.”
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.