Hanna: Season 1, Episode 1 “Forest” [Series Premiere] – Recap/ Review (with Spoilers)
Hanna has decent action, and you may love Esme Creed-Miles as the title role, but it doesn’t have the same oomph as the movie.
Hanna has decent action, and you may love Esme Creed-Miles as the title role, but it doesn’t have the same oomph as the movie.
Between Miss Bala being curbed to PG-13, and lacking shades of grey, while entertaining, it isn’t necessarily a must see.
When Polar tries to be funny, it veers towards being a horrible movie. However, when it is harnessing the seriousness of Mikkelsen’s persona, it flourishes
An Acceptable Loss builds upon the patriotism of movies released in the past and questions what is justifiable so Americans can feel safe?
Close may continue to prove Noomi Rapace is a badass, but its lackluster characters may not keep your attention.
All I’m going to say is, Glass’ ending is the end of this trilogy, but could very well be used to launch another. But you may not want it.
While The Passage has a few things going for it, it’s hard not to get the vibe you’ve seen this story done elsewhere and wonder if it’ll do better.
The finale of Netflix’s Godzilla series attempts to make up for the ho-hum second entry and leaves room for future sequels.
Maquia: When the Promised Flower Blooms will not only help you gauge if you need more water in your diet but have you wailing and your bottom lip trembling.
While definitely a way to pass the time, Dororo doesn’t present that big time hook to make this a must-see.
The Rising of the Shield Hero lives up to what its trailer hyped and may provide oh so much more.
While it certainly feels bloated at times, Mojin: The Lost Legend is, at times, a thrilling action movie.
Black Mirror: Bandersnatch is wonderfully frustrating and will probably lead you to wonder who is truly being controlled? You or Stefan?
Deadly Class contains it all. Diversity, violence, teen angst, and not a single character who feels like a waste of screen time.
Aquaman, alongside last year’s Wonder Woman, reminds you that DC was the first to create classic comic book characters and movies.
With corporate espionage, a pending fantasy element, and bullets flying, The Protector starts off a bit weird and with a bang.
Mortal Engines mostly relies on special effects, and two supporting actors, to compensate for nearly every other thing the film offers.
Spider-man: Into the Spider-Verse pushes you to learn more about the iconic character, beyond Peter Parker, and creates a franchise you’ll want to see more of.
Bumblebee is a bit forceful in trying to get you emotional, but the action is just what you’d expect from a Transformers movie.
Neither geared towards children nor perhaps any particular audience, despite finally being released, Mowgli: Legend of the Jungle still seems in limbo.
Thanks to the dynamic between Trey Songz and Jack Kesy, you get a surprisingly good action movie.
Robin Hood (2018) seemingly just wants to take advantage of the hero’s name recognition and very little of the known story.
Widows pushes the need to question, what would it be like if those who made art house and Oscar-caliber films ventures outside their comfort zone – and succeeded.
As Grindelwald’s reason for taking power away from humanity is revealed, the romance of the first movie expands and deepens.
While Fantastic Beasts and Where To Find Them seems purely about milking Harry Potter love, without Harry Potter, there is just enough magic to get you through it.
When it comes to the action, you’ll love The Night Comes For Us. However, in terms of story… well, the fight scenes compensate for that.
Between you knowing a rape is happening and seeing the murder of teens and children, Goblin Slayer doesn’t hold back that much.
While the gangster side of Mr. Inbetween is generic, us watching the lead play father, brother, and guy who has no game with ladies helps give it something to hook viewers.
With the state of TellTale Games in decline, it makes the idea of this being possibly last episode depressing.
Covering the first 17 episodes of the animated series, Bleach feels like a to the point movie cutting the majority of filler, and probably some essential characters.
In what feels like an alternate timeline of the movie Wall-E, we watch a girl reconcile her abandonment issues through a robot meant to save the world.
While Kin does have an ending which makes it seem a bit like a certain action franchise, it does leave you wanting more.
Jet Trash is the kind of film where you feel like, if they just dialed it back a bit, it could have been much more satisfying.
As long as you like your humor simple, cheap, and dirty, you are certain to get a kick out of The Happytime Murders.
Outside of two moments in which the lead is sexually assaulted, and the protagonist being Black, The Darkest Minds is as generic as they come.
Extinction screams start of a franchise or series. For all it does is lay the foundation for a further development. Question is, is it something worth seeing?
Godzilla: City on the Edge of Battle may lack quality battles but it does present the issues between factions which will affect a post-Godzilla world.
How It Ends not only doesn’t answer its title’s question but also makes for a terrible online release thanks to its writing, pacing, and maybe even acting.
Bag Man will surely get you hyped up for Kin (Currently Scheduled for 8/31) even with the changes in the feature film.