Deltopia (2023) Movie Review and Summary
“Deltopia” may be the least fun movie about a party that I’ve ever seen, and writers Michael Easterling and Jaala Ruffman make college seem like a place you never want to go.
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“Deltopia” may be the least fun movie about a party that I’ve ever seen, and writers Michael Easterling and Jaala Ruffman make college seem like a place you never want to go.
A cunning 12-year-old, living on her own, meets her father finally, but only after her mother dies.
“Retribution,” without question, is very on-brand for Liam Neeson, but with his character stuck in a car and not fighting anyone, he channels his trademark intensity in a different way.
Max Gold’s “Belle” is a beautiful and violent adaptation of “Beauty and the Beast” that creates its own individual magic by the end.
“The List” is a simple, cute, though sometimes uninspiring romantic comedy.
Emile Hirsch may be out to save Israel in “The Engineer,” but he can’t save this movie from being a disappointing thriller.
Blue Beetle’s emphasis on family makes this superhero movie the most fun origin story in a long time and a surprising late summer treat in theaters.
“Birth/Rebirth” in using death as the villain, and humanity as morally grey, gives you an engaging horror film that isn’t dependent on blood, guts, and violence to keep you watching.
“The Monkey King” is like its title character: a whole lot of style with very little substance.
Landscape with Invisible Hand starts off strong when focused on the humans dealing with an alien invasion. However, once the aliens become a prominent part of the film, it’s hard to maintain interest.
“Ruined” fits the bill of the crazed light skin person whose desires for one half of a married couple lead to them becoming so crazy they are willing to kill.
In “Below Deck Deceit,” a seemingly relaxing yacht vacation unveils a web of deception, old connections surfacing, and the perils of fame.
As long as you are just looking for a Boomer to kill some millennials, you have come to the right place. If you want more than just that, this may feel too barebones.
While “Mad Fate” is bizarre and makes an effort to keep up a high level of energy as you are led to wonder when, or if, its lead may snap and kill again, after a certain point, it becomes a bore.
A mother starting over after a divorce finds herself enamored by a young girl with a heartening story who is homeless. Thus she takes her in and finds a renewed energy in her household.
“Gran Turismo” is a well-told but predictable underdog story that coasts to the finish line.
“Susie Searches” struggles due to letting you in on the secret that the film is about.
Delving into the dark underbelly of wealth and deception, ‘The Housekeeper’ masterfully weaves a tale of faith, betrayal, and chilling mysteries that will leave audiences on the edge of their seats.
Netflix and Gal Gadot’s “Heart of Stone” is a disappointing spy film without any heart put into the script or action.
In this soap opera styled movie, there are so many twists, turns, surprises, and betrayals that, while you’ll be able to keep up, you might be left exhausted.
In ‘Brother (2023)’, the compelling tale of two young brothers navigating life in a lower-income community unveils the struggles of immigrant families and the pervasive influence of societal pressures, beautifully framed within a web of budding romances, community bonds, and shocking revelations.
“Corner Office” is a dark comedy starring John Hamm as a disgruntled employee, but you may be just as disgruntled after watching this movie.
“Zom 100: Bucket List of the Dead” is a joyous and bonkers live-action adaptation of the manga. The movie celebrates friendship, dreams, and plenty of zombies.
“Passages,” on the surface, can seem like a narcissistic man trying to have his cake and eat it too, but the deeper it goes, the more you see how relationships were long troubles before social media and app dating.
“Sisters” rushes through most of the sisters’ struggles and even the crimes they try to commit to get themselves out of succeeding bad situations.
The cinematic narrative, “Rub,” unfolds the tribulations of an archetypal everyman figure named Neil, who finds himself teetering on the brink due to his emotionally barren existence and malignant professional setting.
“Big Nunu’s Little Heist” is a South African gem of a movie.
See Jackie Chan and John Cena sit down and talk a lot in “Hidden Strike,” a movie that has had a stalled post-production for 5 years.
Similar to the Spiderman franchise, it seems all the “Teenage Mutant Ninja Turtle” franchise needed was to be rebooted enough times to recapture the magic.
In the midst of glittering coastal settings and high-tech antics, “Zoey 102” takes viewers on a nostalgic trip back to explore unresolved sentiments and unveil the unforeseen transformations of beloved characters.
“The Baker” entertains throughout its run time but is ultimately forgettable.
“The Beanie Bubble” is a comedic and dramatic tale about the ’90s Beanie Baby mania, but it’s light on comedy and drama.
While a unnecessary reboot, there is no denying this adaptation aims to bring something different.
Jim Cavaziel auditions to be Liam Neeson’s successor as he takes on becoming the savior for children kidnapped and put into the sex trafficking industry.
To some surprise, “Strays” not only delivers the kind of jokes and situations those who love politically incorrect comedy will enjoy but get dog lovers in their feelings.
“Three Months” is a vibrant coming-of-age film that explores a young man’s journey through potential HIV diagnosis, untraditional relationships, and self-acceptance in a visually compelling and emotionally resonant narrative.
The great talent and interesting concept in “Natty Knocks” can’t create the chills and jumps needed for this to be a memorable scary movie.
“Fear The Night” is for those who want a simple action movie where you watch a woman whip a lot of ass without using a gun.
“Barbie” and “Oppenheimer” may be all over the news, but Juel Taylor’s “They Cloned Tyrone” is an inventive joy that shouldn’t be missed.