White Lie – Review/ Summary (with Spoilers)
In White Lie, you watch as a con artist desperately tries to maintain their story of having cancer, seemingly by any means necessary.
In the Young Adult tag, you’ll find coming-of-age stories and productions featuring those in their late teens through twenties getting their lives together.
In White Lie, you watch as a con artist desperately tries to maintain their story of having cancer, seemingly by any means necessary.
You ever think to yourself, “I built up a tolerance to this kind of stuff?” Yeah, “Run Hide Fight” may test that theory.
The Chilling Adventures of Sabrina comes to an end, and, honestly, you’re reminded more so of where the series went wrong than what it did right.
Redo of Healer is a revenge story that may make you think of The Rising of the Shield Hero, but this is far more graphic, violent, and Keyaru’s revenge is active.
What begins as a story about an adorable recluse becomes a rather bloody tale about how the lead character’s friend committed suicide.
Dr. Bird’s Advice For Sad Poets is draining, beautiful, yet a reminder that there is no instant cure or end to the struggle of making progress. Sometimes just an occasional reprieve.
Bridgerton on its surface can be breezy and a quick watch. However, if you choose to analyze it, it can be far deeper than a girl finding love in a newly diverse world.
Mushoku Tensei: Jobless Reincarnation is a reincarnated/transported to another world anime featuring ecchi, magic, and a notable amount of potential.
Adachi and Shimamura takes the slow and steady approach to love. Thus giving you something which may feel annoyingly slow at times, but often authentic.
In Horimiya, two high school teenagers show a side of themselves no one at school gets to see and maybe, just maybe, it might blossom into a romance.
Alaska Is A Drag reminds you how much hope one can have when you have someone in your corner and find people who not just accept but love you.
The Last Shift taps into a quieter story, minus any grandstanding, to allow two characters to be challenged by one another and learn something despite their differences.
Shondaland takes its second crack at doing a period piece by focusing on a drama with a Gossip Girl spin and a social season in which many young ladies vie for the best bachelors.
UMC’s newest show For The Love of Jason has everything it needs, except enough episodes to not feel a bit rushed.
I Remember asks you to forgive it’s lead tells, as he gets the chance to live out his dream of dating the girl who always seemed out of his league.
While Industry does not have every character live up to its potential, Myha’la Herrold and Ken Leung damn near save the show.
As with most of OWN’s “OWN For The Holidays,” First Christmas pushes new narratives beyond the Christmas formula, which might be the best one yet.
While the men of His Dark Materials are borderline liabilities to the show’s greatness, the women, more than enough, make up for what nearly every male character lacks.
Songbird ignores whether producing a COVID romance is inappropriate and doesn’t even deliver a good enough relationship to never mind its ill-taste.
For The Love of Jason has one of the best comedy pilots you may have seen in a l o n g time.
While absolutely silly, A Christmas Surprise does deliver a fun, overtly dramatic Christmas story.
“All My Life” avoids any opportunity to develop its characters as it focuses on crafting an enviable romance.
While the performances and story are strong in Princess of the Row, there is just something about it that tarnishes the viewing experience.
Life In A Year will make you laugh, make you cry, and will make you reconsider previous opinions on Cara Delevingne and Jaden Smith.
Sound of Metal has the performances needed to make it a stirring, likely Oscar-caliber movie, but after a certain point, it overstays its welcome.
Uncle Frank, thanks to Paul Bettany and Sophia Lillis, leaves a bit of a heavyweight on your shoulder that can only be relieved with tears.
Dash and Lily begins with us meeting The Grinch, known as Dash. However, by the time Christmas comes around, his heart may grow two sizes too big.
Similar to Happy Death Day, you’ll find Freaky has an unexpectedly good blend of horror and comedy – though it won’t do for its leads as we saw for Jessica Rothe.
Industry’s manic energy is enticing as a viewer at first but grows tiresome as you wait for that one character to truly hook you in and make the hour committed worth it.
“The Craft: Legacy” pushes you to feel it didn’t need its predecessor for anything besides name recognition.
For those who like unconventional holiday movies, in this case, with cursing and a dysfunctional family, “Holidate” was made for you.
Despite its subject matter, there is something surprisingly tame about “Gossamer Folds,” which shows how tolerance and acceptance develops over hate.
Despite a few painfully awkward moments, “Ellie and Abbie (And Ellie’s Dead Aunt” does ultimately give you what you need from it.
Despite chess’ lack of pizzazz, compared to athletic activities, “The Queen’s Gambit,” through one chess player, uses both the game and a dash of sensationalism to grab hold of you.
Exes Baggage presents your usual will they or won’t they drama as you become so invested in the leads’ relationship you feel as if they must end up together.
In what may feel like a prequel to “Shiva Baby,” Rachel Sennott is joined by Madeline Grey DeFreece for another awkward funeral situation.
“Dating Amber,” set in 1995, reminds you how much has changed in 25 years as we follow two Irish teens dealing with being ostracized for their sexuality.
Dancing on the tightrope between cringe and funny, “Shiva Baby” presents Rachel Sennott as someone on the cusp of mainstream fame.
In this quiet drama, a young girl, on the brink of puberty, wonders what the end result might be.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.