The Broken Hearts Gallery (2020) – Review/Summary (with Spoilers)
While it does follow the usual romantic comedy conventions, between Viswanathan as lead, and the multiple scene-stealing supporting cast, you’ll love The Broken Hearts Gallery.
In the Young Adult tag, you’ll find coming-of-age stories and productions featuring those in their late teens through twenties getting their lives together.
While it does follow the usual romantic comedy conventions, between Viswanathan as lead, and the multiple scene-stealing supporting cast, you’ll love The Broken Hearts Gallery.
#Alive, with its small speaking cast, but high stakes, makes for an awesome, albeit simple, zombie movie.
If you don’t have a compromised immune system and the people in your community aren’t reckless, Words on Bathroom Walls is the perfect reason to head back to theaters.
All Roads to Pearla has all the ingredients necessary to have some element of shock to it, but they just don’t come together as you need them to.
What if the roles were reversed and members of the African continent conquered Europe? Would things be different, better even, or just the same?
In the final season of Trinkets you can see there was so much left to cover, but the writers salvaged what plans they could.
All Together Now will likely cause you to cry, one way or the other.
In the last play Tyler Perry portrays Madea, we get one final reminder of why, despite some controversy, Madea is a renowned figure.
Chemical Hearts is draining, in the best way, as it takes you through the emotional toll of not just healing, but shedding your childhood and expectations.
Don’t Look Deeper feels limited by the way Quibi handles its productions, considering it ends almost as soon as it finishes laying down its foundation.
The Spring We Never Had is classic Wong Fu which gets you so emotionally invested that when things don’t head towards the ideal, you will yell at your screen.
You’ll either weirdly find Spree funny, disgusting, or something which might make you paranoid about ever using a ridesharing app ever again.
Netflix has released a new action movie, with people who can become superheroes! But, is it all big-budget visual effects or something more?
Is “An Easy Girl” yet another coming of age film that is formulaic and lacks a standout feature? Read on to find out.
Liza Koshy & Sabrina Carpenter star in a dance movie that has a few kinks but is it overall enjoyable?
In this over two hour epic, you watch a young man play the long game in ways that will stun you and leave you thinking, “It can’t end like this?”
In the not so distant future, a young woman learns she is a robot and thus comes the question of who knows, who created her, and how can she get freedom?
“Yes, God, Yes” is not only probably one of the best coming of age films in a long time, but it also is one of the few teen sex comedies that doesn’t feel like a rehash.
While it’s two hour time length makes it lag in some parts, by the end of “The Kissing Booth 2,” you are left wondering when is the next one?
In the first episode alone, “Love on the Spectrum” may do more to reinforce your idea of how special and beautiful love is than any romance movie you’ve ever seen.
Thanks to a series of rather strange events, “Liza, Liza, Skies are Grey” loses its chance to be a cute teen romance.
While it may not be what die-hard fantasy fans want or need, there is enough in “Cursed” to hold you over until something with a bit more oomph comes around.
“I May Destroy You” presents far more than a narrative about navigating life post being raped. It is a conversation starter with a wide range of topics.
While you might think this would have way too much ecchi to really get into, it seems there might be more than meets the eye.
“Little Voice” is an absolutely adorable show, but if you don’t already have Apple TV+, is it worth another subscription?
As we’re introduced to the Mutoh family and witness the graphic aftermath of an earthquake, there is a need to question if “Japan Sinks: 2020” may pick up.
“I Am Not Okay With This” benefits from understanding the normalcy of weird, but its story, which sometimes drags, keeps it from being as good as its potential.
While an inconsistent villain presence does sometimes plague “Gleipnir,” in terms of character investment and story? It goes beyond expectations.
“Under the Riccione Sun” will remind you what many may miss thanks to COVID-19, but it gives you the chance to live vicariously.
“Sing ‘Yesterday’ For Me” does well in the beginning, but as time goes on, its pacing starts to dismantle its highlights.
“Looks That Kill” makes for a lukewarm dark comedy, but has a romance that makes it worth viewing.
If you need a good cry, but not to the point of making an ugly face, “A Whisker Away” is just what you need.
“Insecure,” after a lengthy hiatus, returns, and while it does contain explosive moments, it’s the quiet ones that bring out its best scenes.
After a ten-episode season in season 2, the 6 episode season 3 feels like a disservice to such a great show.
While “Love Life” does avoid certain topics and stories to maintain its levity, it is definitely a hit for HBO Max for a reason.
If a fan of Bella Thorne, you’ll see she is in her element when it comes to playing Arielle in “Infamous.”
Unfortunately, it takes “The King of Staten Island” almost an hour, out of 2, to be all that you expected and hoped it would be.
“I May Destroy You” begins not with the crime central to its marketing, but a reminder of the person who preceded the adjectives placed on assault survivors.
Mix “Home Alone” with “Hanna” and a little bit of Hit-Girl from “Kick-Ass,” and you get the sometimes shockingly violent “Becky.”
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
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