Love Life: Season 1 Episode 1 “Augie Jeong” [Series Premiere] – Recap/ Review with Spoilers
“Love Life” comes off like someone stretched out the montage we see in romantic comedies of all the exes the lead had before meeting the one.
In the Young Adult tag, you’ll find coming-of-age stories and productions featuring those in their late teens through twenties getting their lives together.
“Love Life” comes off like someone stretched out the montage we see in romantic comedies of all the exes the lead had before meeting the one.
“#FriendButMarried” is a long, arduous movie to watch, that somehow drains anything and everything cute out of its central relationship.
“Motherland – Fort Salem” reminds you why there is a craving for original ideas and not rehashed stories, be it in the form of remakes of novel adaptations.
“Blood & Water” has potential, due to its kidnapping mystery, but whether it’s potential will be realized is hard to say.
In season 2 of Sex Education, the show moves beyond the physical act of sex and focuses more on intimacy – both in and out of the bedroom.
“Dare Me,” as it explored the intimate relationships between a small town’s cheerleading squad, provides some of the best teen drama, not (originally) on FreeForm or Netflix.
Um, “Love Is Blind,” the movie not the TV show, is mid-level “What did I just watch?” Specifically in a, “Am I supposed to find this funny?” kind of way.
“Valley Girl” is a fun teen movie with 80s flair, music, and a simple, but likable, romance – ruined by bland characters.
“18 Presents” or “18 Regali” is an ode to those who lost their mothers and need an excuse to cry.
“All Day And A Night” might become a classic considering how it explores the downfall of a young man who lives up to the legacy his father left behind.
Fridays on HBO been their day to show something different from their Sunday night fare, and “Betty” is no different as it focuses on the daily life of skaters.
“The Half of It” brings a positive spin on small-town America, while still pushing how getting out of your comfort zone is necessary to grow.
It’s been a long time since we really desired to binge something on Netflix, but “Hollywood” is bound to break the dry spell.
“Dummy” is one of those shows which toe the line between having deep meaning and being mindless entertainment.
For those looking for a new teen drama, “Summertime” likely can deliver the romance and drama you desire.
“Selah and the Spades” begs for a revival as a series as it tries to cram so much into one experience.
“Straight Up” explores the difficulty of fitting a sexuality label when the heart wants what it wants.
In many ways, “Outer Banks” may feel like it is going by a checklist as it introduces you to its world and characters, but there is hope that may not be the case.
In Act 1 of “Besties,” we’re introduced to a small group of friends and lovers, all trying to get the most of their relationships – sometimes selfishly.
While the panty shots are unnecessary, “Gleipnir” does present itself as an intriguing action anime with eyebrow-raising characters.
Outside of a short time gap, “Banana Split” is an exploration of female intimacy in both sisterhood and friendships.
As “Unorthodox” exposes you to a Hasidic Jewish community, it also introduces Shira Haas, who has the potential to be either an indie darling or mainstream star.
In part 1 of “Unorthodox,” we are introduced to a young girl yearning for family, and what she gets instead is what it appears to be a religion enforced prison.
“Sing ‘Yesterday’ For Me,” as it addresses the regrets that come with early adulthood, makes you hyper-aware of what is and isn’t going right in your life.
“Freshman Year” avoids being heavy-handed or eye-roll-inducing about faith. Rather, it approaches a young man’s faith, and decisions, with a realistic tone.
“Intermedium,” like most shorts, is an appetizer. And like any appetizer, it leaves you wanting more.
While “Go Back To China” may come off as some silly or light-hearted, as it touches upon Chinese culture and family, it goes so deeper than expected.
While the development of Jasmine is ace this season, the other elements of season 3 of “On My Block” are frustrating, inconsistent, or feel like a repeat of the past.
In a slight change of pace, “Motherland: Fort Salem” may focus on witches and the supernatural, but with the general omittance of men, things appear far more severe.
In its series premiere, “Little Fires Everywhere” takes us back to 1997 and gives us a socio-economic tale with characters ready to burst at the seams.
With “M.O.M. (Mothers of Monsters)” seeking to flesh out the fear of one parent, we’re reminded how difficult it might be to stop a catastrophe.
“Stargirl” in depicting what happens when you allow yourself to be what others want, brings about one of the best family appropriate live-action films from Disney in ages.
If the Coronavirus is making you paranoid, the pandemic in “Block Z” may not be the best thing for your anxiety.
“I Still Believe” with its tear-inducing story will make it so, even if you aren’t a person of faith, you’ll get why some hold onto theirs so tightly – despite it all.
All The Bright Places fulfills your need for butterflies and tears, as most YA novel adaptations do.
After proving herself to be able to carry multiple films, even if they are meh, “I Am Not Okay With This” allows Sophia Lillis to be in her element and kick ass.
In this coming of age tale, everything is about that one chance to make it and if things don’t come together, the worst happening.
“Violet Evergarden I: Eternity and the Auto Memory Doll” reminds you no matter how much time has passed, you can still be strongly affected by a well-developed character.
“The Thing About Harry” brings us beyond gay couples dealing with trauma and the dramatics of the first time. It’s just about the awkwardness of love.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
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