Don’t Look Deeper: Season 1 Episode 1 to 3 [Series Premiere] – Recap/ Review with Spoilers
In the not so distant future, a young woman learns she is a robot and thus comes the question of who knows, who created her, and how can she get freedom?
In the Young Adult tag, you’ll find coming-of-age stories and productions featuring those in their late teens through twenties getting their lives together.
In the not so distant future, a young woman learns she is a robot and thus comes the question of who knows, who created her, and how can she get freedom?
“Yes, God, Yes” is not only probably one of the best coming of age films in a long time, but it also is one of the few teen sex comedies that doesn’t feel like a rehash.
While it’s two hour time length makes it lag in some parts, by the end of “The Kissing Booth 2,” you are left wondering when is the next one?
In the first episode alone, “Love on the Spectrum” may do more to reinforce your idea of how special and beautiful love is than any romance movie you’ve ever seen.
Thanks to a series of rather strange events, “Liza, Liza, Skies are Grey” loses its chance to be a cute teen romance.
While it may not be what die-hard fantasy fans want or need, there is enough in “Cursed” to hold you over until something with a bit more oomph comes around.
“I May Destroy You” presents far more than a narrative about navigating life post being raped. It is a conversation starter with a wide range of topics.
While you might think this would have way too much ecchi to really get into, it seems there might be more than meets the eye.
“Little Voice” is an absolutely adorable show, but if you don’t already have Apple TV+, is it worth another subscription?
As we’re introduced to the Mutoh family and witness the graphic aftermath of an earthquake, there is a need to question if “Japan Sinks: 2020” may pick up.
“I Am Not Okay With This” benefits from understanding the normalcy of weird, but its story, which sometimes drags, keeps it from being as good as its potential.
While an inconsistent villain presence does sometimes plague “Gleipnir,” in terms of character investment and story? It goes beyond expectations.
“Under the Riccione Sun” will remind you what many may miss thanks to COVID-19, but it gives you the chance to live vicariously.
“Sing ‘Yesterday’ For Me” does well in the beginning, but as time goes on, its pacing starts to dismantle its highlights.
“Looks That Kill” makes for a lukewarm dark comedy, but has a romance that makes it worth viewing.
If you need a good cry, but not to the point of making an ugly face, “A Whisker Away” is just what you need.
“Insecure,” after a lengthy hiatus, returns, and while it does contain explosive moments, it’s the quiet ones that bring out its best scenes.
After a ten-episode season in season 2, the 6 episode season 3 feels like a disservice to such a great show.
While “Love Life” does avoid certain topics and stories to maintain its levity, it is definitely a hit for HBO Max for a reason.
If a fan of Bella Thorne, you’ll see she is in her element when it comes to playing Arielle in “Infamous.”
Unfortunately, it takes “The King of Staten Island” almost an hour, out of 2, to be all that you expected and hoped it would be.
“I May Destroy You” begins not with the crime central to its marketing, but a reminder of the person who preceded the adjectives placed on assault survivors.
Mix “Home Alone” with “Hanna” and a little bit of Hit-Girl from “Kick-Ass,” and you get the sometimes shockingly violent “Becky.”
“Love Life” comes off like someone stretched out the montage we see in romantic comedies of all the exes the lead had before meeting the one.
“#FriendButMarried” is a long, arduous movie to watch, that somehow drains anything and everything cute out of its central relationship.
“Motherland – Fort Salem” reminds you why there is a craving for original ideas and not rehashed stories, be it in the form of remakes of novel adaptations.
“Blood & Water” has potential, due to its kidnapping mystery, but whether it’s potential will be realized is hard to say.
In season 2 of Sex Education, the show moves beyond the physical act of sex and focuses more on intimacy – both in and out of the bedroom.
“Dare Me,” as it explored the intimate relationships between a small town’s cheerleading squad, provides some of the best teen drama, not (originally) on FreeForm or Netflix.
Um, “Love Is Blind,” the movie not the TV show, is mid-level “What did I just watch?” Specifically in a, “Am I supposed to find this funny?” kind of way.
“Valley Girl” is a fun teen movie with 80s flair, music, and a simple, but likable, romance – ruined by bland characters.
“18 Presents” or “18 Regali” is an ode to those who lost their mothers and need an excuse to cry.
“All Day And A Night” might become a classic considering how it explores the downfall of a young man who lives up to the legacy his father left behind.
Fridays on HBO been their day to show something different from their Sunday night fare, and “Betty” is no different as it focuses on the daily life of skaters.
“The Half of It” brings a positive spin on small-town America, while still pushing how getting out of your comfort zone is necessary to grow.
It’s been a long time since we really desired to binge something on Netflix, but “Hollywood” is bound to break the dry spell.
“Dummy” is one of those shows which toe the line between having deep meaning and being mindless entertainment.
For those looking for a new teen drama, “Summertime” likely can deliver the romance and drama you desire.
“Selah and the Spades” begs for a revival as a series as it tries to cram so much into one experience.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.