Dead Girls Dancing (2023) – Movie Review and Summary (with Spoilers)
“Dead Girls Dancing” feels aimless as you await the story to pick up and make clear what we’re building up to.
In the Young Adult tag, you’ll find coming-of-age stories and productions featuring those in their late teens through twenties getting their lives together.
“Dead Girls Dancing” feels aimless as you await the story to pick up and make clear what we’re building up to.
Alongside delivering the expected laughs, “Joy Ride” is an emotional story about culture, identity, and how friends can reaffirm who you are.
“Perpetrator” is more interested in ways to use and shoot blood than truly give life to its characters and anything it sets up plot-wise.
Tracee Ellis Ross continues to push beyond her comedy empire with the kind of role which deserves to be in awards contentions.
“The Graduates,” thankfully avoids showing a school shooting, but what’s left leaves you wanting more.
“Bottoms” might be one of the first notable dark-humor teen sex comedies that don’t feel like a female version of something you saw before.
Season 2 of the five-season planned “Yellowjackets” drags early on and seems imbalanced between the past and present, but does end on a high note.
“The Wrath of Becky” largely delivers what is to be expected—a sarcastic, violent, teenage girl killing nationalists who underestimate her.
American Born Chinese is ambitious and nuanced in its Asian American representation, yet there are parts that feel watered down or changed by its Disney overlords.
“Once Upon A… One More Time” is a feminist musical set to the music of Britney Spears that may feel like it is preaching to the choir and needs more oomph in its ensemble numbers.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.