Malcolm & Marie – Review/Summary (with Spoilers)
Malcolm & Marie pushes you to understand the complicated middle before a relationship comes to an end.
In the Young Adult tag, you’ll find coming-of-age stories and productions featuring those in their late teens through twenties getting their lives together.
Malcolm & Marie pushes you to understand the complicated middle before a relationship comes to an end.
Would You Rather gives you a raw teenage experience, sans the usual sex and drugs.
It’s April 2020, and all the things one could do to distract oneself while at home have dissipated, and all that’s left is loneliness. Enter Mae, who has decided to take up virtual dating.
When your father is the epitome of masculinity, what does it say about you if you aren’t a spitting image of that?
Like nearly every well-crafted film about Black oppression in America, Judas and the Messiah will enrage you, tire you out, and make you hope J. Edgar Hoover and his enablers, rot in hell.
The 16 minutes of Jason Park’s BJ’s Mobile Gift Shop will leave you demanding a full-length feature film, featuring Johnnyboy Tellem before 2021 is over.
Ava From My Class pushes you to wonder where the line between admiration and a crush is for its young lead.
If you thought McG’s The Babysitter series was over the top and crazy, Manuel Crosby and Darren Knapp respond with “Challenge accepted” with First Date.
Mayday touches on the personal war one has within themselves and every single voice or person we see as holding us back – including our own.
Marvelous and the Black Hole, while it can come off as an angsty teenage film, it doesn’t push its lead to move on or get over it but harness that anger into something good.
We’ve all seen some version of Romeo and Juliet, but none of them compare to Carey Williams’ R#J.
Many young adults worldwide take advantage of privacy, which isn’t legally available to our two leads. But will they risk getting arrested to get it?
In Doublespeak, you are sorely reminded how Human Resources is more focused on protecting the company’s assets than your dignity or sense of safety.
Perhaps saving the best for last, No Strings delivers a sense of longing that reminds you how much we’re willing to compromise or settle for the sake of company.
The seduction of someone older and more mature meets realizing their maturity doesn’t mean they are ready for you.
Stanley buries the lead with sex and ends before you feel it gets to the good part.
A man with a secret finds himself in the company of the other person who knows what he lusts for.
In It’s A Sin, we’re reminded what can matter more than the right school or job is finding your people — especially if you’re gay men in the 80s.
In White Lie, you watch as a con artist desperately tries to maintain their story of having cancer, seemingly by any means necessary.
You ever think to yourself, “I built up a tolerance to this kind of stuff?” Yeah, “Run Hide Fight” may test that theory.
The Chilling Adventures of Sabrina comes to an end, and, honestly, you’re reminded more so of where the series went wrong than what it did right.
Redo of Healer is a revenge story that may make you think of The Rising of the Shield Hero, but this is far more graphic, violent, and Keyaru’s revenge is active.
What begins as a story about an adorable recluse becomes a rather bloody tale about how the lead character’s friend committed suicide.
Dr. Bird’s Advice For Sad Poets is draining, beautiful, yet a reminder that there is no instant cure or end to the struggle of making progress. Sometimes just an occasional reprieve.
Bridgerton on its surface can be breezy and a quick watch. However, if you choose to analyze it, it can be far deeper than a girl finding love in a newly diverse world.
Mushoku Tensei: Jobless Reincarnation is a reincarnated/transported to another world anime featuring ecchi, magic, and a notable amount of potential.
Adachi and Shimamura takes the slow and steady approach to love. Thus giving you something which may feel annoyingly slow at times, but often authentic.
In Horimiya, two high school teenagers show a side of themselves no one at school gets to see and maybe, just maybe, it might blossom into a romance.
Alaska Is A Drag reminds you how much hope one can have when you have someone in your corner and find people who not just accept but love you.
The Last Shift taps into a quieter story, minus any grandstanding, to allow two characters to be challenged by one another and learn something despite their differences.
Shondaland takes its second crack at doing a period piece by focusing on a drama with a Gossip Girl spin and a social season in which many young ladies vie for the best bachelors.
UMC’s newest show For The Love of Jason has everything it needs, except enough episodes to not feel a bit rushed.
I Remember asks you to forgive it’s lead tells, as he gets the chance to live out his dream of dating the girl who always seemed out of his league.
While Industry does not have every character live up to its potential, Myha’la Herrold and Ken Leung damn near save the show.
As with most of OWN’s “OWN For The Holidays,” First Christmas pushes new narratives beyond the Christmas formula, which might be the best one yet.
While the men of His Dark Materials are borderline liabilities to the show’s greatness, the women, more than enough, make up for what nearly every male character lacks.
Songbird ignores whether producing a COVID romance is inappropriate and doesn’t even deliver a good enough relationship to never mind its ill-taste.
For The Love of Jason has one of the best comedy pilots you may have seen in a l o n g time.
While absolutely silly, A Christmas Surprise does deliver a fun, overtly dramatic Christmas story.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
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