Violet Evergarden: The Movie (2020) – Review/ Summary (with Spoilers)
Closing out the franchise, Violet Evergarden: The Movie gives Violet the closure she has desperately needed and the tears you expect.
In the Young Adult tag, you’ll find coming-of-age stories and productions featuring those in their late teens through twenties getting their lives together.
Closing out the franchise, Violet Evergarden: The Movie gives Violet the closure she has desperately needed and the tears you expect.
The Vault may not be competitive in the heist genre, but It does work as something to watch when nothing else is new or on.
Mushoku Tensei: Jobless Reincarnation may get to be a bit much at times, with its ecchi, but beyond that, it is one of the most consistent quality shows we’ve seen in a long time.
Caught By A Wave is a simple romance with enough drama to keep it from getting dull, but never enough to make you take situations mentioned too serious.
While, like most M. Night Shymalan productions, you have to wait till the end for things to get good, Servant season 2 will make you interested in a 3rd season.
Tribes of Europa does well in getting you interested in a post-apocalypse Europe, but more so in how the world and cultures shifted than its characters.
While Cherry is too damn long, Tom Holland, and especially Ciara Bravo, present the most beautiful, f***ed up love story you might watch for a while.
In this “Did they or didn’t they” movie, Trust pushes you to wonder who is a liar and whether the circumstances absolve one from the result?
Genera+ion seeks to break away from young adult show trends by having their characters be three-dimensional people and not primarily defined by a specific struggle.
Coming 2 America has its moments, but as it hints itself, like many sequels, it was unnecessary.
Boogie tries to be a coming of age tale, romance, drama, and feature its leads heritage to varying degrees of success.
Chaos Walking doesn’t necessarily utilize Daisy Ridley to its best, but Tom Holland, Mads Mikkelsen, and David Oyelowo compensate for that.
Raya and the Last Dragon acts as a reminder Disney can still make impactful original productions that will not only make you cry but be added to their collection of classics.
Stealing School may make you fearful of computer science majors as you watch one do whatever it takes to graduate.
Billie Eilish: The World’s A Little Blurry acts as a reminder of not only the brilliance of Eilish, but of her age, frailty, and how a small team made a world-renowned artist.
Ginny and Georgia comes off like that film you wanted to be a series, and after watching the first hour, you’ll be left so happy there are so many more.
Despite the show being called Millennials, most of the jokes will feel very much rooted in the 90s – especially considering how politically incorrect they are.
Netflix has a new epic on its hands and considering the vast and complicated world in Tribes of Europa, there is more going for it than against it.
Kenan feels a bit overdue and maybe for the wrong network, but there is no denying it has heart, borderline corny jokes, and makes for something you can watch with your kids.
The Map of Tiny Perfect Things is an imperfect romance film, which takes almost an hour to differentiate itself and keep you from growing tired of the film’s loop.
Is it weird to think a movie is way too long yet still be crying when it ends? That’s how we feel about To All The Boys: Always and Forever.
Little Fish will leave you wondering why all the best romances are constricted by tragedy.
It’s A Sin does deserve points for slightly altering the narrative regarding the AIDS pandemic’s early years, but eventually, it’ll feel like more of the same.
Malcolm & Marie pushes you to understand the complicated middle before a relationship comes to an end.
Would You Rather gives you a raw teenage experience, sans the usual sex and drugs.
It’s April 2020, and all the things one could do to distract oneself while at home have dissipated, and all that’s left is loneliness. Enter Mae, who has decided to take up virtual dating.
When your father is the epitome of masculinity, what does it say about you if you aren’t a spitting image of that?
Like nearly every well-crafted film about Black oppression in America, Judas and the Messiah will enrage you, tire you out, and make you hope J. Edgar Hoover and his enablers, rot in hell.
The 16 minutes of Jason Park’s BJ’s Mobile Gift Shop will leave you demanding a full-length feature film, featuring Johnnyboy Tellem before 2021 is over.
Ava From My Class pushes you to wonder where the line between admiration and a crush is for its young lead.
If you thought McG’s The Babysitter series was over the top and crazy, Manuel Crosby and Darren Knapp respond with “Challenge accepted” with First Date.
Mayday touches on the personal war one has within themselves and every single voice or person we see as holding us back – including our own.
Marvelous and the Black Hole, while it can come off as an angsty teenage film, it doesn’t push its lead to move on or get over it but harness that anger into something good.
We’ve all seen some version of Romeo and Juliet, but none of them compare to Carey Williams’ R#J.
Many young adults worldwide take advantage of privacy, which isn’t legally available to our two leads. But will they risk getting arrested to get it?
In Doublespeak, you are sorely reminded how Human Resources is more focused on protecting the company’s assets than your dignity or sense of safety.
Perhaps saving the best for last, No Strings delivers a sense of longing that reminds you how much we’re willing to compromise or settle for the sake of company.
The seduction of someone older and more mature meets realizing their maturity doesn’t mean they are ready for you.
Stanley buries the lead with sex and ends before you feel it gets to the good part.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.