On My Block: Season 3 Review
While the development of Jasmine is ace this season, the other elements of season 3 of “On My Block” are frustrating, inconsistent, or feel like a repeat of the past.
While the development of Jasmine is ace this season, the other elements of season 3 of “On My Block” are frustrating, inconsistent, or feel like a repeat of the past.
In a slight change of pace, “Motherland: Fort Salem” may focus on witches and the supernatural, but with the general omittance of men, things appear far more severe.
“Stargirl” in depicting what happens when you allow yourself to be what others want, brings about one of the best family appropriate live-action films from Disney in ages.
If the Coronavirus is making you paranoid, the pandemic in “Block Z” may not be the best thing for your anxiety.
“I Still Believe” with its tear-inducing story will make it so, even if you aren’t a person of faith, you’ll get why some hold onto theirs so tightly – despite it all.
All The Bright Places fulfills your need for butterflies and tears, as most YA novel adaptations do.
“The Thing About Harry” brings us beyond gay couples dealing with trauma and the dramatics of the first time. It’s just about the awkwardness of love.
Zoey Kravitz’s “High Fidelity” may not have too much of a hook beyond herself and Da’Vine Joy Randolph, but that might be all it needs.
“The Photograph” develops a mother/daughter relationship, a romance, as well as explores one woman’s struggle with the concept of love.
Through its exploration of marriage and relationships, after the honeymoon phase, “Stuck With You” explores that period between wanting to leave but not lose your investment.
While a bit longer than it needs to be, “To All The Boys: P.S. I Still Love You” will stir up your emotions just like the first film.
OWN continues to be one of the premier networks for dramas featuring elite Black talent, and Ava DuVernay’s “Cherish The Day” furthers the network’s legacy.
In a film fit for Valentine’s Day, “What Love Looks Like” brings us the beauty of love as it begins and the mourning period when it is at its end.
“My Hindu Friend” dances around the viewer’s expectations by creating a sexual, emotional, and sometimes utterly weird tale based on Héctor Babenco final year of life.
“A Fall From Grace” will make you wish Netflix had an audio track with comedians giving commentary to substitute a live audience.
“Weathering With You” like “Your Name.” plays with your emotions, skips certain details, but is ultimately worth the price to see.
“In/Spectre” tries to have romance, gore, comedy and the supernatural all in one, but it is hard to say it ever perfectly blends the three together.
Between a man with Alzheimer’s trying to see his first love and his granddaughter who keeps the core family together, you will be in your emotions.
The second season of “You” feels a bit formulaic, but Penn Badgley makes up for it by continuing to make you wonder how far Joe can go before he’s unforgivable?
“Always A Bridesmaid” is everything you could want and more from a romance film.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.