Love Wedding Repeat (2020) – Review/ Summary with Spoilers
Operating on a level of cringe that will make it either hilarious or off=putting, “Love Wedding Repeat” surely isn’t for everyone.
The films within this tag are Netflix original productions. Meaning, they’ll likely never leave the service and should be available now.
Operating on a level of cringe that will make it either hilarious or off=putting, “Love Wedding Repeat” surely isn’t for everyone.
“Coffee and Kareem” is definitely something mad for those who don’t mind kids cursing or being part of, or around, violent, and sexual, situations for laughs.
A character guide for Netflix’s Uncorked featuring cast members, character descriptions, and other noteworthy information.
“Uncorked,” sidesteps the usual dealings caused by poverty and racism to explore its leads’ father/son relationship, to sometimes mixed results.
With Tomlinson avoiding joking about blackout drunk sex, there is something refreshing about her.
All The Bright Places fulfills your need for butterflies and tears, as most YA novel adaptations do.
While a bit longer than it needs to be, “To All The Boys: P.S. I Still Love You” will stir up your emotions just like the first film.
Between a man with Alzheimer’s trying to see his first love and his granddaughter who keeps the core family together, you will be in your emotions.
Somehow an hour and 19-minute film feels so much longer by means that is hard to explain, but we’re going to try.
While it takes Chieng to warm up a little longer than it should, once he sets up the jokes for the latter half, it is all smooth sailing.
A show/ character guide for Netflix’s 6 Underground featuring who plays who, character descriptions, storylines, and general information.
Michael Bay’s love for explosions and expensive action scenes mixed with Ryan Reynolds’ humor is a match made in big-budget heaven.
In Joke Show, Wolf reminds you, while Netflix may have canceled her show, it wasn’t because she wasn’t funny but the format didn’t work.
Dead Kids is probably the most vulgar and violent Filipino movie featuring teens you may ever see – and it isn’t half bad.
The Christmas Prince series continues and remains perhaps one of the best holiday traditions of the modern age.
I Lost My Body is a sight to behold, but when it comes to the story, you may not feel it gives you what you desire.
Brother (Mon frère) is far more appealing in the trailer than the actual film.
Vanessa Hudgens further pushes the idea she is the queen of holiday movies as she potentially finds another franchise at Netflix.
Earthquake Bird is a slow-moving psychological drama that focuses on the emotion of guilt to drive its leads breakdown.
A holiday film focused on a Black family, which focuses more on being inclusive than diverse? November 28th couldn’t come soon enough.
Smart & Classy, due to references like the Menendez Brothers, can either be seen as for Gen X and above, or having a bit of dated material.
Rattlesnake helps you understand why Netflix no longer allows people to comment or see community ratings.
Dolemite Is My Name is probably one of the few 2-hour movies, not made with a Marvel stamp which breeze right on by thanks to the charisma of its actors.
In what feels like the Christmas version of The Last Summer, prep for some tears and for frustration.
Part manic stand up special, as well as reflective documentary, Jenny Slate: Stage Fright gives you both the performer and the person who had to live life to write the jokes.
Eli presents the unexpected, time and time again, to the point it will make you wish this was a mini-series, maybe of 2 – 3 episodes, than one movie.
Between characters you may not care to invest in and a plot which would require you to be in a theater to keep your attention, Fractured is a miss.
A mother nearly loses her child and the cost of her being saved appears to be the mother taking someone else’s life. Damned if you do and damned if you don’t, right?
A possibly disturbing movie featuring romance, that borderlines obsession, maybe murder, and tsundere type character? Don’t you wanna watch it?
Deon Cole’s Cole Hearted is the first special, in a long time, that is not only funny but quotable as hell.
In The Tall Grass has its moments, but also feels like it not only overstays its welcome but doesn’t answer pertinent questions.
Eli takes the usual bubble boy storyline, and instead of creating a comedy or drama, we get a full-on, “I need to go to church on Sunday” horror film.
As long as you like the idea of strictly hearing sex jokes for an hour, you’ll enjoy Nikki Glaser: Bangin’.
Mo Gilligan: Momentum is unlike most comedy specials you may have seen before and makes Gilligan someone you have to keep a watch on.
In Hello, Privilege. It’s Me, Chelsea, Chelsea Handler shows she means well yet still operates on a limited scope of what white privilege is.
The highly political Sturgill Simpson Presents: Sound & Fury is probably one of the most compelling visual albums you may see for a while.
In the Shadow of the Moon is written more to be the start of a series than a singular movie – and it shows through its characters.
After a slow start, showing you why Dunham uses puppets to get a laugh, things kick into high gear in Beside Himself.
Simple, likable, a quick and easy watch. That’s the only way to explain Falling Inn Love.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
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