Dave Chappelle: Epilogue – The Punchline – Summary, Review (with Spoilers)
In Epilogue: The Punchline, Dave shares a few celebrity encounter stories, does Q&A with the audience and talks about a chat with a trans person named Daphne.
The films within this tag are Netflix original productions. Meaning, they’ll likely never leave the service and should be available now.
In Epilogue: The Punchline, Dave shares a few celebrity encounter stories, does Q&A with the audience and talks about a chat with a trans person named Daphne.
In “Sticks & Stones” Chappelle reaches peak “I Do Not Give A F***” as he delves into Michael Jackson, the LGBTQ community, and more.
In many ways, Invader ZIM: Enter the Florpus is but an epilogue to the show which does leave room for a reboot but makes for grand finale.
Sextuplets is made strictly for fans of the comedic style Marlon Wayans has had since the 90s. Which is in desperate need of an update.
While Otherhood’s exploration of mother/son relationships plays out too silly to be taken seriously, there remains enough heart to make it worth checking out.
“Whitney Cummings: Can I Touch It?” has interesting thoughts in it, but you’ll forget most of them once the sex robot is brought out.
Secret Obsession doesn’t contain a single secret the trailer doesn’t reveal, or you couldn’t guess.
Point Blank somehow has car chases, bullets, and corrupt cops yet doesn’t present much of a thrill despite all that.
Aziz Ansari: Right Now brings us a more mature Aziz, reminiscent of Dave Chappelle’s The Bird Revelation, but still presenting the manic persona many have come to love.
Mike Epps: Only One Mike continues Netflix line of comedy tapings which may get a few chuckles out of you, but certainly aren’t specials.
Beats is the kind of film which has a good central story, but the bankable star gets in the way of said story shining as it could and should.
While a bit all over the place, with little in terms of an arching narrative, Devine’s high energy saves Adam DeVine: Best Time of Our Lives.
Murder Mystery is probably the best Adam Sandler comedy in years, at least in terms of story.
A character guide for Netflix’s I Am Mother featuring cast members names, character descriptions, and noteworthy information.
With I Am Mother, Netflix continues to produce quality sci-fi films with a small cast, a female lead, and loads of intrigue.
In this post, you’ll find quotes and .gifs collected or made during the month of May 2019.
Always Be My Maybe is definitely longer than it should be, but that doesn’t take away from the light comedy, cute romance, and moments which may make you tear up.
Thanks to a slight 80s vibe, and the chemistry of the cast, Rim of the World is an entertaining feature which definitely is in tune with Netflix’s brand.
Once Sykes gets past the obligatory Trump commentary, she finds a really good groove. But does she make this feel like a special?
Good Sam is breezy, likable, avoids any controversial topics, and focuses on an ambitious young reporter trying to find if good people still exist.
Extremely Wicked, Shockingly Evil, and Vile maybe words to describe Ted Bundy, but what you mostly get is his charming side – until the end.
See You Yesterday is one of those, “I wish this came out when I was growing up” kind of movies that represent there is true change in the entertainment industry.
All of Netflix’s past teen romance films seemingly were all just a warm-up for The Last Summer.
Looking for new quotes for your everyday life? Check out quotes we’ve collected during the month of April 2019.
One of two things comes from Someone Great: Wanting to call your best friends and say you love them, or wishing you have best friends you could call.
Every legendary artist has that performance which summarizes all they were and the epitome of who and what they are. For Beyoncé it was Beychella.
Thriller works better as a comedy than anything remotely close to a horror, and as long as you come in knowing that you should be fine.
While you can see each actor giving it their all, there is a bit of a disconnect which may not allow you to get as emotional as they get.
Remember how lucky/prepared the families were in Bird Box & A Quiet Place? Imagine a family who wasn’t as fortunate going through a similar apocalypse.
Good Hunting will likely be one of your favorite shorts to come out of the Love, Death + Robots anthology.
Kevin Hart: Irresponsible brings about all you expect from the comedian, and for longtime fans that might be a problem.
You might be surprised that, after The Leather Special, Schumer has a new comedy special that *gasps* is actually quite funny.
When The Yogurt Took Over is a bit of an anomaly since it doesn’t feature love, robots, and arguably no death. So, is it good?
Sucker of Souls is quite gory and a tad bit comical. However, it is towards the bottom of the Love, Death & Robots ranking.
Cartoon graphics mix with life or death situations creating moments that make you hold your breath in Suits.
In The Witness, we get what feels like a pitch to a much more complicated movie.
Sonnie’s Edge, thanks to its protagonist, the monster fights, and what background we get, makes you clamor for more.
Jimmy Carr: The Best of Ultimate Gold Greatest Hits will have you questioning how bad of a person you are for laughing at his offensive material.
Juanita is the type of role and movie you’ll wish Alfre Woodard and her peers got to experience far more often.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
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