Fresh (2022) – Review/ Summary (with Spoilers)
Fresh is the kind of film which will make you double back on its description for you clearly weren’t paying attention when reading its synopsis.
Fresh is the kind of film which will make you double back on its description for you clearly weren’t paying attention when reading its synopsis.
Master for PWI may have the same effect that Get Out had on Black man/White woman relationships.
At times confusing, but often disturbing, The Free Fall is a horror movie best watched at night and alone.
Despite a level of self-awareness that all may not enjoy, Scream does act as an excellent reminder on why only the horror genre can get away with “requels.”
Two is a notably strange movie that, unfortunately, doesn’t end with a quality reveal.
In its premiere episode, while things seem a bit dry at first, about halfway through the episode, you see what has people hyped about Squid Games.
In this reboot of Resident Evil, all the familiar names from the video game are introduced in an origin story format.
In the first two parts of Women Of The Movement, we’re reminded of the story of Emmett Till and explore the cover-up to keep him from being an international headline.
While many may find the hook to be Lucy Hale in a police drama, believe me when I say the murder mystery, and all that’s behind it, is what makes you stick around.
As part of keeping its users engaged, Tinder has come up with an interactive murder mystery for swipers to play – let’s talk about it.
Antlers is notably gory but avoids its compelling storylines to deliver a forgettable horror movie.
If there was ever a reason to go to the movies, it would be for Last Night In Soho just because it tries to do so much, and surprisingly gets it right.
Don’t Breathe can be added to the list of movies where the would-be villain has a complicated backstory that doesn’t excuse his crimes but allows you to understand their twisted logic.
While immensely frustrating sometimes, it is because The Boy Behind The Door gets you so invested that you hope for the best but expect the worst.
A guide for the Escape Room Franchise. Noted are cast members, information about their character(s), and additional details about the film’s story and characters.
Escape Room: Tournament of Champions may make you think the rooms would be more elaborate and attendees savvier, but that is not the case.
Fear Street: Part 3 (1666) is the perfect ending to the horror trilogy and will make you hope more trilogies resolve as quickly as this one did.
While the sequel to Fear Street: 1994 loses some of the luster of the first entry, at the very least, it ends strong.
Usually, it takes years for a trilogy to be built, but with Fear Street, Netflix is giving you the full story in three weeks, and 1994 sets a positive tone.
Awake could put you to sleep if it wasn’t for the much-needed screams and sounds of bullets being fired.
All Through the House presents the idea Santa’s Little Helpers may not be cuddly and friendly reindeer, and naughty kids may not just deal with coal.
You may feel like you’re getting flashbacks from In The Tall Grass, while watching The Tall Grass, but it’s not the same and gets out before it can get bad.
While buying robots makes almost all of your daily chores easier, can you imagine if the company behind them installed some special features to kill you?
The Promised Neverland: Season 2 is a proverbial sophomore slump compared to season 1 as it presents no credible threats or reasons to get invested.
Spiral: From The Book of SaW is not only one of Chris Rock’s best performances but the best entry into the SaW franchise for quite some time.
Separation tones down the jump scares and rather focus on a creepy set of monsters and its story of revenge.
In this 30-minute horror story, a young man is caught in the loop of a cop killing him in a multitude of ways.
Shadows House begins with establishing its core relationship, featuring two strikingly different opposites.
Redo of Healer is your classic, starts off violent and shocking, but as you become adjusted to the sex and violence, you realize there isn’t much there.
While, like most M. Night Shymalan productions, you have to wait till the end for things to get good, Servant season 2 will make you interested in a 3rd season.
It’s A Sin does deserve points for slightly altering the narrative regarding the AIDS pandemic’s early years, but eventually, it’ll feel like more of the same.
Like nearly every well-crafted film about Black oppression in America, Judas and the Messiah will enrage you, tire you out, and make you hope J. Edgar Hoover and his enablers, rot in hell.
You ever think to yourself, “I built up a tolerance to this kind of stuff?” Yeah, “Run Hide Fight” may test that theory.
The Chilling Adventures of Sabrina comes to an end, and, honestly, you’re reminded more so of where the series went wrong than what it did right.
What begins as a story about an adorable recluse becomes a rather bloody tale about how the lead character’s friend committed suicide.
Despite how predictable Fatale may seem, based on its trailer, believe me when I say it just uses the familiar to make you think you know what’s going to happen.
Songbird ignores whether producing a COVID romance is inappropriate and doesn’t even deliver a good enough relationship to never mind its ill-taste.
Similar to Happy Death Day, you’ll find Freaky has an unexpectedly good blend of horror and comedy – though it won’t do for its leads as we saw for Jessica Rothe.
“Come Play” takes an interesting approach to the monster genre by giving it an emotional edge and autistic lead.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
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