F Mary Kill (2024): Review and Summary
“F Mary Kill” presents a lighter and comical version of “Cat Person ” regarding what women may fear when dating men.
“F Mary Kill” presents a lighter and comical version of “Cat Person ” regarding what women may fear when dating men.
While “Y2K” may bug anyone born in the 1990s and before, it could be a fun film for those who only know the time through Tumblr aesthetics and unearned nostalgia.
“Werewolves” reminds you why the werewolf trend hasn’t revived like vampires despite multiple movies in a year with no true revival in sight.
“Heretic” uses the hook of horror as an entry point for a deeper conversation about the role and purpose of religion in society.
This is a character guide for Apple TV +’s “Before,” with character descriptions, quotes, names of actors, and more.
“Time Cut” feels so middle of the road, to appeal to maybe too many segments, that it just feels like a poor imitation of a better product.
It’s a romance, it’s a revenge tale, it is Melissa Barrera proving she doesn’t need “Scream” to be a movie star.
“Carnage For Christmas” gives you a campy horror movie that may have notable visuals, but some may find it lacks substance.
“Smile 2” presents the idea the franchise is perfecting a formula which should be able to get it through a few movies before getting stale.
“Bagman,” starring Sam Claflin and Antonia Thomas of “The Good Doctor,” lacks everything needed to be a compelling horror film, and not just because it is PG-13.
“Never Let Go” may star Halle Berry, but after a certain point, it is all about showcasing her young co-stars and furthering their careers.
“The Substance” pushes the need to question whether its potential message is lost in the pursuit of gore and its desire to show and critique the exploitation of a women.
While James McAvoy tapping into his crazy brings on some level of entertainment, as a whole, “Speak No Evil” plays it safe for a film despite its violence.
“The Front Room” starring Brandy is the kind of film that needs to be seen with an audience that will make commentary throughout in order to have the best experience.
“The Deliverance” mixes the family drama Lee Daniels has become known for with a supernatural horror element that, with Glenn Close’s performance, is a notable watch.
Hunter Schafer stars in what can be described as a slightly different horror movie than what usually comes out State side, even if it follows familiar beats.
Kit Harrington stars in a werewolf movie that is more about the human being, the tortured, insecure soul, than the beast within (no pun intended).
Featuring Peyton List, “The Inheritance” delivers a lot of familiar characters, and a well-tread story, but does give a certain creepiness factor.
Starring Samantha Neyland Trumbo, we watch as a highly educated surgical resident joins a practice marred by a burgeoning scandal of recent patients being murdered.
With “Sins of the Bride,” get ready for a slightly different take on the crazy light-skinned character who becomes disruptive to someone’s relationship.
A young woman with notoriety as a game tester and professional gamer is gifted a new headset that syncs with her brain and brings painful memories to life.
In “Kill Your Lover,” we get a literal depiction of a toxic relationship as a couple finds themselves at a crossroad with one wanting to work things out and the other wanting to leave.
Friends with secrets and drama between them begin to get killed off right before an infamous music festival.
“Incision” seems to forget to give you reasons to get invested, beyond familiar faces and the assumed empathy for people being victimized.
Starring Cassiel Eatock-Winnik and Savana Tardieu, this Tubi release sends teenage boys and girls to a Catholic camp to repent and reform from acting depraved.
“Tarot” scrapes the surface of the major arcana to create beings good for a jump scare but delivers a story that is more to holdover horror fans than become a classic.
Stylish, fun, and gross, “Infested” is the most effective spider-horror movie I’ve seen.
While “Abigail” certain has developed characters that could derive interest, the story is made to only be good enough if the only thing you desire is the type of violence only a vampire movie could have.
In a world where monsters attack at night, we see yet another world, post-apocalypse, where a handful of people struggle to survive.
This remake focuses again on Damien’s origins, specifically what led to his birth.
“Winnie The Pooh: Blood and Honey 2” moves beyond the shock value of a murderous childhood icon and tries to add depth to its characters.
Paired with tapping into fears of arachnophobia is a young girl trying to deal with her mom having a new baby and her stepdad trying to fill in the spot her biological dad abandoned.
Like working an actual night shift, the horror movie “Night Shift” starts as fun but becomes a chore to get through.
While DeWanda Wise delivers a notable performance, the story of “Imaginary” makes it for naught.
While a bit of a drag and having the feel of Oscar bait at first, by the end of the movie you’ll be in tears so bad the back of your throat will ache.
In this campy horror-comedy, a young woman who just immigrated to England, got dumped and, alongside her co-workers, decides to get playful revenge, but things turn deadly.
“Skeletons In The Closet” may make you curious, thanks to the inclusion of Terrence Howard and Cuba Gooding Jr., but it lacks anything to justify your initial interest.
“Lisa Frankenstein” doesn’t merely ride the wave of Frankenstein-type movies but carves out its own little niche thanks to the combination of those in front of and behind the camera.
This is a character guide for Crunchyroll’s “The Witch and the Beast,” with character descriptions, quotes, names of actors, and more.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
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