Bring Her Back (2025) Review & Summary
Bring Her Back makes you question what is justifiable when people say, “I’d do anything for my child.”
Bring Her Back makes you question what is justifiable when people say, “I’d do anything for my child.”
Final Destination: Bloodlines feels less like a grand return for the Final Destination franchise and more like an acceptable new entry, like it never left.
Clown In A Cornfield is the type of horror comedy that can get a bit corny or campy at times, but if you live for blood, guts, awkward moments, sarcasm, and eyebrow-raising, this is for you.
Tapping into the first-generation American experience, and all it takes to make it in America, you get Rosario, which reminds you some sacrifices are paid for in blood.
While it may placate your fix for violent horror movies, Until Dawn doesn’t deliver the characters or story for repeat viewings.
While reminding us that villains often have better stories than heroes, The Ugly Stepsister also creates empathy for those who didn’t feel enough.
Sinners further cements that Coogler and Jordan are one of the top actor and writer/director duos in American media currently, with signs they will raise each other’s pedestal each time they work together.
A mix between taking advantage of how much Ray Nicholson looks like his father and the name recognition of Samara Weaving only to make Alba Baptista the most interesting part of “Borderline.”
“The Woman In The Yard” is a reminder of how our thoughts and feelings, the lies we tell ourselves, often play the villains in our story.
“Locked” gives you an idea of what the 1% wishes they could do in reaction to those who, at best, inconvenience them or, at worst, make them feel unsafe.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.