Cobweb (2023) – Movie Review and Summary
“Cobweb” has a wonderful mystery and build that it squanders thanks to its ending.
“Cobweb” has a wonderful mystery and build that it squanders thanks to its ending.
“The Flood” isn’t as bad as one might think, but because of a dull story, it’s more boring than it should be.
“Birdbox Barcelona” navigates a hauntingly captivating journey of survival, illusion, and redemption, where love, faith, and human resilience are tested against a backdrop of dystopian horror and suspense.
While “Talk To Me” comes with graphic imagery and the occasional comical moment, the characters have hastened development which doesn’t really push you to care about who lives or dies, but rather how.
“The Horror of Dolores Roach” boasts a great cast ready to bite into the show’s bloody premise, but its tone shifts into systemic problems and landing a second season ruin a potentially good single season.
“Insidious: The Red Door” is a reminder of why it has been so refreshing for new horror movies to not only come out but also get a marketing budget so that you know they exist.
While many horror films have drama elements, “Run Rabbit Run” flips things and is a drama with horror elements that doesn’t necessarily do much beyond give us a creepy child.
Tragic and graphic, “The Angry Girl and Her Monster” causes the kind of combative feelings that make it something you have to experience for yourself.
A disturbing, cinematic journey, offering a thought-provoking exploration of toxic relationships, and resilience, alongside cultural and personal patterns.
“Suitable Flesh” may lack an explanation regarding what is happening, but you’ll be so locked in you may forget your questions until after the movie is over.
“Perpetrator” is more interested in ways to use and shoot blood than truly give life to its characters and anything it sets up plot-wise.
Starring only two people, “You Will Never Find Me” is a masterful depiction of building up to something bizarre and making every moment worth it.
D.W. Medoff’s “Pollen” is a horror film that doesn’t frighten you with scares, but chills you with its authentic portrait of trauma.
“The Blackening” is one of the funniest films I’ve seen in years and has the makings of being a classic thank to being funny throughout the whole film, and not just a handful of scenes.
“The Boogeyman” crafts grief, scares, and compelling performances in a way few monster movies do.
Season 2 of the five-season planned “Yellowjackets” drags early on and seems imbalanced between the past and present, but does end on a high note.
A summary of how “Clock” (2023) ended and whether a prequel or sequel is possible.
Strange, startlingly, but never horrifying, “The Grey House” may have some kinks to work out, but it is a welcome change for premiering shows on Broadway.
While there has always been peer pressure and conversations regarding a biological clock regarding maternity, “Clock” depicts the experience in all its horror.
Family togetherness takes a dark turn as Mommy is possessed by the Deadites and looks to unite her whole family in her bloody quest!
This nightmare comedy dives into your worst fears. You could love it and you can hate it, but you should really see Beau is Afraid.
An ancient evil possesses a 12-year-old boy with larger designs on the pope’s exorcist.
Renfield, familiar to Dracula betrays him by seeking a new empowered and purposeful life in heroic pursuits, but there is Hell to pay!
While the final season of “Servant” began with so much promise, unfortunately, it ends in disappointment like so many productions attached to M. Night Shyamalan lately.
“Summoning Sylvia” is one of the funniest horror movies you may ever see, that is intentionally funny and good.
Margot Richardson can’t escape nightmarish visions of her facially deformed sister murdered by her father long ago. She desperately struggles to find meaning by returning to her abandoned childhood home.
“Scream 6” is entertaining, but its existence feels more about the last film being profitable more than this franchise still having something to say.
With thrills and actors who more than deserve your attention, “Unseen” is a horror/ thriller that will make you glad that it isn’t platform exclusive.
“Children of the Corn” feels like the kind of release done so a studio can hold onto the license.
“The Strays” is a weird film that could have been about more, but in its pursuit of sensationalism, any points about society that could be made are lost.
“Winnie The Pooh: Blood and Honey” feels like a throwback to when slasher movies began, and the goal was to freak out the audience with intense visuals.
“Disquiet” gives “Angels of Death” vibes, as we watch a man try to escape a hospital with monsters who all want to kill him and some who may be friends or foes.
“Knock At The Cabin” is another M. Night Shyamalan film where the trailer may have sold you, but the movie lacks payoff.
Mo’Nique’s first joint venture with Lee Daniels since reconciling has her getting beaten and bruised and then coming off like a crazed psychopath.
If you ever wondered what a woman may think when dating a man, both the positive and negative, “Cat Person” is here to illuminate you.
While Jordan Peele can be seen as an exception, generally, Horror hasn’t made much of a splash at the Oscars, and here is a theory why.
“Fear” might be creepy enough to make you uncomfortable, but something about the writing and performances may make you cringe.
“Infinity Pool” is a mesmerizing and seductive nightmare in which Mia Goth plays hostess.
For those who find kids creepy, “There’s Something Wrong With The Kids” will have you give a side eye to any and all kids throughout your travels – even your friends’ kids.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.