The Long Walk – Review and Summary
Between themes of brotherhood, how much people would accept in an American dystopia, and more, The Long Walk is a reminder of how great Stephen King’s work can be for source material.
Between themes of brotherhood, how much people would accept in an American dystopia, and more, The Long Walk is a reminder of how great Stephen King’s work can be for source material.
While watching season 2 won’t cause woe, it does present itself as season 1.5, as it seems unsure what to do with anyone not named Wednesday, and who isn’t fodder for her.
Witchboard is a surprising theatrical release, for it lacks big names, doesn’t seem to seek prestige, but is a reminder that being average doesn’t mean you should be lost to the void of streaming.
Shot in such a way that it can trigger memories of America’s Most Wanted or a truth-be-told documentary, Strange Harvest develops a rarely seen type of horror.
Weapons rises just above being something to watch until a better movie comes along, mainly due to its villain’s performance.
The requel of I Know What You Did Last Summer struggles to do what most horror films need to in order to revive a franchise.
Queens of the Dead, produced by Shudder and in line with their brand, is everything you’d expect it to be and more.
Dangerous Animals more so scratches an itch than gives you the type of horror film that can haunt your brain.
The Last Of Us, as it tries to have Pedro Pascal pass the baton to Bella Ramsey, stumbles in ways that qualifies season 2 as a sophomore slump.
Bring Her Back makes you question what is justifiable when people say, “I’d do anything for my child.”

The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.