“The Midnight Club” is a sluggish watch with predictable jump scares and while it could get better, it makes a paltry effort to convince you to stay.
The third adaption of John Ajvide Lindqvist’s novel brings a heart not seen as strong in the previous movie adaptations.
Modernized in some ways but keeping the core story intact, we watch Louis again recounting meeting Lestat in an adaptation that struggles against its predecessors.
“My Best Friend’s Exorcism” is a run-of-the-mill horror film that lacks scares but does attempt to have a sweet friendship at its center.
It’s the start of horror movie season, and “Smile” is a good way to start your annual fix.
“Don’t Worry Darling” solidifies Olivia Wilde’s name as someone who can be trusted when they’re noted as the director.
While many films romanticize having long-lasting friendships, “The Razing” reminds you of the trouble that comes from people knowing the worst about you.
“Pearl” is an origin story more geared towards being a streaming release than a theatrical one.
While “Margaux” has visual effects not up to the grade you might be used to, the cast and story will keep you around until the end.
“Barbarian” has quality jump scares and freaky moments, but it leaves so many questions.
“Who Invited Them” reminds you of the dangers of having a house party where anyone could step into the place you call home.
As long as you start “The Harbinger” recognizing it is an indie movie, not a big-budget production, you can forgive its flaws and enjoy what is given.
“The Invitation” is the type of film ruined by a trailer that gives everything away, and the film does not compensate for that.
While over a decade past any fathomable need for it, “Orphan: First Kill” does remind you why the original film was controversial and notable.
“Bodies, Bodies, Bodies” satirical take on Gen Z/late Millennials will leave you giggling and potentially forgiving its ending.
Unlike his past movies, Jordan Peele’s “Nope” doesn’t seek to be too deep or inspire a litany of online think pieces. It’s just a decent alien movie.
After several movies and dozens of games, “Resident Evil” has a serial show, but does it stand out in a good way?
“Summer Time Rendering” presents a movie-level type of story which mixes the supernatural, a murder mystery, and apparently some groundhog day elements.
In a seemingly post-apocalyptic world, the surface has soldiers who may kill people, and shadows have monsters. Let’s see if this group can get to their destination alive.
In this silly horror short, two girls questions if the man who seemingly wants to kill them might be cute under his mask?
“The Black Phone” avoids being a generic horror movie by having notable characters and and a story focused on more than jump scares and gore.
While the tone and vibe are a bit corny, it’s easy to get sucked in by the leads’ chemistry and their different perspectives as hunters.
Night of the Mini Dead gives you Robot Chicken vibes in the best way.
Unnerving and graphic, but with an ending that lacks a punch, Men leans more towards art house than being a commercial horror.
Humans (The Warms) battle for survival against a vampire invasion that has pushed their people to the brink of extinction.
Best described as coming-of-age body horror, Hatching is just as much about the monster as an independent thing as its connection to the lead.
Choose or Die is the kind of pseudo-horror that has a better story buried beneath what it gives you.
Tomodachi Game is likely to be the show you will clamor for the next episode of and wish it was available to be binge-watched.
While you must applaud Umma for being a mainstream movie that talks about various aspects of Korean culture, sadly, it is a lukewarm horror film.
X is everything you expect as you go from sex scenes to watching people get mutilated and then find yourself immensely uncomfortable.
This short release by Sony, alongside giving us another notable performance from Sophie Thatcher, also pushes you to hope more shorts might be released on Sony’s channel.
After a tryst in their home in Brooklyn, an infamous writer moves, with her family, to Connecticut, where hallucinations make it seem things have become far worse for her.
Don’t Kill Me is sparse on details to the point of wondering if something was lost in translation.
If you love bloody, disgusting, gory, just straight-up violent horror movies? Netflix’s The Texas Chainsaw Massacre has you covered.
Student Body is bloody, vulgar, and ridiculous. But whether or not it is in the best way? That’s hard to say.
In this light horror short, a granddaughter finds herself facing her grandmother whose dying day was missed only by her.
Is it a con, or are they legit? That is what is explored in Breathe as a father/daughter duo attempt to do an exorcism.
Swallow The Universe is pure “What The F***” as it tells the story about a young person fighting off gods and animals who want their face.
In this gross-out horror, our lead’s insecurities grow into an appendage hell-bent on destroying its host.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
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