Redo of Healer: Season 1 – Review/ Summary (with Spoilers)
Redo of Healer is your classic, starts off violent and shocking, but as you become adjusted to the sex and violence, you realize there isn’t much there.
Redo of Healer is your classic, starts off violent and shocking, but as you become adjusted to the sex and violence, you realize there isn’t much there.
While, like most M. Night Shymalan productions, you have to wait till the end for things to get good, Servant season 2 will make you interested in a 3rd season.
It’s A Sin does deserve points for slightly altering the narrative regarding the AIDS pandemic’s early years, but eventually, it’ll feel like more of the same.
Like nearly every well-crafted film about Black oppression in America, Judas and the Messiah will enrage you, tire you out, and make you hope J. Edgar Hoover and his enablers, rot in hell.
You ever think to yourself, “I built up a tolerance to this kind of stuff?” Yeah, “Run Hide Fight” may test that theory.
The Chilling Adventures of Sabrina comes to an end, and, honestly, you’re reminded more so of where the series went wrong than what it did right.
What begins as a story about an adorable recluse becomes a rather bloody tale about how the lead character’s friend committed suicide.
Despite how predictable Fatale may seem, based on its trailer, believe me when I say it just uses the familiar to make you think you know what’s going to happen.
Songbird ignores whether producing a COVID romance is inappropriate and doesn’t even deliver a good enough relationship to never mind its ill-taste.
Similar to Happy Death Day, you’ll find Freaky has an unexpectedly good blend of horror and comedy – though it won’t do for its leads as we saw for Jessica Rothe.
“Come Play” takes an interesting approach to the monster genre by giving it an emotional edge and autistic lead.
A horror movie that is nearly 2 and a half hours – is it worth your time or should you avoid it?
Despite how creepy and seemingly perfect for the season “Cadaver” appears, it fails to live up to what you likely imagined.
“Lovecraft Country” continues the burgeoning tradition of, within the fantasy/horror genre, embedding Black stories to bring America’s shameful history back to life.
“Love and Monsters” reminds you Dylan O’Brien is one of this generation’s top action stars and will likely be the one people compare others to in the future.
“Vampires vs. The Bronx” lovingly expands the horror genre, with its charming cast but misses key opportunities to leave a mark.
As with most of Adam Sandler’s Netflix releases, “Hubie Halloween” will be a welcome addition to Sandler’s fans, and all others will question why “” got cancelled and this funded?
The Paramedic is a stern reminder of why closure isn’t needed, no matter what your ex says. Take what you can, and DON’T LOOK BACK!
The Babysitter: Killer Queen may not have the same pizazz when it comes to kill scenes, but the inclusion of Jenna Ortega does take things up a notch.
The Owners is strange in so many ways, but not enough to scare you, creep you out, or be notable.
#Alive, with its small speaking cast, but high stakes, makes for an awesome, albeit simple, zombie movie.
Unless you’ve grown tired of this new sub-genre of Black horror, mainly focused on the psychological effects of racism, you’ll find Lovecraft Country to be a wild ride.
You’ll either weirdly find Spree funny, disgusting, or something which might make you paranoid about ever using a ridesharing app ever again.
While “Servant” sometimes feels like a mini-series that went on too long, with each major reveal, it renews interest and keeps you wanting more.
In this over two hour epic, you watch a young man play the long game in ways that will stun you and leave you thinking, “It can’t end like this?”
“Fatal Affair” is tame, predictable, and lacks any sort of chemistry between its lead actress and her co-stars.
If you like your horror slow churning, not reliant on gore, but still may not be the best to watch at night, “Our House” could do the trick.
With the spin of grief manifesting itself, “Body Cam” explores police brutality and the conflicting emotions of a Black female officer.
“Into The Dark: Delivered” is frustrating as hell to watch, but can be a good time if you know someone who provides funny movie commentary.
Like many thrillers/horror shows, if not movies, “The Stranger” is pretty good until it needs to wrap things up.
“The Stranger” should be the flagship for Quibi as each cliffhanger makes it’s daily release schedule a blessing.
With more than meets the eye, “She Never Died” moves beyond the violence as it pursues a redemption story.
With “M.O.M. (Mothers of Monsters)” seeking to flesh out the fear of one parent, we’re reminded how difficult it might be to stop a catastrophe.
If the Coronavirus is making you paranoid, the pandemic in “Block Z” may not be the best thing for your anxiety.
“Fantasy Island” may surprise you with how it tries to be more than a horror movie and address the trauma of the guests on the island.
“Into The Dark: My Valentine” seems like it is inspired by the life of internet/music stars Poppy, Titanic Sinclair, and Mars Argo.
Thanks to minimal dialog, “Wicca Book” has a specific creep factor but leaves you disconnected from its characters.
“Gretel and Hansel” is a strange PG-13 horror that may have wonderful performances, but also has a divisive story.
“The Turning” may have creepy kids, but the jump scares are weak and the ending… well…
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.