Love and Monsters (2020) – Review/ Summary (with Spoilers)
“Love and Monsters” reminds you Dylan O’Brien is one of this generation’s top action stars and will likely be the one people compare others to in the future.
“Love and Monsters” reminds you Dylan O’Brien is one of this generation’s top action stars and will likely be the one people compare others to in the future.
“Vampires vs. The Bronx” lovingly expands the horror genre, with its charming cast but misses key opportunities to leave a mark.
As with most of Adam Sandler’s Netflix releases, “Hubie Halloween” will be a welcome addition to Sandler’s fans, and all others will question why “” got cancelled and this funded?
The Paramedic is a stern reminder of why closure isn’t needed, no matter what your ex says. Take what you can, and DON’T LOOK BACK!
The Babysitter: Killer Queen may not have the same pizazz when it comes to kill scenes, but the inclusion of Jenna Ortega does take things up a notch.
The Owners is strange in so many ways, but not enough to scare you, creep you out, or be notable.
#Alive, with its small speaking cast, but high stakes, makes for an awesome, albeit simple, zombie movie.
Unless you’ve grown tired of this new sub-genre of Black horror, mainly focused on the psychological effects of racism, you’ll find Lovecraft Country to be a wild ride.
You’ll either weirdly find Spree funny, disgusting, or something which might make you paranoid about ever using a ridesharing app ever again.
While “Servant” sometimes feels like a mini-series that went on too long, with each major reveal, it renews interest and keeps you wanting more.
In this over two hour epic, you watch a young man play the long game in ways that will stun you and leave you thinking, “It can’t end like this?”
“Fatal Affair” is tame, predictable, and lacks any sort of chemistry between its lead actress and her co-stars.
If you like your horror slow churning, not reliant on gore, but still may not be the best to watch at night, “Our House” could do the trick.
With the spin of grief manifesting itself, “Body Cam” explores police brutality and the conflicting emotions of a Black female officer.
“Into The Dark: Delivered” is frustrating as hell to watch, but can be a good time if you know someone who provides funny movie commentary.
Like many thrillers/horror shows, if not movies, “The Stranger” is pretty good until it needs to wrap things up.
“The Stranger” should be the flagship for Quibi as each cliffhanger makes it’s daily release schedule a blessing.
With more than meets the eye, “She Never Died” moves beyond the violence as it pursues a redemption story.
With “M.O.M. (Mothers of Monsters)” seeking to flesh out the fear of one parent, we’re reminded how difficult it might be to stop a catastrophe.
If the Coronavirus is making you paranoid, the pandemic in “Block Z” may not be the best thing for your anxiety.
“Fantasy Island” may surprise you with how it tries to be more than a horror movie and address the trauma of the guests on the island.
“Into The Dark: My Valentine” seems like it is inspired by the life of internet/music stars Poppy, Titanic Sinclair, and Mars Argo.
Thanks to minimal dialog, “Wicca Book” has a specific creep factor but leaves you disconnected from its characters.
“Gretel and Hansel” is a strange PG-13 horror that may have wonderful performances, but also has a divisive story.
“The Turning” may have creepy kids, but the jump scares are weak and the ending… well…
“Underwater” wants to be an emotional and action-packed action film, but it fails too often and its villain is underdeveloped.
Like “Rings,” the “SaW” remake, and so many other horror franchises that reboots were attempted for, “The Grudge” seems like it shouldn’t have been made.
For those who are fans of the Viziepop demon motif, something a bit more child-friendly is released – if your children are into monsters.
Black Christmas works on multiple levels. It operates as a fairly feminist film, and its incel-like villains produce a decent amount of jump scares.
Into The Dark: A Nasty Piece of Work is likely one of the best entries into the series in a long time.
A show/ character guide for Hazbin Hotel featuring who plays who, character descriptions, storylines, general information, and more.
Into the Dark: Pilgrim, is a reminder that even horror movies, with yellings, blood, and gore, can be boring.
In the comical horror series, Hottieween, rapper Megan Thee Stallion taps into her love of horror and pays homage to the great Black heroines of yesteryear.
While this feels like a very unnecessary sequel, between Ewan McGregor and Kyliegh Curran, they find a means to justify this 2 and a half hour movie.
Assimilate isn’t the most complicated horror movie, but due to the leads it has, it puts you on edge as their lives are threatened.
Rattlesnake helps you understand why Netflix no longer allows people to comment or see community ratings.
While Countdown doesn’t have the best lead or story, its supporting characters and jump scares make it worth a matinee price or using one of your subscription services.
Sweetheart reminds you: Believe Black women, don’t test Black women, and support Black women.
Eli presents the unexpected, time and time again, to the point it will make you wish this was a mini-series, maybe of 2 – 3 episodes, than one movie.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
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