Barbarian (2022) – Review/ Summary (with Spoilers)
“Barbarian” has quality jump scares and freaky moments, but it leaves so many questions.
“Barbarian” has quality jump scares and freaky moments, but it leaves so many questions.
“Who Invited Them” reminds you of the dangers of having a house party where anyone could step into the place you call home.
As long as you start “The Harbinger” recognizing it is an indie movie, not a big-budget production, you can forgive its flaws and enjoy what is given.
“The Invitation” is the type of film ruined by a trailer that gives everything away, and the film does not compensate for that.
While over a decade past any fathomable need for it, “Orphan: First Kill” does remind you why the original film was controversial and notable.
“Bodies, Bodies, Bodies” satirical take on Gen Z/late Millennials will leave you giggling and potentially forgiving its ending.
Unlike his past movies, Jordan Peele’s “Nope” doesn’t seek to be too deep or inspire a litany of online think pieces. It’s just a decent alien movie.
After several movies and dozens of games, “Resident Evil” has a serial show, but does it stand out in a good way?
“Summer Time Rendering” presents a movie-level type of story which mixes the supernatural, a murder mystery, and apparently some groundhog day elements.
In a seemingly post-apocalyptic world, the surface has soldiers who may kill people, and shadows have monsters. Let’s see if this group can get to their destination alive.
In this silly horror short, two girls questions if the man who seemingly wants to kill them might be cute under his mask?
“The Black Phone” avoids being a generic horror movie by having notable characters and and a story focused on more than jump scares and gore.
While the tone and vibe are a bit corny, it’s easy to get sucked in by the leads’ chemistry and their different perspectives as hunters.
Night of the Mini Dead gives you Robot Chicken vibes in the best way.
Unnerving and graphic, but with an ending that lacks a punch, Men leans more towards art house than being a commercial horror.
Humans (The Warms) battle for survival against a vampire invasion that has pushed their people to the brink of extinction.
Best described as coming-of-age body horror, Hatching is just as much about the monster as an independent thing as its connection to the lead.
Choose or Die is the kind of pseudo-horror that has a better story buried beneath what it gives you.
Tomodachi Game is likely to be the show you will clamor for the next episode of and wish it was available to be binge-watched.
While you must applaud Umma for being a mainstream movie that talks about various aspects of Korean culture, sadly, it is a lukewarm horror film.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.