(Theory) Why The Oscars Don’t Take The Horror Genre Seriously
While Jordan Peele can be seen as an exception, generally, Horror hasn’t made much of a splash at the Oscars, and here is a theory why.
While Jordan Peele can be seen as an exception, generally, Horror hasn’t made much of a splash at the Oscars, and here is a theory why.
“Fear” might be creepy enough to make you uncomfortable, but something about the writing and performances may make you cringe.
“Infinity Pool” is a mesmerizing and seductive nightmare in which Mia Goth plays hostess.
For those who find kids creepy, “There’s Something Wrong With The Kids” will have you give a side eye to any and all kids throughout your travels – even your friends’ kids.
“M3GAN” continues the horror trends of 2022 by trying to craft a new horror icon but also work well as a stand-alone feature (though it does set up a sequel).
In the first adaptation of Anne Rice’s Vampire Chronicles in serial form, race swapping isn’t the only notable thing about AMC’s version of “Interview With The Vampire.”
In “Lullaby,” Jewish faith is used to develop this horror film in ways you have likely not seen before.
“Let The Right One In” completes its first season with few blemishes as it presents an emotional story with violence, love, and sacrifice.
“Bones and All” can be seen as a sometimes brutal horror love story, but it may not go as far as expected.
While “The Menu” handles the pretentious characters with a certain level of comedic flair, the humor may not appeal to those who don’t find the personalities of the rich and pompous entertaining.
While you have to appreciate “Prey For The Devil” reminding you the history of exorcisms is rooted in the ignorance of psychology and medicine, that doesn’t make its desire to become a franchise any more appealing.
“The Midnight Club” is a sluggish watch with predictable jump scares and while it could get better, it makes a paltry effort to convince you to stay.
The third adaption of John Ajvide Lindqvist’s novel brings a heart not seen as strong in the previous movie adaptations.
Modernized in some ways but keeping the core story intact, we watch Louis again recounting meeting Lestat in an adaptation that struggles against its predecessors.
“My Best Friend’s Exorcism” is a run-of-the-mill horror film that lacks scares but does attempt to have a sweet friendship at its center.
It’s the start of horror movie season, and “Smile” is a good way to start your annual fix.
“Don’t Worry Darling” solidifies Olivia Wilde’s name as someone who can be trusted when they’re noted as the director.
While many films romanticize having long-lasting friendships, “The Razing” reminds you of the trouble that comes from people knowing the worst about you.
“Pearl” is an origin story more geared towards being a streaming release than a theatrical one.
While “Margaux” has visual effects not up to the grade you might be used to, the cast and story will keep you around until the end.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.