Into The Dark: School Spirits – Summary, Review (with Spoilers)
Into The Dark: School Spirit is a perfect SVoD release for it’s not good enough for theaters, or to pay for on its own.
Into The Dark: School Spirit is a perfect SVoD release for it’s not good enough for theaters, or to pay for on its own.
While Years and Years starts on a high note, as you grow indifferent over the future the characters go through, it pushes you to realize how complacent you’ve become of your own.
Twist is the type of film that presents to you a horror not presented enough: Being a young woman tasked with closing down their workplace at night.
In one movie, Child’s Play (2019) does what the original franchise consistently attempted to do: Be both horrifying yet comical.
Those who kill awaken some spiritual force, and it seems the blood they spilled in a sacred forest may soon include theirs.
A new serial killer is born and this one wasn’t created thanks to a bunch of teens, but due to a handful of drag queens.
Ma definitely pushes the idea we need more Black horror villains, but ones with villains who have better, or a less inundated, backstory.
The WTF Shorts at Tribeca 2019 all live up to the collection’s title, but not all for the same reason.
While The Intruder doesn’t seem like your yearly dose of generic Black thriller, that doesn’t mean it is necessarily good.
The best thing about Chambers will be its representation of Native Americans. As for the rest? Well, it may depend on how much you dig the horror genre.
Us, at first, circumvents a lot of what you expect from a horror/thriller. However, after a while, it overstays it’s welcome and its ending? Well…
Despite being a horror movie which had no marketing, and seems cheesy, Haunting on Fraternity Row is surprisingly good.
Happy Death Day 2U may feel like an unnecessary sequel, but it is nevertheless a fun time.
The Prodigy barely meets the expectation of at least having quality jump scares, leaving you feeling disappointed in a multitude of ways.
Velvet Buzzsaw barely lives up to the expectations of what you expect from a horror, lacks the urgency of a thriller, and is mostly just posh art world drama.
Animas’ teen drama and psychological aspects, when combined, neither provides a quality thriller nor horror.
While Escape Room inspires memories of SaW, it accomplishes much of what SaW originally did while being PG-13.
As long as you look at this as a low-budget horror movie, starring someone with moderate star power, you’ll enjoy The Possession of Hannah Grace.
Cam, as interesting as it is, leaves one thing out which may make or break the film for you.
From the creator of “The Story of 90 Coins” comes “The Tattooist.” A horror pivot that, just in its trailer, seems like it’s gruesome.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.