Spree – Review/ Summary (with Spoilers)
You’ll either weirdly find Spree funny, disgusting, or something which might make you paranoid about ever using a ridesharing app ever again.
You’ll either weirdly find Spree funny, disgusting, or something which might make you paranoid about ever using a ridesharing app ever again.
While “Servant” sometimes feels like a mini-series that went on too long, with each major reveal, it renews interest and keeps you wanting more.
In this over two hour epic, you watch a young man play the long game in ways that will stun you and leave you thinking, “It can’t end like this?”
“Fatal Affair” is tame, predictable, and lacks any sort of chemistry between its lead actress and her co-stars.
If you like your horror slow churning, not reliant on gore, but still may not be the best to watch at night, “Our House” could do the trick.
With the spin of grief manifesting itself, “Body Cam” explores police brutality and the conflicting emotions of a Black female officer.
“Into The Dark: Delivered” is frustrating as hell to watch, but can be a good time if you know someone who provides funny movie commentary.
Like many thrillers/horror shows, if not movies, “The Stranger” is pretty good until it needs to wrap things up.
“The Stranger” should be the flagship for Quibi as each cliffhanger makes it’s daily release schedule a blessing.
With more than meets the eye, “She Never Died” moves beyond the violence as it pursues a redemption story.
With “M.O.M. (Mothers of Monsters)” seeking to flesh out the fear of one parent, we’re reminded how difficult it might be to stop a catastrophe.
If the Coronavirus is making you paranoid, the pandemic in “Block Z” may not be the best thing for your anxiety.
“Fantasy Island” may surprise you with how it tries to be more than a horror movie and address the trauma of the guests on the island.
“Into The Dark: My Valentine” seems like it is inspired by the life of internet/music stars Poppy, Titanic Sinclair, and Mars Argo.
Thanks to minimal dialog, “Wicca Book” has a specific creep factor but leaves you disconnected from its characters.
“Gretel and Hansel” is a strange PG-13 horror that may have wonderful performances, but also has a divisive story.
“The Turning” may have creepy kids, but the jump scares are weak and the ending… well…
“Underwater” wants to be an emotional and action-packed action film, but it fails too often and its villain is underdeveloped.
Like “Rings,” the “SaW” remake, and so many other horror franchises that reboots were attempted for, “The Grudge” seems like it shouldn’t have been made.
For those who are fans of the Viziepop demon motif, something a bit more child-friendly is released – if your children are into monsters.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.