Thriller (2018) – Summary, Review (with Spoilers)
Thriller works better as a comedy than anything remotely close to a horror, and as long as you come in knowing that you should be fine.
Thriller works better as a comedy than anything remotely close to a horror, and as long as you come in knowing that you should be fine.
While reimagining classic films usually deserve a side-eye, Little brings something completely new and leaves you feeling like it is long overdue.
Season 2 of On My Block loses a bit of the luster the first season had but remains a loveable staple of the Netflix library.
Three Robots is a quirky short which ends just before it could perhaps go left and overstay its welcome.
While diversity has come in the form of different skin tones, ethnicities and sexualities coming to the forefront, Shrill breaks ground.
Juanita is the type of role and movie you’ll wish Alfre Woodard and her peers got to experience far more often.
Captain Marvel nods towards being the first female-led Marvel movie, but other than that, it’s what fans of the MCU are long used to for better and worse.
Madea’s final bow may be a slight disappointment, but the laughs will remind you of why you fell in love with the character.
The Umbrella Academy’s first season is a bit hit and miss, but by the final, it seems to have found its footing.
This modernized version of Kim Possible could grow on you, but many of the jokes, and changes, including Kim being made insecure, may turn off older fans.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.