Christmas With You (2022) – Review/ Summary (with Spoilers)
“Christmas With You,” like most Christmas movies, is just different enough to stand out thanks to embracing parts of Latin American culture.
Discover our top picks and latest reviews spanning from blockbuster hits to indie films, shorts, and festival premieres across various platforms.
“Christmas With You,” like most Christmas movies, is just different enough to stand out thanks to embracing parts of Latin American culture.
While “The Menu” handles the pretentious characters with a certain level of comedic flair, the humor may not appeal to those who don’t find the personalities of the rich and pompous entertaining.
“Deon Cole: Charleen’s Boy” strings along a bunch of jokes regarding aging and loneliness and then hits on something personal.
While the romance between the two leads is notable, the hijinks the character Bisi, played by Bisola Aiyeola goes through and exhibits, steals “Dinner at My Place.”
“Bar Fight” is a simple comedy that, while not laugh-out-loud funny, is enjoyable for the most part.
Vengence, death, and colonization fuel “Black Panther: Wakanda Forever,” but rarely as far as you wish it would.
While it doesn’t have the makings of a classic, you might be surprised how much you enjoy this likable but forgettable Christmas movie.
“A Wesley Christmas,” like past BET movies, has an unexpected heart amongst your usual holiday storylines.
“Aftersun” is a dry, slice-of-life family movie that makes you wonder if you missed something of note while watching.
While there are times when the drama of Tess’ life makes this tedious to watch, by the end of “Dear Zoe,” you’ll nonetheless find yourself potentially in tears.
In “Selena Gomez: My Mind & Me,” we’re reminded how easily a celebrity becomes a product, as they are stripped of their humanity and spend their whole career trying to regain what it means to be a normal person.
While you have to appreciate “Prey For The Devil” reminding you the history of exorcisms is rooted in the ignorance of psychology and medicine, that doesn’t make its desire to become a franchise any more appealing.
By having a small cast with volatile emotions paired with a fat suit that is used to elicit sympathy, “The Whale” may make you cry, but its lasting impact is questionable.
“Glass Onion: A Knives Out Mystery” may have a disappointing mystery, but its zany and comedic characters compensate for that.
In this moving, biographical first feature from writer/director Elegance Bratton not only gives a stirring film but pulls from Jeremy Pope and Gabrielle Union the best performances of their careers.
Love blossoms, and apparently in a literal sense for Lily, as a new classmate catches her eye.
Being caught is always the worst nightmare but can it be different when you’re a girl and the person is of the same sex?
Male intimacy, and what western society is still adjusting to, makes “Close” a notable exploration of a loving friendship between two boys.
While the church is one way to meet people, what about meeting other men when you’re not sure of yourself?
“All I Ever Wanted” reminds you that sometimes, what you desire, has always been there.
“Lucky Fish” gives you the kind of cute moment between two people that can bring on happy tears.
“The Birth Of A Beautiful Butch” shows you why being your authentic self is the key to internal and external confidence
“Stars At Noon” leans on Margaret Qualley as a crutch, to the point of you imagining it bending and damn near breaking by the end of the film.
The slow burn that “Stay The Night” delivers a different kind of “Meet-Cute” story that makes every awkward and frustrating moment worth it.
“Lyle, Lyle Crocodile” knows what the heart of the film could be, yet it refuses to stick to it and thus becomes a forgettable movie hoping to cash in due to lack of competition.
“Entergalatic” reminds you that adult animation not only has the potential to thrive but also explore beyond graphic violence or sexual content.
“Hocus Pocus 2” might be one of the few sequels you likely didn’t ask for that is far better than expected.
“Bro” lives up to the hype and precedent it wants to set as one of the biggest gay romantic comedies, if not one of the best romantic comedies.
“My Best Friend’s Exorcism” is a run-of-the-mill horror film that lacks scares but does attempt to have a sweet friendship at its center.
It’s the start of horror movie season, and “Smile” is a good way to start your annual fix.
While “Game of Thrones” is considered Bella Ramsay’s breakout role, Birdy has given proof that Ramsay can and will have diverse stardom.
“On The Come Up” may have the characters and plot points, but like many book adaptations, it lacks the source material’s soul.
“Don’t Worry Darling” solidifies Olivia Wilde’s name as someone who can be trusted when they’re noted as the director.
While many films romanticize having long-lasting friendships, “The Razing” reminds you of the trouble that comes from people knowing the worst about you.
“The Woman Kin” breaks the mold many may see Viola Davis trapped in as she takes on the role of an action hero during a daunting time in Africa’s history.
“Pearl” is an origin story more geared towards being a streaming release than a theatrical one.
“Goodbye, Don Glees!” is a coming-of-age story that takes longer than it should to hook you, but once it has you, you’re attentive.
While “Margaux” has visual effects not up to the grade you might be used to, the cast and story will keep you around until the end.
“About Fate” is a cute and simple romantic comedy with minor dramatic elements that has the potential to make you swoon a bit.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.